The Ignacy Jan Paderewski Academy of Music in

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semesters I-VIII – 1 hour a week; semester IX, X – 2 hours a week; accordion, guitar, harp: 2 years, semesters VII-VIII – 0,5 hour a week; semesters IX-X – 1 hour a week; percussion: 2 years, semesters VII-IX – 1 hour a week, semester X – 2 hours a week TYPE: individual TEACHERS: associate professor Arnold Dąbrowski, senior lecturer Grażyna Czerwińska, Marcin Dęga M.A., assistant professor Barbara Tajnert-Dmochowska, senior lecturer Regina Feyerhern, Maria Koszewska-Wajdzik M.A., associate professor Anna Kozub, lecturer Marlena Lewandowska, senior lecturer Kazimiera Łabęcka, Paweł Mazur M.A., lecturer Piotr Niewiedział, associate professor Maciej Pabich Ph.D., Renata Pabich M.A., senior lecturer Jacek Polański, Patrycja Prątnicka-Wachowicz M.A., Laura Sobolewska M.A., assistant professor Krzysztof Sowiński, senior lecturer Danuta Szukała, Adam Szyszka M.A., senior lecturer Jacek Tomaszewski, Joanna Zathey M.A., assistant professor Maria Banaszkiewicz-Bryła ASSESSMENT: at the end of each semester Learning and practising students’ current assignments of their main instruments courses. PRACTICE IN ACCOMPANIMENT CLASS (STRING AND WIND INSTRUMENTS) 1 year, 1 hour a week TYPE: individual TEACHERS: associate professor Bogdana Janikowska, senior lecturer Weronika Firlej-Kubasik ASSESSMENT: string instruments: semesters III-IV – pass/fail; wind instruments: semesters VII-VIII – pass/fail Active help of instrumentalists – students of string and wind classes – in accompaniment training of piano students. ACCOMPANIMENT TRAINING (P) 2 years, 1 hour a week TYPE: individual TEACHERS: associate professor Bogdana Janikowska, senior lecturer Weronika Firlej-Kubasik ASSESSMENT: semesters III, V – pass/fail, semesters IV, VI – exam Accompaniment to soloists of various specializations: string, woodwind and brass instruments, singing. Proper arrangements and realization of piano parts in instrumental and vocal pieces. Training sight reading of pieces for piano as well as orchestra extracts. CHOIR (PIANO, ORGAN, HARPSICHORD, ACCORDION, GUITAR) 3 years, 4 hours a week TYPE: group TEACHERS: professor Przemysław Pałka ASSESSMENT: semesters I-VI – pass/fail Performing Polish and foreign choir and vocal and instrumental literature. Preview performances of Poznan composers’ works. MAIN COURSE LITERATURE (PIANO, ORGAN, HARPSICHORD, VIOLIN, VIOLA, CELLO, DOUBLE BASS, GUITAR, HARP, WIND INSTRUMENTS, ACCORDION, PERCUSSION) piano, percussion: 1 year, 2 hours a week; harpsichord, organ, violin, viola, cello, double bass, guitar, harp, wind instruments, accordion: 1 year, 1 hour a week TYPE: group TEACHERS: piano – senior lecturer Janina Tatarska Ph.D.; organ – professor Elżbieta Karolak; harpsichord – assistant professor Maria Banaszkiewicz-Bryła; violin – Arkadiusz Astriab M.A.; viola – professor Andrzej Murawski; cello -Agnieszka Brojek M.A.; double bass – assistant Szymon Guzowski; guitar – senior lecturer Henryk Jóźwiak; harp – senior lecturer Katarzyna Staniewicz; woodwind instruments – senior lecturer Krzysztof Zabłocki; brass instruments – senior lecturer Edward Chmiel; accordion – lecturer Teresa Kaszuba; percussion – lecturer Zbigniew Łowżył ASSESSMENT: semester V – pass/fail, semester VI – exam Getting to know solo and chamber literature of the main instrument in the general (historical) and detailed (analytical) aspect. Practising skills of recognizing literature of different music styles. HARPSICHORD (O) 1 year, 1 hour a week TYPE: individual TEACHERS: assistant professor Maria Banaszkiewicz-Bryła ASSESSMENT: semester I-II – exam Acquainting students with the harpsichord peculiarity – its distinctness, and common feature with organ. Opportunity of the basso continuo realization on harpsichord, which greatly enhances chamber experience of organists. HARMONY (O) 1 year, 2 hours a week TYPE: group TEACHERS: senior lecturer Teresa Brodniewicz ASSESSMENT: semester I – pass/fail, semester II – exam Broadening the knowledge of functional harmony with a special emphasis on extended tonality, nondiatonic modulation, and voice figuration. Emphasis on the proper use of terminology and aural recognition of sound phenomena. COUNTERPOINT WITH FUGUE (O) 1 year, 1 hour a week TYPE: group TEACHERS: professor Jan Astriab, professor Mirosław Bukowski, associate professor Zbigniew Kozub ASSESSMENT: semester III – pass/fail, semester IV – exam Polyphonic techniques from the Renaissance to the 20 th century. Practice in individual counterpoint genres. Theoretical assumptions and realization of the Baroque fugue form. REALIZATION OF FIGURED BASS (O, H) 1 year, 1 hour a week TYPE: group TEACHERS: associate professor Sławomir Kamiński ASSESSMENT: semesters III-IV – pass/fail Acquainting students with the practice in realization of figured bass on the basis of the 18 th century sources. Mastering sight playing of figured bass part for the chamber pieces of German, Italian and French Baroque. IMPROVISATION (O) 1 year, 1 hour a week TYPE: individual TEACHERS: associate professor Sławomir Kaminski ASSESSMENT: semesters V-VI – pass/fail Creating simple melody and rhythmic motifs as a basic polyphonic structure and their implementation in 2- and 3-voice free style exercises or with cantus firmus. Liturgical improvisation. ORGAN SCIENCE (O) 1 year, 1 hour a week TYPE: group TEACHERS: Jan Drozdowicz M.A., Waldemar Gawiejnowicz M.A. 38
ASSESSMENT: semester I – pass/fail, semester II – exam Learning the organ construction; description and working rules of individual elements. Development of organ construction through the centuries with the special emphasis on the Baroque and Romanticism periods. Rules and methods of action in case of minor breakdowns and inaccurate tuning. ORGAN (H) 1 year, 1 hour a week TYPE: individual TEACHERS: professor Elżbieta Karolak, associate professor Sławomir Kamiński ASSESSMENT: semester I – pass/fail, semester II – exam Mastering basic elements of organ playing technique with the special emphasis on pedal playing and the basics of proper articulation. Realization of figured bass on organ and harpsichord. PERCUSSION SET (P) 2 years, 1 hour a week TYPE: individual TEACHERS: lecturer Zbigniew Łowżył ASSESSMENT: semesters III-VI – pass/fail Playing the individual instruments of jazz set and broadening extensive knowledge about playing in different jazz styles. Classes with the use of piano, tape and rhythmic section. STRING INSTRUMENT (VM) 4 years, 1 hour a week TYPE: individual TEACHERS: Karina Gidaszewska M.A., Arkadiusz Astriab M.A., lecturer Marek Ważbiński ASSESSMENT: semesters I, III, V, VII – pass/fail, semesters II, IV, VI, VIII – exam Mastering the basic technical elements of playing the string instrument. Learning the ability to evaluate the sound of the instrument. VIOLIN-MAKING PRACTICE (VM) 2 years, 2 hours a week TYPE: group TEACHERS: associate professor Honorata Stalmierska, lecturer Jan Mazurek ASSESSMENT: semesters I-IV – pass/fail Practical implementation of tasks disscussed at the violinmaking lectures. HISTORY OF VIOLIN-MAKING ART (VM) 4 years, 1 hour a week TYPE: group TEACHERS: professor Andrzej Łapa, lecturer Jan Mazurek, associate professor Honorata Stalmierska ASSESSMENT: semesters I-III, V, VII – pass/fail, semesters IV, VI, VIII – exam Issues of methodology of violin-making work analysis and analysis of artistic activities of the most important representatives of European violin-making schools from the Renaissance to the present day. VIOLIN-MAKING ACOUSTICS (VM) 1 year, 2 hours a week TYPE: group TEACHERS: professor Helena Harajda doctor habilitated ASSESSMENT: semester I – pass/fail, semester II – exam Extending knowledge of acoustics and physics. Learning the skills of implementing the knowledge into artistic practice in order to get the best sound of instruments which are built or restored. Practice in measure technique in electroacoustics. GENERAL INSTRUMENTS SCIENCE (VM) 2 years, 1 hour a week TYPE: group TEACHERS: lecturer Alina Mazur ASSESSMENT: semester I-III – pass/fail, semester IV – exam History of musical instruments. Discussed topics are presented both through the European as well as other cultures. Historical classification methods take into consideration not only the acoustic aspect but also the performance practice. VIBRATION AND SOUND ANALYSIS (VM) 2 years, 2 hours a week TYPE: group TEACHERS: assistant professor Ewa Skrodzka Ph.D. ASSESSMENT: semesters III-V – pass/fail, semester VI – exam Learning the theory and practice of acoustic signal analysis. Elements of linear dynamics. Theory and practice of modal analysis. THEORY AND HISTORY OF VIOLIN-MAKING ART SEMINAR (VM) 1 year, 2 hours a week TYPE: group TEACHERS: lecturer Jan Mazurek ASSESSMENT: semesters V-VI – pass/fail Issues of designing modern and historical instruments on the basis of descriptive methods: descriptive geometry, the golden rule and proportionality rules. Documentation of a historical instrument construction. CHAMBER ENSEMBLE (PIANO, ORGAN, HARPSICHORD, GUITAR, HARP, STRING INSTRUMENTS, WIND INSTRUMENTS, ACCORDION, PERCUSSION) organ: 1 year, 1 hour a week; piano duets, string duets, accordion, guitar, harp: 2 years, 1 hour a week; piano, harpsichord, string instruments, wind instruments (trios, quartets, quintets): 2 years, 2 hours a week; percussion: 4 years, 2 hours a week TYPE: group TEACHERS: organ – professor Elżbieta Karolak, associate professor Sławomir Kamiński; accordion – lecturer Teresa Kaszuba; guitar – senior lecturer Henryk Jóźwiak; harp – senior lecturer Katarzyna Staniewicz; piano, harpsichord, string instruments – professor Marcin Baranowski, professor Bartosz Bryła, associate professor Arnold Dąbrowski, associate professor Bogdana Janikowska, professor Jadwiga Kaliszewska, lecturer Izabela Krajewska-Mrozek, lecturer Marlena Lewandowska, professor Bogumił Nowicki, professor Henryk Tritt, assistant professor Maria Banaszkiewicz-Bryła, professor Wojciech Maliński, lecturer Piotr Niewiedział, Arkadiusz Astriab M.A., lecturer Marek Ważbiński, assistant Jarosław Żołnierczyk; wind instruments – senior lecturer Jerzy Pelc Ph.D., Krzysztof Stencel M.A., professor Tomasz Gubański, professor Zdzisław Nowak, senior lecturer Leszek Walkowiak, senior lecturer Edward Chmiel, senior lecturer Stanisław Kwapisz; percussion – professor Marian Rapczewski, associate professor Maria Anders ASSESSMENT: semester III-VI – exam Learning the skills of group playing and sensitivity to the group sound. Solving interpretation problems. Preparation and participation in concerts. EAR TRAINING 2 years, 2 hours a week TYPE: group 39
Page 1 and 2: The Ignacy Jan Paderewski Academy o
Page 3 and 4: Contents The European Credit Transf
Page 5 and 6: POZNAN THE CITY ON THE WARTA RIVER
Page 7 and 8: The Conservatory was not only an ap
Page 9 and 10: Number of students in the academic
Page 11 and 12: ■ Musikhochschule Lübeck ■ Hog
Page 13 and 14: Faculty of Composition, Conducting,
Page 15 and 16: No. Course ECTS CREDITS COMPOSITION
Page 17 and 18: No. Course THEORY OF MUSIC I II Yea
Page 19 and 20: COURSE DESCRIPTIONS* C - COMPOSITIO
Page 21 and 22: ASSESSMENT: semester V - pass/fail,
Page 23 and 24: ASSESSMENT: semester VII - pass/fai
Page 25 and 26: PEDAGOGY (C, Cn, T, E) 2 years, I y
Page 27 and 28: FACULTY OF INSTRUMENTS Dean profess
Page 29 and 30: ■ takes care of students preparin
Page 31 and 32: No. Course WIND INSTRUMENTS I II Ye
Page 33 and 34: No. Course GUITAR I II Year III IV
Page 35: No. Course ORGAN I II Year III IV V
Page 40 and 41: TEACHERS: senior lecturer Lidia Kie
Page 42 and 43: FACULTY OF VOCAL PERFORMANCE AND AC
Page 44 and 45: 5-YEAR TRAINING (STARTING FROM 2003
Page 46 and 47: Basic knowledge of anatomy and phys
Page 48 and 49: FACULTY OF CHOIR CONDUCTING, MUSIC
Page 50 and 51: No. Course ECTS CREDITS CHOIR CONDU
Page 52 and 53: No. Course CHURCH MUSIC uniform pro
Page 54 and 55: Preparing students for leading musi
Page 56 and 57: ASSESSMENT: semester V - pass/fail,
Page 58 and 59: ————— * A note: semesters
Page 60 and 61: Health service ■ Sudden illnesses

The Ignacy Jan Paderewski Academy of Music in

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