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Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

Friedrich_Nietzsche - Untimely_Meditations_(Cambridge_Texts_in_the_History_of_Philosophy__1997)

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On <strong>the</strong> uses and disadvantages <strong>of</strong> history for lifesay' - but <strong>the</strong>n he forgot this answer too, and stayed silent: so that <strong>the</strong>human be<strong>in</strong>g was left wonder<strong>in</strong>g.But he also wonders at himself, that he cannot learn to fo rget butcl<strong>in</strong>gs relentlessly to <strong>the</strong> past: however far and fast he may run, thischa<strong>in</strong> runs with him. And it is a matter for wonder: a moment, nowhere and <strong>the</strong>n gone, noth<strong>in</strong>g befo re it came, aga<strong>in</strong> noth<strong>in</strong>g after ithas gone, none<strong>the</strong>less returns as a ghost and disturbs <strong>the</strong> peace <strong>of</strong> alater moment. A leafflutters from <strong>the</strong> scroll <strong>of</strong> time, floats away - andsuddenly floats back aga<strong>in</strong> and falls <strong>in</strong>to <strong>the</strong> man's lap. Then <strong>the</strong> mansays 'I remember' and envies <strong>the</strong> animal, who at once fo rgets and fo rwhom every moment really dies, s<strong>in</strong>ks back <strong>in</strong>to night and fo g and isext<strong>in</strong>guished fo r ever. Thus <strong>the</strong> animal lives unhistorically: for it isconta<strong>in</strong>ed <strong>in</strong> <strong>the</strong> present, like a number without any awkward fractionleft over; it does not know how to dissimulate, it conceals noth<strong>in</strong>gand at every <strong>in</strong>stant appears wholly as what it is; it can <strong>the</strong>reforenever be anyth<strong>in</strong>g but honest. Man, on <strong>the</strong> o<strong>the</strong>r hand, braces himselfaga<strong>in</strong>st <strong>the</strong> great and ever greater pressure <strong>of</strong> what is past: itpushes him down or bends him sideways, it encumbers his steps as a,dark, <strong>in</strong>visible burden which he can sometimes appear to disownand which <strong>in</strong> traffic with his fellow men he is only too glad to disown,so as to excite <strong>the</strong>ir envy. That is why it affects him like a vision <strong>of</strong>a lost paradise to see <strong>the</strong> herds graz<strong>in</strong>g or, <strong>in</strong> closer proximity tohim, a child which, hav<strong>in</strong>g as yet noth<strong>in</strong>g <strong>of</strong> <strong>the</strong> past to shake <strong>of</strong>f,plays <strong>in</strong> blissful bl<strong>in</strong>dness between <strong>the</strong> hedges <strong>of</strong> past and future.Ye t its play must be disturbed; all too soon it will be called out <strong>of</strong>its state <strong>of</strong> fo rgetfulness. Then it will learn to understand <strong>the</strong>phrase 'it was ': that password which gives conflict, suffer<strong>in</strong>g andsatiety access to man so as to rem<strong>in</strong>d him what his existence fundamentallyis - an imperfect tense that can never become a perfectone. If death at last br<strong>in</strong>gs <strong>the</strong> desired forgett<strong>in</strong>g, by that act itat <strong>the</strong> same time ext<strong>in</strong>guishes <strong>the</strong> present and all existence and<strong>the</strong>rewith sets <strong>the</strong> seal on <strong>the</strong> knowledge that existence is only anun<strong>in</strong>terrupted has-been, a th<strong>in</strong>g that lives by negat<strong>in</strong>g, consum<strong>in</strong>gand contradict<strong>in</strong>g itself.If happ<strong>in</strong>ess, if reach<strong>in</strong>g out fo r new happ<strong>in</strong>ess, is <strong>in</strong> any sensewhat fetters liv<strong>in</strong>g creatures to life and makes <strong>the</strong>m go on liv<strong>in</strong>g, <strong>the</strong>nperhaps no philosopher is more justified than <strong>the</strong> Cynic: fo r <strong>the</strong>happ<strong>in</strong>ess <strong>of</strong> <strong>the</strong> ariimal, as <strong>the</strong> perfect Cynic, is <strong>the</strong> liv<strong>in</strong>g pro<strong>of</strong> <strong>of</strong><strong>the</strong> rightness <strong>of</strong> Cynicism. The smallest happ<strong>in</strong>ess, if only it is presentun<strong>in</strong>terruptedly and makes happy, is <strong>in</strong>comparably more happ<strong>in</strong>essthan <strong>the</strong> greatest happ<strong>in</strong>ess that comes only as an episode, as it werea piece <strong>of</strong> waywardness or fo lly, <strong>in</strong> a cont<strong>in</strong>uum <strong>of</strong> joylessness, desire61

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