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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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On <strong>the</strong> uses and disadvantages <strong>of</strong> history for lifega<strong>in</strong><strong>in</strong>g strength through reflect<strong>in</strong>g on past greatness, are <strong>in</strong>spiredwith <strong>the</strong> fe el<strong>in</strong>g that <strong>the</strong> life <strong>of</strong> man is a glorious th<strong>in</strong>g, and even that<strong>the</strong> fairest fruit <strong>of</strong> this bitter plant is <strong>the</strong> knowledge that <strong>in</strong> earliertimes someone passed through this existence <strong>in</strong>fused with pride andstrength, someone else sunk <strong>in</strong> pr<strong>of</strong>ound thoughtfulness, a thirdexhibit<strong>in</strong>g mercy and helpfulness - all <strong>of</strong> <strong>the</strong>m, however, leav<strong>in</strong>gbeh<strong>in</strong>d <strong>the</strong>m a s<strong>in</strong>gle teach<strong>in</strong>g: that he lives best who has no respectfo r existence. If <strong>the</strong> common man takes this little span <strong>of</strong> time withsuch gloomy earnestness and cl<strong>in</strong>gs to it so desperately, those few wehave just spoken <strong>of</strong> have known, on <strong>the</strong>ir way to immortality and tomonumental history, how to regard it with Olympian laughter or atleast with sublime mockery; <strong>of</strong>ten <strong>the</strong>y descended to <strong>the</strong>ir grave withan ironic smile - for what was <strong>the</strong>re left <strong>of</strong> <strong>the</strong>m to bury! Only <strong>the</strong>dross, refuse, vanity, animality that had always weighed <strong>the</strong>m downand that was now consigned to oblivion after hav<strong>in</strong>g f or long been<strong>the</strong> object <strong>of</strong> <strong>the</strong>ir contempt. But one th<strong>in</strong>g will live, <strong>the</strong> monogram<strong>of</strong> <strong>the</strong>ir most essential be<strong>in</strong>g, a work, an act, a piece <strong>of</strong> rare enlightenment,a creation: it will live because posterity cannot do without it. Inthis transfigured form, fame is someth<strong>in</strong>g more than <strong>the</strong> tastiestmorsel <strong>of</strong> our egoism, as Schopenhauer called it: it is <strong>the</strong> belief <strong>in</strong> <strong>the</strong>solidarity and cont<strong>in</strong>uity <strong>of</strong> <strong>the</strong> greatness <strong>of</strong> all ages and a protestaga<strong>in</strong>st <strong>the</strong> pass<strong>in</strong>g away <strong>of</strong> generations and <strong>the</strong> transitor<strong>in</strong>ess <strong>of</strong>th<strong>in</strong>gs.Of what use, <strong>the</strong>n, is <strong>the</strong> monumentalistic conception <strong>of</strong> <strong>the</strong> past,.engagement with <strong>the</strong> classic and rare <strong>of</strong> earlier times, to <strong>the</strong> man <strong>of</strong><strong>the</strong> present? He learns from it that <strong>the</strong> greatness that once existedwas <strong>in</strong> any event once possible and may thus be possible aga<strong>in</strong>; he goeshis way with more cheerful step, for <strong>the</strong> doubt which assailed him <strong>in</strong>weaker moments, whe<strong>the</strong>r he was not perhaps desir<strong>in</strong>g <strong>the</strong> impossible,has now been banished. Suppos<strong>in</strong>g someone believed that it wouldrequire no more than a hundred men educated and actively work<strong>in</strong>g<strong>in</strong> a new spirit to do away with <strong>the</strong> bogus form <strong>of</strong> culture which hasjust now become <strong>the</strong> fas hion <strong>in</strong> Germany, how greatly it wouldstreng<strong>the</strong>n him to realize that <strong>the</strong> culture <strong>of</strong> <strong>the</strong> Renaissance wasraised on <strong>the</strong> shoulders <strong>of</strong> just such a band <strong>of</strong> a hundred men.And yet - to learn someth<strong>in</strong>g new straightaway from this examplehow <strong>in</strong>exact, fluid and provisional that comparison would be!How much <strong>of</strong> <strong>the</strong> past would have to be overlooked if it was to producethat mighty effect, how violently what is <strong>in</strong>dividual <strong>in</strong> it wouldhave to be forced <strong>in</strong>to a universal mould and all its sharp corners andhard outl<strong>in</strong>es broken up <strong>in</strong> <strong>the</strong> <strong>in</strong>terest <strong>of</strong> conformity! At bottom,69

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