The Ignacy Jan Paderewski Academy of Music in
The Ignacy Jan Paderewski Academy of Music in The Ignacy Jan Paderewski Academy of Music in
FACULTY OF VOCAL PERFORMANCE AND ACTING Dean professor Izabela Górska-Krasiel Deputy Dean senior lecturer Zdzisława Waliszewska Head of the Vocal Chair professor Ewa Wójciak-Wdowicka Faculty ECTS coordinator assistant professor Wojciech Maciejowski doctor habilitated Academy of Music in Poznan, room 109 phone: +48 61 8568923 e-mail: maciejowskialbert@xl.wp.pl Major ■ Vocal Performance (without alto tenor and countertenor) VOCAL PERFORMANCE 6-YEAR (STARTING FROM 2003/2004 5-YEAR) GRADUATE STUDIES The Faculty of Vocal Performance and Acting offers the programme which prepares students for the solo performances in music theatres. During the solo singing classes, they learn and perform the works of the opera, oratory and cantata, and song repertoire. In addition to the music courses, they participate in courses dealing with acting and stage movement, which after the third year finish with a theatre performance exam. Every year students prepare and present two opera performances, which are shown to public also outside the Academy, and which are met with great interest and critical appraisal. The students are obliged to attend a twoyear course at the Pedagogical Study Centre, the completion of which enables them to start a teaching career. There is also a course of “Marketing and cultural animation”, which gives the graduates the skills of management and promotion of culture (music). The practical part of the master exam consists of two recitals. In the first part, the student must perform a series of songs or selection of songs of one composer, and the arias from the Baroque ones to the early Mozart’s. The other recital consists of the presentation of the stylistically various arias and song from Mozart to modern times. The theoretical part consists in writing a paper connected with the specialization. Students earn the Master of Art degree in vocal performance and acting. Faculty structure VOCAL CHAIR It coordinates all substantial affairs of the Faculty. It organizes national master courses of the oratory and cantata music interpretations, and opera music interpretations in the aspect of performance practice. It is a co-organizer (substantial supervision of the K. Kurpinski Competition in Wloszakowice). The Faculty staff are also interested in the vocal pedagogy and they organize student opera performances. Teaching facilities The Faculty owns six classrooms, and the theatre room for the acting and movement classes. Concerts and student performances take place in the Chamber Room and the Academy Hall. 42
ECTS CREDITS 6-YEAR TRAINING (UNTIL 2002/2003) No. Course I II Year III IV V VI Specialized training 1. Solo singing 10/10 10/10 10/10 10/10 12/12 15/15 2. Practice with an accompanist 4/4 2/2 4/4 4/4 5/5 5/5 3. Musical and stage arrangement of the opera parts (opera groups) – – – 6/6 6/6 6/6 4. One-to-one couching – opera parts – – – 3/3 4/5 3/4 5. Vocal ensembles – 1/1 3/3 – – – 6. Fundamentals of acting technique 3/3 2/2 – – – – 7. Role preparation – 2/2 2/2 – – – 8. Diction and recitation 2/2 3/2 3/3 – – – 9. Stage movement – dance 2/2 1/1 – – – – 10. Eurhythmics 1/1 – – – – – 11. Make up and costumes – – – – 2/2 – 12. Anatomy and physiology of voice – 0,5/0,5 – – – – Complementary training 13. Sight reading 3/3 – – – – – 14. Ear training – 3/3 3/3 3/3 – – 15. General piano 2/2 2/2 – – – – 16. Music science 1/1 – – – – – 17. Harmony – 0,5/0,5 – – – – 18. Musical forms – – 1/1 – – – 19. History of music with vocal literature – 1/1 2/2 2/2 – – 20. Diploma thesis seminar – – – – 1/– 1/– General training 21. History of culture and art 2/2 2/2 – – – – 22. History of music theatre – – – –/2 – – 23. History of philosophy – –/1 2/– – – – 24. Italian language – – – – – – 25. German language – – – – – – 26. Russian phonetics – – – – – – 27. French phonetics – – – – – – 28. Physical education – – – – – – 29. Marketing and animation of culture – – –/2 2/– – – 43
- Page 1 and 2: The Ignacy Jan Paderewski Academy o
- Page 3 and 4: Contents The European Credit Transf
- Page 5 and 6: POZNAN THE CITY ON THE WARTA RIVER
- Page 7 and 8: The Conservatory was not only an ap
- Page 9 and 10: Number of students in the academic
- Page 11 and 12: ■ Musikhochschule Lübeck ■ Hog
- Page 13 and 14: Faculty of Composition, Conducting,
- Page 15 and 16: No. Course ECTS CREDITS COMPOSITION
- Page 17 and 18: No. Course THEORY OF MUSIC I II Yea
- Page 19 and 20: COURSE DESCRIPTIONS* C - COMPOSITIO
- Page 21 and 22: ASSESSMENT: semester V - pass/fail,
- Page 23 and 24: ASSESSMENT: semester VII - pass/fai
- Page 25 and 26: PEDAGOGY (C, Cn, T, E) 2 years, I y
- Page 27 and 28: FACULTY OF INSTRUMENTS Dean profess
- Page 29 and 30: ■ takes care of students preparin
- Page 31 and 32: No. Course WIND INSTRUMENTS I II Ye
- Page 33 and 34: No. Course GUITAR I II Year III IV
- Page 35: No. Course ORGAN I II Year III IV V
- Page 38 and 39: semesters I-VIII - 1 hour a week; s
- Page 40 and 41: TEACHERS: senior lecturer Lidia Kie
- Page 44 and 45: 5-YEAR TRAINING (STARTING FROM 2003
- Page 46 and 47: Basic knowledge of anatomy and phys
- Page 48 and 49: FACULTY OF CHOIR CONDUCTING, MUSIC
- Page 50 and 51: No. Course ECTS CREDITS CHOIR CONDU
- Page 52 and 53: No. Course CHURCH MUSIC uniform pro
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- Page 56 and 57: ASSESSMENT: semester V - pass/fail,
- Page 58 and 59: ————— * A note: semesters
- Page 60 and 61: Health service ■ Sudden illnesses
ECTS CREDITS<br />
6-YEAR TRAINING (UNTIL 2002/2003)<br />
No. Course<br />
I II<br />
Year<br />
III IV V VI<br />
Specialized tra<strong>in</strong><strong>in</strong>g<br />
1. Solo s<strong>in</strong>g<strong>in</strong>g 10/10 10/10 10/10 10/10 12/12 15/15<br />
2. Practice with an accompanist 4/4 2/2 4/4 4/4 5/5 5/5<br />
3. <strong>Music</strong>al and stage arrangement <strong>of</strong> the opera parts (opera groups) – – – 6/6 6/6 6/6<br />
4. One-to-one couch<strong>in</strong>g – opera parts – – – 3/3 4/5 3/4<br />
5. Vocal ensembles – 1/1 3/3 – – –<br />
6. Fundamentals <strong>of</strong> act<strong>in</strong>g technique 3/3 2/2 – – – –<br />
7. Role preparation – 2/2 2/2 – – –<br />
8. Diction and recitation 2/2 3/2 3/3 – – –<br />
9. Stage movement – dance 2/2 1/1 – – – –<br />
10. Eurhythmics 1/1 – – – – –<br />
11. Make up and costumes – – – – 2/2 –<br />
12. Anatomy and physiology <strong>of</strong> voice – 0,5/0,5 – – – –<br />
Complementary tra<strong>in</strong><strong>in</strong>g<br />
13. Sight read<strong>in</strong>g 3/3 – – – – –<br />
14. Ear tra<strong>in</strong><strong>in</strong>g – 3/3 3/3 3/3 – –<br />
15. General piano 2/2 2/2 – – – –<br />
16. <strong>Music</strong> science 1/1 – – – – –<br />
17. Harmony – 0,5/0,5 – – – –<br />
18. <strong>Music</strong>al forms – – 1/1 – – –<br />
19. History <strong>of</strong> music with vocal literature – 1/1 2/2 2/2 – –<br />
20. Diploma thesis sem<strong>in</strong>ar – – – – 1/– 1/–<br />
General tra<strong>in</strong><strong>in</strong>g<br />
21. History <strong>of</strong> culture and art 2/2 2/2 – – – –<br />
22. History <strong>of</strong> music theatre – – – –/2 – –<br />
23. History <strong>of</strong> philosophy – –/1 2/– – – –<br />
24. Italian language – – – – – –<br />
25. German language – – – – – –<br />
26. Russian phonetics – – – – – –<br />
27. French phonetics – – – – – –<br />
28. Physical education – – – – – –<br />
29. Market<strong>in</strong>g and animation <strong>of</strong> culture – – –/2 2/– – –<br />
43
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