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The Ignacy Jan Paderewski Academy of Music in

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ASSESSMENT: semester IX – pass/fail, semester X – M.A. <strong>The</strong>sis<br />

exam<br />

Preparation and edition <strong>of</strong> M.A. <strong>The</strong>sis paper.<br />

Basic tra<strong>in</strong><strong>in</strong>g<br />

HISTORY OF MUSIC WITH LITERATURE<br />

(C, Cn, E)<br />

2 years, 3 hours a week<br />

TYPE: group<br />

TEACHERS: senior lecturer Jarosław Mianowski Ph.D., senior lecturer<br />

<strong>Jan</strong><strong>in</strong>a Tatarska Ph.D.<br />

ASSESSMENT: semesters I-IV – exam<br />

Apart from the chronological systematization <strong>of</strong> the music<br />

creation, the class takes <strong>in</strong>to consideration problematic systematization<br />

and the history <strong>of</strong> musical notation, the history<br />

<strong>of</strong> musical forms and genres, the history <strong>of</strong> <strong>in</strong>struments,<br />

musical performance, the history <strong>of</strong> musical <strong>in</strong>stitutions, as<br />

well as problems <strong>of</strong> music perception.<br />

HISTORY OF THE 20 TH CENTURY MUSIC (C, Cn)<br />

1 year, 3 hours a week<br />

TYPE: group<br />

TEACHERS: assistant pr<strong>of</strong>essor Hal<strong>in</strong>a Lorkowska Ph.D.<br />

ASSESSMENT: semester V – pass/fail, semester VI – exam<br />

Development <strong>of</strong> music through the 20 th century. Broaden<strong>in</strong>g<br />

the historical and musical knowledge by the music connections<br />

with other artistic areas and social life. Presentation <strong>of</strong><br />

selected works – canon <strong>of</strong> the 20 th century musical literature<br />

HISTORY OF THEORY OF MUSIC (C, Cn)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: senior lecturer Teresa Brodniewicz<br />

ASSESSMENT: semester VII – pass/fail, semester VIII – exam<br />

History <strong>of</strong> notation – from the notation <strong>in</strong> the antique Greece<br />

– through the notation <strong>of</strong> the Middle Ages and Renaissance<br />

(alphabetical, neume, mensural, tablature) – to the score<br />

pr<strong>in</strong>t<strong>in</strong>g (from the 16 th century) and attempts to reform the<br />

system <strong>of</strong> notation <strong>in</strong> the 19 th and 20 th century. Development<br />

<strong>of</strong> musical systems: Greek, modal, solmisation and tonal<br />

(functional).<br />

MUSIC AESTHETICS (C, Cn, T)<br />

1 year (every second year), 2 hours a week<br />

TYPE: group – 3 rd and 4 th year together<br />

TEACHERS: assistant pr<strong>of</strong>essor Hanna Kostrzewska Ph.D.<br />

ASSESSMENT: semester V or VII – pass/fail, semester VI or VIII –<br />

exam<br />

Aesthetic and musical concepts <strong>in</strong> the historical perspective,<br />

a value <strong>in</strong> musical work, the concept <strong>of</strong> expression, semiological<br />

aspect <strong>of</strong> music, metamusical culture, postmodernism,<br />

poetics <strong>of</strong> the open work.<br />

DIPLOMA THESIS PROSEMINAR (C, Cn)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: senior lecturer <strong>Jan</strong><strong>in</strong>a Tatarska Ph.D.<br />

ASSESSMENT: semester I – pass/fail, semester II – exam<br />

General issues <strong>of</strong> the scholar methodology. Technique <strong>of</strong> writ<strong>in</strong>g<br />

scholarly papers.<br />

DIPLOMA THESIS SEMINAR (C, Cn)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: senior lecturer <strong>Jan</strong><strong>in</strong>a Tatarska Ph.D.<br />

ASSESSMENT: semester VII – pass/fail, semester VIII – exam<br />

Methods <strong>of</strong> historical, phenomenological, structural, systematic,<br />

<strong>in</strong>tegral and sociological <strong>in</strong>terpretation.<br />

M.A. THESIS SEMINAR (E)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: pr<strong>of</strong>essor Małgorzata Berent-Kupsik<br />

ASSESSMENT: semester VII – pass/fail, semester VIII – exam<br />

General issues <strong>of</strong> scholarly methodology. Technique <strong>of</strong> writ<strong>in</strong>g<br />

scholarly papers.<br />

M.A. THESIS CONSULTATION (E)<br />

1 year, 0,5 hour a week<br />

TYPE: <strong>in</strong>dividual<br />

TEACHERS: M.A. <strong>The</strong>sis tutors<br />

ASSESSMENT: semester IX – pass/fail, semester X – M.A. <strong>The</strong>sis<br />

exam<br />

Preparation and edition <strong>of</strong> M.A. <strong>The</strong>sis.<br />

COMPUTER EDITION OF TEXTS AND SCORES<br />

(C, Cn, T)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: lecturer Jerzy Zieleniak<br />

ASSESSMENT: semester VII-VIII – pass/fail<br />

Rules <strong>of</strong> computer s<strong>of</strong>tware mechanisms from the edition <strong>of</strong><br />

scores and texts to practical exercises.<br />

PROPEDEUTICS OF COMPUTER MUSIC (Cn, T, E)<br />

1 year, 1 hour a week (Cn, T); 1 semester, 1 hour a week (E)<br />

TYPE: group<br />

TEACHERS: lecturer Jerzy Zieleniak<br />

ASSESSMENT: semester III-IV – pass/fail (Cn, T); semester VII –<br />

pass/fail (E)<br />

Basic knowledge <strong>of</strong> acoustics and electroacoustics. Core <strong>of</strong><br />

the digital record<strong>in</strong>g and sound process<strong>in</strong>g. Discuss<strong>in</strong>g the<br />

categories <strong>of</strong> equipment and computer s<strong>of</strong>tware exist<strong>in</strong>g <strong>in</strong><br />

the computer music studio.<br />

STUDIO OF THE ELECTRONIC MUSIC (Cn, T)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: associate pr<strong>of</strong>essor Lidia Zielińska<br />

ASSESSMENT: semester V – pass/fail, semester VI – exam<br />

<strong>Music</strong>al and sound experiments <strong>in</strong> the 20 th century. Technology<br />

<strong>of</strong> the electroacoustic music from the s<strong>in</strong>e tone generators<br />

to bio-feedback, notation <strong>of</strong> the electroacoustic music,<br />

experiments with human voice and its electronic transformations.<br />

New trends – soundscape, audio-art and other extramusical<br />

genres.<br />

JAZZ AND POPULAR MUSIC SEMINAR (C, Cn, T)<br />

1 year, 1 hour a week<br />

TYPE: group<br />

TEACHERS: lecturer Zbigniew Łowżył<br />

ASSESSMENT: semester VII – pass/fail, semester VIII – exam<br />

Introduction to the issues <strong>of</strong> popular, jazz and improvised<br />

music: differences <strong>of</strong> the music language <strong>in</strong> different styles,<br />

harmonic, articulatory, arrangement and rhythmic specifics.<br />

Methods <strong>of</strong> notation, genesis <strong>of</strong> the genres.<br />

PERCUSSION (C, Cn)<br />

1 year, 0,5 hour a week<br />

TYPE: group<br />

TEACHERS: pr<strong>of</strong>essor Marian Rapczewski<br />

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