Average rates for painting - Resene

Resene Professional development programmeThe business of painting differsfrom the trade of paintingLearn all you can about thesefour vital components of thebusiness of painting‘a’ to paint anything you need some paint, some tools to prepare and apply the material. This part ofpainting remains a constant cost and you need money to pay for this portion, so ‘a’ = materials.‘b’ the time spent applying the materials and the amount you earn is the variable part of painting, so‘b’ = labour.‘c’ is the total costings of the business of painting and includes insurances, vehicles, telephones, stationery,fees and licences, bank charges, rent etc and is often, for small businesses as much as the total ofmaterials used. ‘c’ = overheads.‘d’ is the specific cost of each project and includes such items as scaffolding, outwork, travellingaccommodation etc and is particular to each job ‘d’ = establishment.Therefore when a price is determined the variable portion of a b c and d is ‘b’ the labour content and it isnecessary to properly understand the exact makeup of a price.5

Resene Professional development programmeMaterial costsThe paint manufacturing industry shares dataregarding market share, material trends and overallyields among other bits and bobs – some for theirown interests and for others such as GovernmentTrade and Commerce data.From this database the painting trade paysapproximately $14 per litre for materials, and thisamount includes all products i.e. ‘top shelf’, tradelines, strong colours, textures etc etc that paintersuse within their trade.Painting the same wall using the trade ‘average’the maths are (on a 10 litre basis)140 = $1.16 per metre for sealer120and140 x 2 = $2.54 per metre for topcoats110totalling $3.70, the difference less than the retailcost of paint at $4.10 per square metre.Painters need to decide whether this differencebelongs to them or their customers – we suspectmany painters pass on their discounts to make theirprices ‘more competitive’.Much is made by painters about the cost of paint –paint is the essential material costing but the profitsin painting are with labour management. The primecost of painting in this exercise is at average tradepricing 76% labour and 24% materials.There is an opinion that some bigger paintingcontractors receive buying terms for material thatprovides a competitive advantage when quotingfor work packages. These people already areincluded in the average price for trade anywaybut would need enormous percentage marginsto appreciably alter the balances – a 10% pricereduction, equivalent to another 30% discounton paint prices reduces the cost on the wall from$3.70 to $3.15 per square metre but even withthis massive reduction 78% remains labour and22% materials.Paints that increase labour productivity have thepotential to make huge gains as opposed to pricereductions per litre. Any materials that are easierto apply or cover better/go further when appliedwill, within the average grouping of architecturalcoatings painters mostly use, make you moremoney.That painters should continue to hassle theirsuppliers for better buying terms remains adecent pastime, because price is an importantconsideration for painters and their customers but,once a reasonable commercial agreement is made,better material performance is more critical to yourbottom line.On flat wall surfaces painters mostly average120m 2 per coat per day – this is each day andincludes all the mucking about contingent withthe process – masking, talking, texting, dit dit andditto! and this results in the factor given of 0.25per m 2 for painting paperfaced plasterboard inthree coats. This returns around $40 for each hourpainting and therefore covers the overheads andleaves a little profit.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz6

Resene Professional development programme(c) Occasionally painters are engaged on a ‘timeand material’ basis and can apply these unitrates for their work. The costs per hour areinclusive of full daily rates but contractorsshould be careful when working throughpublic holidays or for lengthy periods workingtimes outside normal working conditions.’Time and a half’ or ‘Double time’ entitlementsto waged staff does not have the same effectwhen translated to charge out rates becausemany elements of overheads are fixed, andin fact, as a percentage of your costs actuallydecrease as the optimum hours increasebeyond the average times worked.(b) Being a successful painting contractor isall about managing the productivity of theprocess to at least equal the ‘charge’ rate foreach hour worked. The built up rates in thetables are on this basis and good painterswill earn more than the average.(c) Back costing is an essential part of properlyrunning your business. Analytical systemsare simple to setup for the painting tradeexcept that many ‘off the shelf’ programmestend to capture labour costs as nett actual bytime sheet analysis. Remember that the ruleof thumb method of simply doubling the netthourly rate (NZ average $20 per hour) prettywell covers the overheads, holidays, accidentand sickness requirements and leaves a littlebit of profit).(d) Labour only subcontractors, are on an hourlybasis, not the full cost to the contractor, andan allowance must be added to allow foryour overheads and profit margins.Labour calculationOrdinary time 45 hours x $20.00 = $900.00Add Holiday and sick leave (+16.00%) 144.00Public Liability InsuranceACC and First Week Liability (+6%) 59.52Subtotal $1103.52Divide by Productive Hours$1103.52 ÷ 43.33 = 25.47(Deduct smoko time each day)Plus Brushware/rollers/sundries supplied by employer 5.10Direct cost (@ $20 per hour) $30.57Add your overheads ($10 per hour) $40.62Add profit $44.68+7

Resene Professional development programmeUnit ratesHour% factorMeasure$ rate labourmaterialsTradesperson, Journeyman, Painter per hour $44.68Skilled/Foreman/Leading hand painter per hour $46.50Contract supervisor self employed painter perhourApprentice painters1st year contract per hour2nd year contract per hour3rd year contract per hour$48.5029.0033.0040.00labour unit ratesService plusage to cover equipment, brushware,distribution, environmental complianceeach houreach personadd 40cTravelling allowance per kilometre from 90cHeight allowances above 3 metres from groundlevel or floor level (interiors)From $4.50 per square metre of wallface measuresexternally – confirm with scaffolding experts on ajob to job basis.Masking allowance (include material and labour)allow more for smaller undertakings0.002 m 2 1.20Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz8

Resene Professional development programmeHoliday pay and sick leave calculationTotal weeks – (Including leap year)52.14 weeksAnnual holidays4.00 weeksStatutory holidays2.20 weeksSick leave1.00 weekTotal non-working time =7.20 weeksTotal weeks52.14 weeksNon working weeks7.20 weeksTotal weeks worked in year =44.94 weeks7.20 x 100 = 16% (Holiday pay and sick leave calculation)44.94 1Public Liability Insurance, ACC LevyPublic Liability is usually based on taxable wages paid. 1% is allowed, but the rate will vary depending onrisk. ACC Levy is set by regulations at 2.09% (Dec 2009). The employer is liable for 80% of wages for thefirst week of employment related to accidents.Public Liability 1.00%ACC Levy 2.09%1st week (Employer) 2.50%Percentage addition for Insurance and Levies 5.59%You need to earn enough from painting to allow recovery of all these statutory entitlements –lots of self employed people miss out because their charges are too low.KiwiSaverIf you ‘top up’ an employee’s savings plan remember to add the amount onto your costings – you will onlybe able to recover the contributions from your earnings from customers.9

Resene Professional development programmeOverheadsThese are the costs used to run your business thatare separated from the costs of the function ofpainting (paint and accessories) and are recovered(hopefully) by including an average for theoverheads in prices you give customers for work.In some regards overheads can be included, forexample – a painter’s hourly rate for charging upwill include overheads which are in the order ofone third of the total cost of labour.Pretty well in every town there are two broadgroups of painters with their average prices andthe lower group consistently undervalues the costsof painting as a business while the others get itright. This despite the assertion from both groupsthat our industry is ultra price sensitive.Painting productivityfactors – LabouroverheadsSimilarly, the build up dollar rates for painting‘Average rates for painting’ also include anoverhead allowance, and a modest profit.Quite often the total of overheads, particularly withsmaller businesses, is rather more than the totalcosts of materials used by the business, and infact the overheads, as a percentage of productivitytends to be highest when the firm is smallest and ofcourse the percentage decreases as the productivitybase widens – a self employed painter running abusiness painting needs all the items listed andeconomies of scale would suggest that mostly theywill need for example a van and a phone, so toocould another painter employing four people – andthe same cost would be spread over the earningefforts of five people.• AREA X FACTOR = TIME in hours• AREA X FACTOR X RATE = Labour costFACTOR = Percentage of an hour (average) forpaintingAREARATE= Either square metres or metres run(lineal)= Cost per hour for painting, and can beset to include for overhead an/or profitrecoveryIt is a commonly expressed statement that paintingis so much more fun working away by oneself, butthese people need to be right at the high end withtheir prices to properly pay for everything.Very often painters can judge the time and materialsneeded for a job well enough and tend therefore toproduce quotes that cover the ‘time and materials’but overlook the standing overhead costs.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz10

Resene Professional development programmeSealers for plasterboard• Interior surfaces of walls and ceilings are sealed to promote adhesion of subsequent finishingsystems and to correct porosity differences. Waterborne sealers predominate but solventbornesealers are superior in wet areas and also block water and other surface staining. Solventbornesealers will block stains, but are always more difficult to sand than waterborne sealers.Painting ceilings• Ceiling flat white is traditionally applied and is mostly off white grayish or bluish! The high level oflight dispersing pigments are difficult to atomise with smaller airless units resulting in ‘tailing’ andother defects. Removing the primary pump filter often makes the difference!Painting walls• There are some differences in application – lots of painters applying at least the sealer by airlessspraying and sometimes also the topcoats – ‘backrolling’ although mostly topcoats are beingbrushed and rolled. Airless spraying obviously reduces the time taken for actual application butrequires both time and material to adequately ‘mask’ adjoining surfaces. It is much more sensitiveto humidity issues than conventional painting because adequate ventilation levels can easily becompromised.• Very competent tradespeople can (and do) brush and roll as productively as spraying when measuredon wall painting, and it would seem that the attraction for economics would be better addressed atareas of high labour inputs – such as door frames for example rather than simple flat areas wherecomparably productivity is high on an ‘area’ basis.• Painting timber surfaces generally, trims, skirtings, window liners and door frames and interiordoors are all potentially areas of ‘high wear’ and traditionally are finished in semi and full glossenamels. Acrylics are unsatisfactory because of their thermoplastic properties that attracts dirt etcand lack of blocking properties. Waterborne enamels are supplanting solventborne enamels forease of application, rapid drying times and environmental advantages. Superior durability and nonyellowing benefits are an added bonus.• The singular application advantage is that, unlike solventborne enamels, waterborne enamels requirelittle or no ‘laying off’ to achieve optimum results.11

Resene Professional development programmeInterior workApply 1 coat sealer to flat surfaces– ceilings and walls etc(a) brush and roll(b) airless sprayCeilings 1 x sealer2 x acrylic ceiling flat(a) brush and roll(b) airless sprayWalls and flat surfaces1 x sealer/undercoat2 x low sheen acrylicHour% factor0.090.050.22017Measure$ rate labourmaterialsm 24.50m 2 4.00m 213.00m 2 12.00interior – new workIncludes sanding, small defect fillings etc. white/colours. Colours below 40% LRV add 10%Timber surfaces1 x AP undercoat2 x topcoats gloss/semi-gloss(include stopping etc)0.24 m 2 14.100.31 m 2 17.20Prime, undercoat and full gloss enamel (2) coatsFlat surfaces wallboardsTimber flat surfaces (stopping)Timber 0-150Timber 150-3000.330.400.110.12m 2m 2LMLM17.2020.607.059.20Join a fan club!Painting newly built interiors requires excellent ventilation –• for your health• for your materials, and• for increased productivity!Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz12

Resene Professional development programmeInterior new workPainting interior doors and their frames requires time and skill compared to many other tasks andcurrently costings are averaged against three well proven methods.(a) is the average pricing needed to undertake the preparation and painting on site, mostly brushingand rolling (mostly indicative that most sealer is applied by spray conjointly with other surfaces.(b) is the average where the doors are stripped, removed off site and booth sprayed, returned and hung.Although the costs per door are attractive, by the time and frame and fittings etc are properly allowed forthe costs add up!(c) covers those people that are spraying all the coatings ‘in situ’! Painters using this method have theirown substitute hinges so that the doors can be included with the frames. Monocolours (i.e. door andframe the same) will save more money. This system works best with waterborne coatings (such asResene Lustacryl) because overspray can be easily covered with adjacent wall finishes.Overheight doors are difficult to handle and are also often ‘solid cored’ so be very careful whentaking these off – they can be heavy!Each fire door (used in apartments, hotels, motels and hospitals) has an individual matching certification plateon both door and frame – (don’t take off!). There is also a rebated frame detail filled with a smoke seal. Thismust be carefully kept clean of all paint, and of course, the doors are very heavy to handle.13

Resene Professional development programmeInterior doors/frames(a) Flush doors approx 1980 x 800 including bothsides and frame either acrylic or alkyd systems.Remove and replace hardware. Prime, stop,undercoat and topcoats ‘in situ’(b) Ditto to above but remove doors and paint offsite. Return and rehang include painting frameetc(c) Ditto but remove all hardware. Use ‘painter’sown’ temporary hinge. Spray all coats frameand door either HVLP or airless 0920 tip sizePaired bi-fold types as for above. Cavity sliders userate (a)Overheight doors@ 2700 high add 18% to rates above@ 3000 high add 25% to rates aboveOpen louvre panelled doors add 10% to ratesaboveFire doors approx 1980 x 800 each side and frame.Protect identity markers and smoke stop frameseal from paint splashes (painted in situ)Hour% factorMeasure$ rate labourmaterials3.60 each 144.002.00+outworkeach 96.503.00 each 110.003.60 pair 144.004.004.20eacheach162.00172.004.90 each 238.50doors and frames – interior new workCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz14

Resene Professional development programmeApplication of clear finishes requires first sealing the surface and the best results are achieved by usinga thinned full gloss clear (either waterborne or solventborne), which ensures the quickest and hardestdrying platform – reduced gloss levels – satin, semi-gloss or flat – are achieved by the addition offlatting agents that retard drying, particularly in humid or cold conditions. Stopping is always after thefirst coat and stained putty is still the best choice. Always apply clears with the grain and also sand withthe grain using garnet paper. Good quality brushware works the best. Solventborne varnishes slowlyyellow over time and darken timber – not always a bad thing!Staining timbers using penetrating wood stains such as Resene Colorwood is simple and effective –but – always sample check with your customer before starting – and make sure application is with lintfree cloths.Applying a waterborne sealer to particle board is both economical and stabilises the substrate colour.Moisture cured polyurethanes must not be sprayed, but are applied using strong solvent sleeves. Use anew sleeve between coats – the sleeves are cheaper than cleaning solvents!Apply coats with the ‘run’ of the boards to prevent ‘lapping’ because the material dries rapidly – oftenpossible to recoat the same day. Resene Aquaclear gloss develops almost similar hardness when fullycured without the solvent smell discomfort and is a practical alternative when working with people.Finger jointed pine finishing timber defects can be eliminated with well formulated primers (e.g. ReseneDecorator High Cover/Resene Quick Dry). Quality materials and brushware pay dividends with highproductivity outputs.Both colour and gloss differences can be highly effective. The best results are always from the selectionof complementary rather than opposite colour selections. An excellent solution for difficult surfaces suchas those with critical light problems.Flat surfaces are very difficult to find and coating is also difficult, but metallics respond brilliantly totextured surfaces or to distressed applications, such as crowsfooting techniques. Anaglypta linings canrespond spectacularly.Requires correct (large capacity) airless equipment such as Graco 795 – and skill to apply. Excellent selffinish for ceilings. These high build materials are really hard to sand when cured.15

Resene Professional development programmeInterior workSeal, stop and 2 coats clear varnishSatin – gloss0-150150-300Resene Colorwood timber stain only0-150150-300(stopping and clear over extra)Hour% factor0.260.100.120.080.020.04Measurem 2LMLMm 2LMLM$ rate labourmaterials17.306.708.106.100.801.20interior – new workParticle board flooringStopping fixing (overall)Seal PBS and 3 coatsMoisture cure polyurethaneT and G timber flooringStopping fixing (overall)3 coats moisture cure polyurethane0.020.360.100.29m 23.60m 2 22.80m 2m 2 8.1022.00Window liners 100mmPrime/clear and 2 coats 0.06 LM 6.30Timber windows interiorPrime/clear and 2 coatsMeasure flat over glass 1.10 m 2 41.502 colour broken ground sponging over basecoat 0.45 m 2 48.00Metallic finish on flatMetallic finish on texture (includes basecoats)Overglaze to metallics1.401.100.1458.00m 2m 2 9.00m 2 49.00Apply by airless surface prep (Resene Broadwall 3in 1)Skim coats to plasterboardFrom level 4 to level 5 0.18 m 2 12.00Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz16

Resene Professional development programmeFor many painters wallcoverings are only occasionally undertaken for customers, and unless people arekept reasonably busy, productivity becomes relatively low, and for most, room lots of 8-10 (approx 50m 2 )is about the average productivity.‘Paste the wall’ papers offer real advances as the whole process of hanging becomes both fasterand simple – selected lining opportunities will become both competitive with, and much better than,premium plasterboard finishes (levels 4 and 5).Textured linings offer significant decorative and added value opportunities – painters can both paperand paint surfaces.Commercial vinyls require splicing at butt joins but are otherwise simple to install. The actual price permetre can fluctuate between differing patterns and it is essential to exactly confirm both the price andsizes of these materials.Semi-woven materials such as Studio Vinyl (frontrunner) hang very well except that the foam backedpinboard types, common to schools and universities, hospitals etc are relatively expensive and alsodifficult to install.Standard wallpaper has 5m 2 per roll (503mm x 10 metres). ‘Paste the wall’ papers are standard width,available 10 metre long (5m 2 ) or 25 metre long (12m 2 ) per roll. Commercial vinyls vary from 1 metre to1200mm and 1400mm wide. Always check and ensure that you use the correct adhesives.Built up rates given that are inclusive of supply of materials include trade discounts available. These arethe ‘perk’ for the tradesperson, when for example, customers supply materials your risk provision is lostand you are merely a labour only provider!Patterned or plain, wallpaper is a versatile decorating tool that will quickly transform a room, addingcharacter and interest.Good-looking and practicalAs well as good looks, textured wallpaper has a further practical benefit. If a wall surface is a bit tired andhas rough patches and imperfections, a textured paper can hide a multitude of sins, rather like a blemishconcealer in a make-up kit. If you are renovating a new home, that can save time and money. For newhome builders, wallpaper can make up for a less than perfect plaster surface on interior walls.17

Resene Professional development programmeInterior workSupply, size and hang butt jointed lining paper toplasterboardsHour% factorMeasure$ rate labourmaterials0.40 m 2 16.80Supply, size and hang selected wallpaper (PC forsupply of paper @ $45 per roll or $10 per m 2 0.75 m 2 25.00Supply, size, paste the wall and hang selectedpaper (25m x .503 $7.50 per m 2 ) 0.40 m 2 15.00wallcoveringsSize only, plasterboard walls – ‘Shurstik’ or‘Metalyn’ latex sizeSeal old stained or yellowed paperfacedplasterboard with pigmented sealerSupply and fix Nylex/Autex Foam backed pinboardfabric0.06 m 2 3.700.11 m 2 6.803.80 m 2 90.00Stripping wallpaper(a) standard(b) vinyl(c) embossed* indicative rate only – try for labour hourly rate0.140.160.188.10m 2m 2 8.90m 28.55Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz18

Resene Professional development programmeCommercial vinyls require splicing at butt joins but are otherwise simple to install. The actual price permetre can fluctuate between differing patterns and it is essential to exactly confirm both the price andsizes of these materials.The given rates in the tables are for each m 2 in wall area. Often commercial vinyls are sold by the linealmetre, and the roll size can vary from around 1 metre wide through to 1600mm wide. Be careful withyour measurements before ordering, but always, check your calculations with the material supplier!Check carefully for the advice that is best for adhesives. Mostly the glue is applied to the wall prior tohanging, but check for the best advice before attempting to hang the product.In almost all cases, manufacturers do not hesitate to replace damaged wallcoverings; however, they dohave a problem replacing labour especially if it were possible to identify the problem either prior to thejob or following the installation of two rolls of wallcovering.Sizing, used as an auxiliary adhesive, was, for many years, recommended for two reasons: either toprovide extra tack during installation or to eliminate porosity of a surface before installation, whichgives a longer wet life of the wallcovering being hung and produces a better surface so the installer canslide the wallcovering into position more easily.’19

Resene Professional development programmeInterior workSupply, size, paste the wall and hang selectedpaper (25m x .503 $7.50 per m 2 )Supply, size paste wall and hang ‘Kontur’ 1.000wide textured liningApply 2 coats low sheen acrylic to aboveSize, wall paste and hang only selectedcommercial vinyl, splice vertical joins (Vinylwallcoverings vary in width from 1 metre to 1200to 1400 and per lineal metre for supply onlybetween $18-55 per lineal metre)Supply and fix Studio Vinyl (Frontrunner) typefabric (check actual selection)Hour% factorMeasure$ rate labourmaterials0.40 m 2 15.000.280.140.28 m 2m 212.20m 2 9.10Hangingonly!13.100.48 m 2 45.00wallcoveringsSupply and fix Autex foam backed pinboard fabric 3.22 m 2 90.00• Make sure correct quantity of wallcovering isreceived• Verify that all rolls for each separate area havethe same pattern and batch numbers to ensureuniformity• Check for physical damage perhaps fromcarriers. Inspect for edge trimming consistency.If two separate rolls are trimmed differently atthe edges, this is a sign of either poor trimmingor different batch number• Inspect for stains or dark patches near edges• Check for difference in colour, tonal valueespecially on dark background papers• Inspect for pattern inks that may be missingCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz20

Resene Professional development programmeGood painting practice emphasises the importance of preparation, particularly for repainting andcleanliness is the key! Cleaning is easily achieved with Sugar soap and propriety solutions like ReseneInterior Paintwork Cleaner and because it is an integral component of painting specification rates areincluded separately to actual coating costs.Step 1 – WashingWashing before painting interior walls, ceilings and joinery etc is good practice to remove any fly dirt, dust and othercontaminants. In most situations this means simply wiping using a clean lint-free cloth and a solution of warm waterand Resene Interior Paintwork Cleaner or a mild detergent. Sanding walls and ceilings is not usually necessary unlessthe surface has imperfections and/or flaking paint that needs to be sanded smooth, or if the existing paint systemis an old enamel system.If it is an enamel system, commonly used in kitchen and bathroom areas and on joinery and doors, first remove anygrease and oil using Sugar soap and sand the areas to degloss the surface and provide a key for the paint to adhereto. Alternatively Resene Waterborne Smooth Surface Sealer (D47a) could be used eliminating the requirement tosand.Note 1: Pen marks will need to be sealed with either Resene Sureseal (D42) or Resene Enamel Undercoat (D44) asthey will bleed through waterborne paints.Note 2: You can check whether the paint finish is an enamel system by rubbing the paint surface with meths. If itremoves some of the coating then it is most likely waterborne and a Resene paint system can be applied directly ontothe clean surface without sanding.Step 2 – FillingAny holes or voids, such as those left in wallboards by picture hooks, should be filled and once dry sanded smooth.Unless the hole in the wallboard is large (say bigger than the palm of your hand) it will not usually need sealing orpriming before painting.For timber joinery it is good practice to spot prime voids and holes, such as punched nailheads, before filling andthen reprime once filled and sanded. The tables below are guides to the most suitable sandpaper, fillers and primers/sealers to use.You are now ready to paint.Sanding and scrapingArea Scraper First sandpaper FinishingsandpaperFine finishing – clear finishes - 220 grit zinc stearate 400 grit Wet and DryRough and/or flaking woodwork or wallliningsSanding between costs, enamels, clearfinishing25mm-50mm flat 100 grit zinc stearate 220 grit zinc stearatebladed scraper- 220 grit zinc stearate -Sanding fillers for joinery, skirting boards etc - 180 grit zinc stearate -Sanding fillers on wall linings - 220 grit zinc stearate -Sanding wallboards after removing wallpaper - 80 grit zinc stearate -Wallboard compounds, Resene BroadwallSurface Prep and Seal (D807), ReseneBroadwall Waterborne Wallboard Sealer(D403)- 180-220 grit zincstearate – ideallywith a pole sander-21

Resene Professional development programmeFillersSubstrate Recommended AlternativeGaps between scotia, skirting boards and door and window frames Selleys No More Resene Gap FillerGapsHoles/voids in timber and MDF joinery PAL Contract Filler Selleys PermafillSmall holes, dents etc in wallboards (e.g. picture hook holes) Selleys Rapid Filler PAL Contract FillerPrimingSubstrate New AgedCedar joinery Resene Enamel Undercoat (D44) Resene Enamel Undercoat (D44)Laminated surfaces - Resene Waterborne Smooth Surface Sealer(D47a)MDFResene Quick Dry Waterborne PrimerUndercoat (D45)Resene Quick Dry Waterborne PrimerUndercoat (D45)Old varnish/polyurethane - Resene Waterborne Smooth Surface Sealer(D47a)Paperfaced plasterboard Resene Broadwall WaterborneWallboard Sealer (D403)Resene Sureseal (D42)Timber joineryInterior workResene Quick Dry Waterborne PrimerUndercoat (D45)Hour% factorMeasureResene Quick Dry Waterborne PrimerUndercoat (D45)Vinyl wallpaper - Resene Vinyl Wallpaper Sealer (D406)Water stains/pen and ink - Resene Sureseal (D42)marks$ rate labour/ materialsWashing down surfaces apply Resene Paint Prep andHousewash, scrub and rinse clean (general surfaces) 0.10 m 2 5.20Apply Resene Emulsifiable Solvent Cleaner (D804) togreasy or smoke damaged surfaces flush clean water washand vacuum dry (grease and smoke) 0.12 m 2 5.60Wash, sand and seal varnished surfaces with adhesionprimer 0.14 m 2 7.80Stripping wallpaper(a) standard(b) vinyl(c) embossed* indicative rate only – try for labour hourly rate0.140.160.1811.60m 2m 2 12.60m 2 9.60Skim coat plasterboard walls after paper removal 0.18 m 2 12.50interior preparatory washing/sealing – repaintsCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz22

Resene Professional development programmeRepainting interiors is usually pretty straightforward but often the circumstances prove expensive tomanage – shifting furniture and taking down and putting up curtains is often expected as part ofpainting. Try and establish some reasonable ground rules for both parties. Painters often comment thathomeowners are usually much easier to work with than tenants.Small jobs are very difficult to price accurately and are commonly underestimated. It’s just as difficult topaint a loo as it is to paint a skyscraper!Repainting existing cabinetry and/or shelving requires careful sanding to ensure adhesion of additionalcoatings. Brush and rolling two packs, such as Resene Uracryl is simple but good ventilation isessential.Height allowances are needed, particularly for difficult areas such as stairways.Small diameter pipes are just as hard to paint as larger pipes!Refer Page 22 – rates for cleaning/washing.23

Resene Professional development programmeInterior workHour% factorMeasure$ rate labour/ materialsPrepare, fill and sand walls and spot prime and 2 coatsacrylic 0.22 m 2 14.20Add value colours and cutting in 0.08 m 2 3.40Repaint ceilings in good condition• in 2 coats• in 1 coat• spot prime, seal, fill and 2 coats0.180.120.2213.00m 2m 2 15.50m 2 10.20interior – repaintsFlush doors 1980 x 800 average including frames prepareand recoat – enamel or varnish good condition both sidesincluded 2.90 each 135.00Average timber window frames and sashes measures flatoverall 1.10 m 2 32.00Prepare and paint average kitchen joinery units – sand, UCand topcoat. each 880.00+Prepare and sand, UC and topcoat average small bathroom each 800.00+Clear, varnish refinishingWash, sand and 2 coats 0.24 m 2 16.00Prepare and repaint cabinets shelving etc – sand and 2 coats2 pack finish 0.41 19.00Interior height allowances above 3.500 floor to ceiling Add on 15%Exposed pipework up to 200mm diameter per coat 0.065 LM 4.50Refer Page 22 – rates for cleaning/washing.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz24

Resene Professional development programmeNew timber and weatherboardsWash thoroughly to remove any dirt, contaminants etc.Rinse thoroughly.Primed with ReseneTrue-Prime PrimerUnpaintedPre-primed with Holdingor Transport PrimerPrime usingReseneQuick DryPrimerSand thoroughly using100-120 grit zinc stearatesandpaper refer notesPrime usingResene Wood PrimerFill any holes and gaps, lightly sand filled areaswith 220 grit sandpaper and reprime withResene Quick Dry Primer2-3 coats of ReseneHi-Glo waterborne gloss2-3 coats of Resene Sonyx101 waterborne semi-glossAlso consider using Resene MoulDefender or Resene CoolColour.• Plywood and Shadowclad are manufacturedfrom alternating thin layers of layered timberthat are then glued together. The top layer islikely to split or check when first exposed tomoisture and heat (a rainy day followed by asunny day!) – this will happen regardless ofwhether it is painted or stained first and is nota board fault.• We recommend that either it is deliberately wetand allowed to check (allow approx. 24 hours)and then primed and painted – applying a thirdcoat to the checked area or painting it straightaway and allowing for a third coat to be appliedat a later date once it has checked.25

Resene Professional development programmeNew exterior workPrime new timberPrime new timber 0-150mmPrime new timber 150-300mmPrepare, reprime, stop and 2 coatsExterior acrylic(2) to timberWeatherboards(a) bevel back(b) rusticatedPrepare, prime, stop and 2 coatsExterior acrylic(2) to fascias, trims etcExterior acrylic(2) 0-150mmExterior acrylic(2) 150-300mmHour% factor0.110.050.070.850.850.800.180.22Measurem 2LMLM$ rate labour/ materials3.651.151.45m 2 38.50m 2 41.00m 2LMLM29.2012.2014.00exterior timber – newPrime and 2 coats acrylic to dressed exterior grade plyflat nailed0.22 m 2 15.40QD prime plus 2 coats to rough sawn Shadowclad®ply (flat nailed)0.28 m 2 24.50QD prime plus 2 coats WB enamel to timber sashes andframes (measures flat overall)1.18 m 2 42.00Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz26

Resene Professional development programmeLINEA® weatherboardsEnsure the surface is cleanand dust freeFill any nail holes using Contractfiller and gaps with SelleysExterior No More GapsSpot prime filled areas withResene Quick Dry PrimerRecommend 3 coatsof Resene Sonyx 101waterborne semi-glossAlternatively recommend 3 coatsResene Lumbersider for a low sheenfinish or 3 coats of Resene Hi-Glo fora gloss finishAlso consider using Resene MoulDefender or Resene CoolColour.27

Resene Professional development programmeNew exterior workPrepare, wash, fill and exterior acrylic in 3 coats LINEA®ceramic weatherboardsWhen quoting to paint LINEA® weatherboards painterscan, in addition to the price for painting, offer anongoing service contract to both wash and paint thecladding in accordance with the LINEA® warranty (seeattached proforma).There are many advantages• Adding value to your offer• Properly conforming to the LINEA® warranty• Prospecting future customers• Strengthening your contractual position• Deflecting any future problems• LINEA® weatherboards utilise innovativeceramic technology to produce a very durable,movement and moisture resistant substrate– and is an ideal substrate for painting as itovercomes many of the movement relatedissues inherent in timber.• Its lack of movement and inertness mean thatstrong colours can be used without the risk ofwarping and shrinkage – problems common totimber weatherboards. As a result it is provingpopular with designers and architects wishingto use stronger colours on their designs.Hour% factorMeasure$ rate labour/ materials0.95 m 2 34.50• While they arrive at a building site primed theywill need spot priming for any nail holes, cutedges and any sanded areas.• For maximum durability we recommend threetopcoats are applied. This is also a conditionof the LINEA® warranty, mainly becausethe additional coat increases the coverageand therefore durability over sharper edgedprofiles.• To extend colour durability still further a coatof Resene Multishield+ can be applied (usuallyover Resene Lumbersider).LINEA® weatherboards – newCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz28

Resene Professional development programmeRead! This is important for painting!Resene LINEA® paint warranty (NZ)To (customer name):Address:For property at (Property):Under contract with (Builder):Paint supplier: Resene Paints Ltd Date (commencement):As part of the LINEA® system, Resene offers James Hardie customers a 15 year paint guarantee. The maintenance regimeincludes regular washing of the exterior, checks of the finish, and a repaint after 10 years. This sound maintenance systemallows Resene to guarantee the premium Resene paint system for 15 years against peeling, flaking and blistering.Paint warrantySubject to the exclusions set out below and in consideration for thepurchase by or on behalf of the Customer of Resene’s recommendedpremium paint systems (“Paint”) to be applied to LINEA® Weatherboardinstalled at the Property, Resene hereby warrants to the Customer thatthe Paint will not peel, fl ake or blister from the LINEA® Weatherboardfor a period of 15 years from the Commencement Date.In the event that the above warranty is not met during the time framespecified, Resene will at its cost provide replacement paint for theaffected area.This warranty is to the fullest extent permitted by law in lieu of all otherexpress or implied warranties applicable to the Paint whether statutoryor otherwise. All matters in connection with the above warranties willbe determined in accordance with the laws of New Zealand.The recommended Resene premium paint system shall be a minimumof spot priming and one full priming coat followed by two full topcoatsof premium Resene exterior gloss, semi-gloss or satin waterborne paint,or spot priming followed by three topcoats of premium Resene exteriorgloss, semi-gloss or satin waterborne paint.Excerpts from the James Hardie August 2007 literature that relates tothis warranty:7 FinishingNote: Protective coating of LINEA® Weatherboard and CLD Trim isrequired in order to meet the durability requirements of the NZBC.7.1 Preparation AND PrimingThe LINEA® Weatherboard and CLD Trim must be dry before painting.Punch and fi ll all exposed nails a maximum of 2mm below the surface.Fill the hole with an approved exterior fi ller that is compatible withLINEA® board, allow to cure and sand smooth ready for priming. Primethe fi lled holes in accordance with paint manufacturer’s specifications.7.2 SealantsAll sealants must demonstrate the ability to meet the relevantrequirements of the NZBC and hold a current BRANZ Appraisalcertificate. Application and use of sealants must comply withmanufacturer’s instructions. Sealants, if coated, must be compatiblewith the paint system.7.3 PaintingAll LINEA® Weatherboards are pre-primed on their face and bottomedge with a factory applied acrylic basecoat.LINEA® Weatherboard must be painted within 90 days of installation.All exposed faces, including the top edges under the sills and bottomedges of LINEA® Weatherboard, Trim and accessories must be fi nishedwith latex exterior paint system complying with any of parts 7, 8, 9,and 10 of AS 3730.Dark coloured paints can be used on LINEA® Weatherboard and Trim.Some environments require special coatings.Paint selection and the preparation required is dependant on paintchosen. Refer to the paint manufacturer for information before startingpainting.Although dark coloured paints may be used, some bright and darkcolours may be more susceptible to colour change under U.V. light. Werecommend colours with a light reflectance value (LRV) of greater than40%. Where a colour less than 40% LRV is chosen, Resene Cool Colourtechnology is recommended (where available).9 MaintenanceIt is the responsibility of the specifier to determine normal maintenancerequirements to comply with NZBC Acceptable Solution ‘B2/AS1’. Theextent and nature of maintenance will depend on the geographicallocation and exposure of the building. As a guide, it is recommended thatbasic normal maintenance tasks shall include but not be limited to:• Washing down exterior surfaces every 6-12 months following theinstructions in the Resene Caring for your paint fi nish brochure,available from Resene ColorShops or the Resene website,• Re-applying exterior protective fi nishes*,• Maintaining the exterior envelope and connections including joints,penetrations, fl ashings and sealants,• Cleaning out gutters, blocked pipes and overflows as required,• Pruning back vegetation close to or touching the building,• The clearances between the bottom edge of LINEA® Weatherboardand the fi nished/unfinished ground must always be maintained.*Resene requires a repaint after 10 years.29

Resene Professional development programmeExclusionsResene shall have no obligation to the Customer under the above PaintWarranty for or in relation to:• the use of any paint that is not part of the recommended Resenepremium paint system.• the application of the Paint other than in accordance with Resene’sapplication recommendations in effect at the Commencement Date,including without limitation recommendations in respect of surfacepreparation. Nor shall Resene have any obligation to the Customer ifthe recommendations in respect of fi nishing and painting containedin James Hardies’ Builders’ Guide in effect at the CommencementDate are not complied with;• the application of the Resene paint to any surface other thanLINEA® Weatherboard;• any act or omission on the part of a painter causing the paint orapplication of the paint to be defective by any means;• the use, in connection with the paint, of any products, the use ofwhich is advised against in Resene’s application recommendationsin effect at the Commencement Date;• the paint surface being maintained by the Customer (or subsequentowner of the Property) in an unreasonable manner including withoutlimitation in a manner inconsistent with the LINEA® Weatherboardmaintenance instructions of James Hardie as specified in its LINEA®Weatherboard Systems Technical Information and Builders’ Guide ineffect at the Commencement Date;• any act or omission on the part of the Customer (or subsequentowner of the Property) causing damage to the paint;• damage to the property or the paint caused by structural buildingmovement, fl ood, fi re, storm, earthquake or other circumstancesattributable to an Act of God, impact damage of any nature, war oraccident of any kind;• normal wear and tear including fading;• the colour of the paint;• failures that arise from cohesive failure of substrate or factoryapplied primer;• any indirect or consequential loss or damage whatsoever including(without limitation) for any work not directly required to remedy anydefect in the paint; or• any claim in respect of the above paint warranty where the Customeris not able to produce a receipt in respect of the purchase of thepaint evidencing that the paint is in fact that of Resene.Dispute resolutionIf any dispute arises between Resene and the Customer in respect ofthe above warranty, neither shall commence any Court or arbitrationproceedings relating to the dispute, unless they have fi rst compliedwith the following provisions:• Resene and the Customer will mediate any dispute between them inaccordance with the terms of the LEADR New Zealand IncorporatedStandard Mediation Agreement. The mediation shall be conductedby a mediator and at a fee agreed by Resene and the Customer.Failing agreement on a mediator, the mediator shall be selected andtheir fee determined by the Chair for the time being of LEADR NewZealand Incorporated.• Failing resolution of the dispute within 2 months of its referenceto mediation, the dispute shall be referred and fi nally resolved byarbitration in Auckland in accordance with the Arbitration Act 1996.The arbitration shall be by one arbitrator to be agreed upon byResene and the Customer but, if they fail within 21 days to appointan arbitrator, then the arbitrator shall be appointed by the currentPresident of the Arbitrators’ and Mediators’ Institute of NZ Inc.The fact of and all matters concerning any dispute will be keptconfidential by the parties at all times.Further actionFor any further information, including up to date maintenanceinformation, or to take any further action in relation to this warranty,please contact a Resene Representative. To process any claims,Resene will require a brief description of the alleged defect, evidenceof a valid warranty held by the Customer and full contact details.SIGNED on behalf of RESENE PAINTS LTD by one of its CustomerServices Representatives:Date:SIGNED on behalf of THE PAINT APPLICATOR:SIGNED on behalf of THE CUSTOMER:Date:LINEA® weatherboardsTransferability of warrantiesThe Customer may assign the warranties given by Resene in thiscertificate without the consent of Resene PROVIDED THAT:• the warranties shall apply only for the remainder of the periodsreferred to above from the Commencement Date;• the conditions of the warranties (including the exclusions setout above) and all of the maintenance information given to theCustomer in relation to the paint are provided to the Customer’sassignee; and• the Customer’s assignee may not assign these warranties to anyother person.Date:Call 0800 RESENE (737 363), visit www.resene.co.nzStaple paint receipts hereor email us at advice@resene.co.nz30

Resene Professional development programmeResene Limelock (D809) provides many unique advances painting new cementitious surfaces and canbe applied to surfaces as soon as possible to achieve maximum benefits.1. Promotes early cure of fresh cementitious surfaces minimising downtime between the completion ofplastering and commencement of painting.2. White pigmentation increases the albedo of the system to retain moisture.3. Seals in free lime to protect against the unwanted appearance of lime staining.4. Good adhesion to fresh cementitious substrates.5. Provides an excellent base for a wide range of Resene coatings.And as a direct benefit, speeds up construction timeframes by eliminating curing times for cement,greatly reduces the potential for surface cracking common to plaster coatings and is the most costeffective sealer for painters!WaterproofingResene X-200 (D62) is an excellent and well proven waterproofing system for cement, plaster andconcrete blockwork.Apply in two coats over sealer, excepting that concrete blockwork requires three coats of Resene X-200.Application is almost as easy as conventional acrylics except that the spreading rate must be at therequired 5/7m 2 per litre. The preferred application is by roller (or airless followed by backrolling). Alwaysuse a short handled roller to ensure an angle of application that fully covers joints.Resene X-200 has a Resene Paints Limited guarantee as a waterproofing system, but paintersmust seek advice and specifications from a Resene representative prior to undertaking thework. Resene X-200 will cover cracks up to 1mm wide.Resene Thixalon 5 and Resene Flexicover E are similar waterproofing systems but are both elastomericvery high film build materials, and specialist advice should be obtained from Resene representatives.Is waterproofing an issue?NoYesApply 2-3 coats ofResene Sonyx 101Alternatively, apply2-3 coats of ReseneLumbersiderApply three coatsof Resene X-20031

Resene Professional development programmeNew exterior workSeal concrete or plaster1 coat Resene Concrete Primer or Resene Limelock(a) smooth surface(b) medium texture(c) coarse surfaceSeal and 2 coats acrylic(a) smooth precast(b) smooth plaster(c) medium plaster(d) coarse plasterHour% factor0.080.100.130.260.270.300.33Measure$ rate labour/ materials6.50m 2m 2 7.60m 2 7.00m 2 17.80m 2 21.50m 2 23.00m 2 26.00Seal and 3 coats to concrete blockwork Resene X-200 0.85 m 2 43.00Waterproofing concrete hi-build acrylic Resene X-200Seal and 2 coats @ 250ums DFT0.60 m 2 38.00exterior concrete/plaster – newAcrylic glaze to above 0.11 m 2 7.20Resene Sandtex 2 coats 0.33 m 2 26.50Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz32

Resene Professional development programmeCare is necessary to correctly fill screw fixing holes, carefully check with the builder that all screws aretightly driven. Dark colour choices can give trouble due to heat transfer. Textured finishes, particularlywith Resene Thixalon 5 applied with a goop loop sleeve look very well but cost much more than acryliclow builds.Whenever painters see ‘Villaboard’ or ‘Harditex’ on plans check with the builder or specifier whetheror not to allow stopping!Note: that exterior stain requirements often ask for further coats after initial applications.‘Hardiflex’ has plastic/aluminium jointers and is easy to paint.‘Harditex’ has tapered joints that need flush stopping.New roofs require cleaning by treating with Resene Roof and Metal Wash (D88) and clean fresh waterto remove all traces of form oil and any surface contaminants such as salt etc.The idea of leaving roofs ‘to weather’ is nonsense in today’s world. New roofs need preparing andpainting as soon as possible!Access and edge protectionPainters must provide safe working conditions when working on roofs. In addition to ladder safety, andharnesses, edge protection must be provided, which may need specialised scaffolding and barriers.33

Resene Professional development programmeNew exterior workHour% factorMeasure$ rate labour/ materialsStop screw fixing seal and 2 coats exterior acrylic(a) Titan Board(b) Exotec Board 0.48 m 2 31.50Flush stop Villaboard and flush stop Harditex includejoint flushing and taping 0.38 m 2 23.50Seal and 2 coats acrylic to Hardiflex (including joints) 0.18 m 2 13.10exterior – newPainting timber decks2 x acrylic low sheen2 x oil stain0.240.22m 2 16.00m 2 15.50Exterior oil stain2 coats dressed timber1 further coat dressed timber2 further coats 0-150mm2 further coats 150-300mm0.220.090.060.09m 2m 2LMLM15.508.008.0010.002 coats rough sawn2 coats 0-150mm2 coats 150-300mm0.330.120.16m 2LMLM19.009.5010.70Roofs – apply Resene Roof and Metal Wash and cleanfresh water0.09m 23.90Roofs – apply primer and 2 coats anti-corrosive acrylicgloss(a) galv corrugated iron (flat measure)(b) galv tray roof profile (flat measure)0.180.24m 2m 216.6022.00* ditto to above apply primer* and 2 coats MIOX micaceousadd 10%to above24.50Roofs apply membrane primer and 2 coats acrylic toButynol fabric roofing0.24 m 2 18.20Pipe handrailsGalvanised 38mm diameterApply etch primer and 2 coats enamel 0.11 LM 7.50Roughsawn post rail and boarded fence 2 coats low sheen– flat measure – acrylic0.22 m 2 13.60Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz34

Resene Professional development programmeExterior repaintsFortunately New Zealand has an ideal climatic influence on the painting trade – windblown salt andhigh U.V. levels coupled with building styles that require painting to resist the potential for damagecombine to ensure the repainting market offers continuous opportunities for painters.Environmental impacts on protection systemsNew Zealand lies in a subtropical ocean with salt laden prevailing winds and high humidity.Steel structures are subject to atmospheres usually more conducive to corrosion than experienced inmany other parts of the world. Experience has shown that all exterior New Zealand environments areaggressive to metal protection systems and only by carefully selected and controlled applications, cansatisfactory protection be obtained. The main factors affecting atmospheric corrosion in New Zealandare salt blown inland and high relative humidities.Microclimate effects, such as those listed above, together with shelter from or exposure to directrainwashing, can outweigh the parameters of the macroclimatic zonings.Unwashed and dirt collecting areas are the first to deteriorate. The only solutions are to either eliminatethem by cladding, or frequently wash them down.35

Resene Professional development programmeMicroclimates (immediate exposure environments)Types of microclimates or typical on-site factorsthat cause the breakdown of protective coatingsinclude the following:• Damp locations not dried out by sunlight.• Exposure to marine atmospheres.• Concentrations of industry.• Contamination from airborne fertilisers andother chemicals.• Alkaline or acidic aqueous fallout.• Hot or cold surfaces.• Abrasion or impact.• Protection of surfaces from direct rainwashing.• Consistent channelling of runoff water acrossan area of the protected surface.• Prevailing winds which transport contaminationfrom one location to another.Unwashed and dirt collecting areas are the firstto deteriorate. The only solutions are to eithereliminate them by cladding, or frequently washthem down.The microclimate effect is illustrated by the weatheringpattern on these coastal (severe region) warehousedoors.ChalkingFormation of fine powder on the surface of the paintfilm during weathering, which can cause colourfading. Although some degree of chalking is a normal,desirable way for a paint film to wear, excessive filmerosion can result from heavy chalking.PeelingLoss of paint due to poor adhesion. Where thereis a primer and topcoat, or multiple coats of paint,peeling may involve some or all of the coats.Alligatoring (also called crocodiling)Patterned cracking in the surface of the paint filmresembling the regular scales of an alligator.BlisteringBubbles resulting from localised loss of adhesion andlifting of the paint film from the underlying surface.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz36

Resene Professional development programmeThese rates for preparing surfaces are indicative, but always allow for at least moss and mould and paintcleaning plus water washing, it’s the least that is necessary!First, remove as much of the chalk residue as possible, scrubbing with a stiff bristle brush (or wire brushon masonry) and then rise thoroughly or use power washing equipment. Check for any remaining chalkby running a hand over the surface as it dries. If noticeable chalk is still present, apply a quality primer(or comparable sealer for masonry) then repaint with a quality exterior coating. If little or no chalkremains and the old paint is sound, no priming is necessary.Try to identify and eliminate the source of moisture. Prepare surface by removing all loose paint witha scraper or stiff wire brush. Sand rough edges and apply the appropriate primer. Repaint with a topquality waterborne exterior paint for best adhesion and water resistance.Old paint should be completely removed by scraping and sanding the surface. A heat gun may be usedto speed work on large surfaces, but take care to avoid igniting paint or substrate. The surface should beprimed with high quality primer, then painted with a high quality exterior waterborne paint.If blisters go down to the substrate try to remove the source of moisture. Repair loose caulking andconsider installing vents or exhaust fans. Remove blisters (see below).If blisters do not go all the way down the substrate then remove them by scraping, then sanding. Primebare wood and repaint with a quality exterior waterborne paint.Step 1 – Treat for moss and mouldMost exterior surfaces, except bare galvanised iron, willhave mould, and possibly moss, growing on them. It isnot enough to remove moss and mould without firstkilling it as any residual spores will simply grow backunderneath the new paint causing it to flake off.To treat, simply use a garden sprayer to apply ReseneMoss & Mould Killer (D80). Wait a few hours for thesolution to take effect and thoroughly scrub off.Step 2 – WashingThe purpose of washing is to remove contaminants, suchas dirt, salt, mould residue (now it’s been killed), poorlyadhered paint and chalkiness, from old painted surfaces.The most effective way is to use Resene Paint Prep andHousewash (D812) or if you are painting a roof, ReseneRoof and Metal Wash (D88).Simply wet the area with fresh water and wash using asoft bristled brush as you would a car. If you are preparingwindows use a scouring pad or a 3M stripper pad. A shortbristled scrubbing brush is ideal for unpainted concreteand plaster. Rinse clean with fresh water.Waterblasting is useful for hard surfaces, such asconcrete and galvanised iron, particularly when paintlayers need to be removed. However as a cleaner it is lesseffective than Resene Paint Prep and Housewash (D812)and when used on timber can damage it.Waterblasting is not recommended for joinery.An alternative is to use a wire brush or stripper pad toremove flaking paint from concrete particularly if onlysmall areas are flaking. A 3M stripper pad is ideal forremoving flaking paint and mild rust from galvanisediron – avoid using a wire brush on galvanised iron asit will damage the surrounding protective zinc layer.Step 3 – Scraping and sanding timber andjoineryIf the old paint surface is sound and ‘deglossed´ thenit typically will not need to be sanded. An exceptionto this is where old enamels have not been exposed toU.V. light and are hard, embrittled with age and haveretained much of their original gloss – usually on theopening edges of window joinery and under eaves etc.Refer to the Sanding chart.Flaking paint will need to be scraped off. Once done,sand back to a sound surface ensuring the paint edgesare feathered.Note: 1: It is important to spot prime any bare timber thesame day as it is sanded and before any filling to preventovernight dew lifting the newly feathered paint edge.Note 2: It is good practice to rinse areas with clean waterbefore painting commences each day to remove any saltdeposits – especially within 1.5km of the sea.Continued on page 3937

Resene Professional development programmeExterior workApply Resene Paint Prep and Housewash (or ReseneRoof and Metal Wash), fresh water rinse cleanApply Resene Moss & Mould Killer, bristle broom &pressure wash/waterblast cleanHour% factorMeasure$ rate labour/ materials0.09 m 2 4.100.11 m 2 6.20Waterblasting at up to 3000 PSI 0.06 m 2 3.60High pressure water washing 0.05 m 2 2.80Machine sanding old paintwork 0.26 m 2 14.00Linbide scraping (small areas) lineal 0.30 LM 10.50exterior cleaning and preparationBurning off weatherboards (gas – infrared or heat gun) 2.60 m 2 65.00Liquid stripping includes scraping and pressurewashing/waterblasting3.00 m 2 75.00Spot priming small areas (each) Lump sum 15.00Apply Resene TimberLock to prepared woodwork 0.22 m 2 14.00Resene Paint Prep and Housewash reconditions sound previously paintedsurfaces prior to repainting. Easy-peasy!Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz38

Resene Professional development programmeContinued from page 37Step 4 – FillingImperfections and repaired areas, such as punchednails and cracks in timber and plaster, will need to befilled, and in some cases sanded, before spot priming orpainting can commence. The following chart identifiesthe most appropriate fillers for exterior use. The productpackaging also recommends where and how to use.You are now ready to paint.Like washing your car, cleaning your house will helpit maintain its good looks for much longer. Airbornecontaminants, including salt deposits, which settleon your paint film, can attach the surface and causepremature breakdown. Annual washing of yourhome will help maintain the fresh appearance ofyour paintwork.Moss and lichen can penetrate the surface of thepaint film, damaging integrity and reducing theKeep clean with Reseneuseful life of the film, while mould growth candestroy the chemical entity of the resin systemthat holds the paint system together. The presenceof moss, mould and lichen will hold moisture onthe surface longer, promoting further growth ofthese organisms and increasing the risk of damageto the coating. Removal using the appropriatewashing procedure will increase the life of thecoating and maintain the aesthetic properties ofthe paint finish.Resene Deep CleanResene Deep Clean is the simple, safe method of keeping allyour outdoor areas free from moss, mould, algae and lichen.Simply spray or brush on and leave Resene Deep Clean andnature to do the work. Slow acting Resene Deep Clean getsright down to the roots of the problem, destroying the growthand combining with U.V. light and rain to weather off theremains to leave a Resene Deep Clean surface. Ideal for use onpaths, patios, decks and other exterior cementitious, timber andpainted surfaces.Moss controlResene Moss & Mould KillerResene Moss & Mould Killer is a hypochlorite based washdesigned to kill and bleach most common moulds and funguswithin 48 hours. Recommended prior to repainting cementitioussurfaces where mould growth is normally present. Moss andmould must be treated before paining to avoid discolourationand damage of the new paint system.Paths, pavingand concrete39

Resene Professional development programmeResene Paint Prep and HousewashResene Paint Prep and Housewash is a quick and easy way towash your home or building to give an immediately fresherappearance. Ideal as part of the surface preparation prior topainting or annually to keep your home or building lookinggood for longer. Suitable for interior and exterior work.Resene Roof and Metal WashResene Roof and Metal Wash is a specially formulated cleaningand degreasing agent for all new and previously paintedgalvanised iron as a general cleaner and pre-treatment for allrepaints. Recommended for all roof painting and repaintingprojects.House andbuildingwash downsCommercialbuildingsand canopiesexterior cleaning and preparationResene Timber and Deck WashResene Timber and Deck Wash is a quick and easy way to cleantimber surfaces, such as weatherboards and decks, prior topainting, staining or oiling.Timber and deckwash downsWashing and cleaning treatments are an attractive ‘added value’ proposition for both painters and theircustomers. Refer to the LINEA® warranty – feature is to regularly wash the coating throughout thewarranty term! See Page 28 for rates.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz40

Resene Professional development programmePainting timber and weatherboardsin good conditionTreat moss and mould withResene Moss & Mould KillerWash and scrub usingResene Paint Prep and HousewashSand any flaking paint using 120-150 gritzinc stearate sandpaperSpot prime usingResene Quick Dry PrimerFill any holes and gaps, lightly sand filledareas with 220 grit sandpaper and reprimewith Resene Quick Dry PrimerFor a semi-gloss finishrecommend 2 coats ofResene Sonyx 101For a high gloss finishrecommend 2 coats ofResene Hi-Glo41Also consider using Resene MoulDefender or Resene CoolColour.

Resene Professional development programmeExterior workRepainting weatherboards in good condition – prep –spot prime and 2 coats acrylic (add in preparation asneeded)Remove old putty and reglaze (includes labour andmaterials)Repaint wooden window frames and sashes. Spotprime 2 coats acrylic enamel (casement type) measureflat overall* add plusage colonial typewhitco stayshopper sashesdouble hungHour% factorMeasure$ rate labour/ materials0.52 m 2 32.500.271.20+20%+25%+25%as forLMm 2overallcasements19.5042.50exterior – repaintsRepaint exterior doors and frames – typical TG andbraced typeGlazed top lightGlazed 3 lightItemItemItemeacheacheach80.0070.0055.00Clean glass/remove all paint and polish 0.11 m 2 6.90Prepare and recoat oil stain 2 coats to weatherboardsPrepare and recoat oil stain 2 coats to posts/beams etc0.260.14m 2LM24.0012.50Prepare and repaint Hardiplanks, spot prime, 2 coatsacrylic0.26 m 2 17.50Clean and paint 2 coats acrylic plastic spouting sanddownpipes (all girths)Allow +25% for colour contrast0.12 LM 7.502 coats Resene Non-Skid Deck & Path paving paint .24 m 2 18.50Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz42

Resene Professional development programmePainting timber and weatherboardsin poor conditionTreat moss and mould with ReseneMoss & Mould KillerWash and scrub using Resene Paint Prep andHousewash – pay particular attention to flaking areasRemove all perished or unstable paint – see notesSand any exposed timber and surface imperfectionsSpot prime using Resene Wood Primer (if rust stainedand/or degraded) or Resene Quick Dry PrimerResene TimberLockshould be consideredas a preservative andconditioner if paint isstrippedFill holes and gaps with Contract fillerand gap fillerApply Resene TimberSurface Prep if neededSand filled areas with 220 grit sandpaper andspot prime as aboveWe recommend2-3 coats of Resene Sonyx101 waterborne semi-glossAlternatively for very poor or roughsurfaces consider Resene Lumbersidersatin to disguise imperfections43Also consider using Resene MoulDefender or Resene CoolColour.

Resene Professional development programmeExterior workRepainting weatherboards in poor condition entailscareful preparation and this takes timeThe paintwork will be characterised by lots of baretimber, crocodiled and flaking paint; there will likelybe rusty nailheads, dirt, salt and other contaminantsas well as moss and mould especially on the Southside.While waterblasting will remove paint it is likely to‘gouge’ the timber and isn’t as effective as ResenePaint Prep and Housewash at dechalking andremoving contaminants.Badly damaged and unstable paint needs to beremoved. Burning off with a hot air gun is veryslow, which is why most professional paintersuse a mechanical stripper or linbide scraper thatare remarkably quick at removing poorly adheredpaintwork although there is a risk of gouging thetimber. It is also tedious and unpleasant workalthough innovative products, such as the ‘Sea toSky’ stripping range, are proving popular as theyare simple and safe to use.Resene TimberLock (D48) is ideal for bare timberas a surface pre-treatment and performs a similarfunction to Resene Sureseal (D42) on old powderysurfaces. Recommend it when the customerbelieves paint will need to be stripped – especiallyon the North and North East elevations of a home.Resene Timber Surface Prep (D314) upgradesand fills surface defects such as ‘mapping’ andcrocodiling.Hour% factorMeasure$ rate labour/ materials1.10 m 2 52.00Treat nailhead corrosion.The paint may well contain lead, which Resene arehappy to test for. If the test is positive then takeprecautions including ensuring nearby soil isn’tcontaminated and that lead in sanding dust isn’tingested.After sanding, prime the same day, as night timedew will creep under the freshly sanded paintworkand the edges will curl and lift.The prepared surface will have repaired cracks,old paintwork and new freshly primed timber itwill be less than perfect when compared to newweatherboards.Use Resene Sonyx 101 over Resene Hi-Glo, as itslower gloss will not highlight imperfections in oldtimber and paintwork or Resene Lumbersider if it isparticularly rough.exterior – repaintsCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz44

Resene Professional development programmeRepainting concrete and cementitious surfacesis usually straightforward, any problems are selfevident(such as cracking and leaking). Spallingdue to reinforcing rusting needs a careful approach.Always on sheltered or Southern elevations concretewill have moss and mould to remove.Degraded and powdery surfaces must be sealedprior to repainting with Resene Sureseal pigmentedsealer, which both penetrates, binds and seals tosurface (brickworkHardiplanks are generally accepted as amongstthe easiest exterior items to repaint, but, inspectnailheads carefully, the galvanised flatheadssometimes need priming where the galvanisingis eroding. (Spot priming with Resene Armourzinc110 is ideal for this purpose.)Painters are frequently asked to apply ‘graffiti proof’clears over existing paint surfaces. Remember thata whole catalysed urethane system includes primer/topcoats (see specialist coatings).The textural differences generally become moreexpensive as the texture becomes greater because,on average, more material is applied. These ratesare indicative only and also are for decorativerather than protective coatings. Monolithic texturesas part of an exterior cladding system are notincluded.The rates or textures achieved with thixotropicmaterials (Resene Thixalon 5) or crushedaggregates (Resene Resitex E) are similar givenrelative textures..These rates are for decorative texture coatings andare not to be considered for monolithic texturedcoating systems. This is a specialised, licensedapplication – one of the downstream consequencesof the ‘leaky homes’ problems. See RockcoteSystems.45

Resene Professional development programmeExterior workRepainting smooth concrete or plaster – clean spotPrime and 2 coats acrylicbrush and rollairless sprayRepainting medium roughcast 2 coats acrylicRepainting coarse roughcast 2 coats acrylicRepaint concrete blockwork 2 coats acrylic (brush androll)Repaint brickwork (brush and roll) 2 coats acrylicApply acrylic glaze to painted surfaces in 2 coatsHour% factor0.260.180.300.550.240.260.12Measure$ rate labour/ materialsm 2 18.50m 2 16.00m 2 22.00m 2 33.0021.50m 2 19.50m 2 22.00m 2 10.60exterior – repaintsPrepare and repaint Hardiplanks, spot prime, 2 coatsacrylic0.22 m 2 17.50Apply 2 coats catalysed urethane anti graffitiClears to acrylic paint systemssmooth surfacemedium texturescoarse – n/a0.160.18m 2 12.40m 2 16.50Textured coatings (i.e. Resitex) applied to smoothjointed surfacesFine sand profileMedium textureCoarse textureIncludes1 x acrylic sealer2 passes texture coating1.001.501.8041.50m 2m 2 59.50m 2 56.50Apply 2 coats Resene Sandtex 0.85 m 2 29.50Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz46

Resene Professional development programmeThe rates for painting roofs do not include precleaning regimes and (c) and (d) in particular often needvery comprehensive preparation.Severe corrosion cells – typically red rusted respond really well to spot priming with Resene Armourzinc110 – the very high zinc content (approx 86%) provides excellent anodic protection. ‘Solventless’ epoxiesare easily applied with proper airless equipment. An output above 3 litres per minute @ 2600PSI (156bar) and tip sizes above 17 thou is necessary.Access and edge protectionPainters must provide safe working conditions when working on roofs. In addition to ladder safety, andharnesses, edge protection must be provided, which may need specialised scaffolding and barriers.Repainting roofs in good conditionTreat moss and mould withResene Moss and Mould KillerWash thoroughly using ReseneRoof and Metal Wash toremove any contaminants,mould etc. Lichen may need tobe scraped offSpot prime any bare areaswith Resene Galvo OneApply 2 coatsof Resene Hi-Gloor ReseneSummit RoofAlternativelyapply 2 coatsof Resene Hi-Gloor ReseneSummit RoofCoolColour 11To optimise the benefits of the Resene CoolColour topcoat use appropriate primer.47

Resene Professional development programmeExterior workRepaint roofs in good conditionSpot prime and apply 2 coats acrylic gloss measures flatoverall(a) galv corrugated iron(b) galv tray profile(c) decramastic tiles (low sheen)(d) clay tiles (include sealer coat)All applied by airless spray (wash down costs excluded)Prepare, remove rust, prime (up to 4% of gross area)and apply solventless epoxy hi-build – Alumastic – byHP airless @ WFT 250ums – 125ums DFT(a) galv corrugated iron(b) tray profile(wash down costs excluded)Clean, spot prime with adhesion primer and paint 2coats flooring paint to(a) concrete porches(b) timber porch flooring (TG particularly)Hour% factor0.180.240.240.380.160.18Measure$ rate labour/ materialsm 2 16.20m 2 22.50m 2 25.00m 2 41.00m 2 18.10m 2 28.800.24 m 2 16.50m 2 17.00Either 2 coats oil stain or acrylic low sheen to profileddektread decking ex 100mm with 5/10mm gaps,measured flat (cleaning, moss and mould treatment notincluded) 0.18 m 2 13.50exterior – repaintsCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz48

Resene Professional development programmeThe rates for painting roofs do not include precleaning regimes and (c) and (d) in particular often needvery comprehensive preparation.Severe corrosion cells – typically red rusted respond really well to spot priming with Resene Armourzinc110 – the very high zinc content (approx 86%) provides excellent anodic protection. ‘Solventless’epoxies are easily applied with proper airless equipment. An output above 3 litres per minute @ 2600PSI(156 bar) and tip sizes above 17 thou is necessary.Access and edge protectionPainters must provide safe working conditions when working on roofs. In addition to ladder safety, andharnesses, edge protection must be provided, which may need specialised scaffolding and barriers.Repainting roofs in poor condition• Often roofs with flaking paint will also bedirty and have some mould and lichen growth.Preparing them is likely to be time consumingand difficult to judge the level of preparationneeded. A balance between removing the paintthat is unsound and not damaging the roofmust be found.• This is why Resene recommends scrubbingwith Resene Roof and Metal Wash and a hardbristled brush to waterblasting.• Hard wire brushing or sanding should beconfined to the red rusting areas only. This willavoid damaging the protective galvanised layer,which will simply lead to more rusting.• The prepared area must be primed promptly. Donot leave overnight as dew causes the edges ofthe paint to lift and you will need to start over.Collect any removed paint and check that thegutter and downpipes are cleaned out.49

Resene Professional development programmeRepainting roofs in poor conditionRemove rust, flaking paint, waterblast, scrape & prime(100% of area) up toApply 2 coats Resene Summit Roof paint or similar(a) corrugated iron(b) galv tray profile(c) rib profileHour% factorMeasure$ rate labour/ materials0.22 m 2 19.000.180.240.2218.60m 2m 2 20.00m 2 24.50exterior – repaintsApply 2 coats MIOX Solventborne H.D. coating 0.25 m 2 25.00Apply additional rates for access and steepness onpitch of each roof.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz50

Resene Professional development programmeSpecialist coatingsWater repellency coatings (such as Resene Aquapel) are best applied working from the bottom to the topof walls.Urethane products contain isocyanates and full protection masks must be worn when sprayed. Not aproblem brushing and rolling! Extra costs for spraying are masking and protective costs.Excellent for food processing chemical exposures etc. Easy to apply – do not use for exteriors!This is a typical epoxy high build system – excellent for floors. Remember epoxy coatings chalk onexposure to U.V. light and may require overcoating with Uracryl for cosmetic reasons.Simple to apply to interiors of watertanks and can be applied to damp concrete. Same system is usedto waterproof foundation walls below ground (applied to the outside of wells)Refers to one flight of fire escape stair between floors.Industrial surface preparations such as blast cleaning ultra high waterblasting are separate undertakingsfrom usual painter’s work and require experienced information and advice from specialist applicatorsto assess specific situations.Carefully add acid to water to dilute and thoroughly wash to neutralise.51

Resene Professional development programmeSpecialist coatingsFlood coat concrete with silicone sealer concretesurfacePrime, sand fill apply build coats 2 pack acrylicurethane (colours/gloss levels)brush and roll(a) brush and roll(b) *sprayApply 3 coats waterborne epoxy (Resene Aquapoxy)@ 120ums DFT (after preparation)Apply first coat thinned 30% and 2 coats epoxy hibuild(Resene Armourcote 510) to 250ums DFT (afterpreparation)Apply tanklining to tank interior (concrete) Flintkoteemulsion systemApply 2 coats damp course membrane to concretefacing walls as waterproof membraneHour% factorMeasure$ rate labour/ materials0.11 m 2 7.00.52.54m 2 28.50m 2 28.500.70 m 2 31.000.66 m 2 36.500.36 m 2 19.000.22 m 2 15.00specialist coatingsSpot prime, apply 2 coats anti-corrosive enamelto standard metal fire escape – little or no rust bybrushwork4.0 Per flightrun212.00Painting existing pipework runs – clean down, removeflaking paint, spot prime and paint in gloss enamel 2coats25mm O (sprinkler types)38mm O (sprinkler types)50mm O (water supply)100mm O (drains)above 100mm by m 2Prepare surface by thorough sanding, supply and applyetch on adhesion primer0.060.080.100.140.260.13LM 4.10LM 5.30LM 6.60LM 7.70SM 22.00m 2 9.50Acid etch, rinse and wet vacuum concrete floors N/A m 2 12.50Captive shotblast/diamond grind concrete floor to120 – 150um profileN/A m 2 12.50Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz52

Resene Professional development programmeSpecialist coatingsFlooring – timber – parquet – particle board and cork, particularly Halls and Gymnasiums are bestcoated with Resene Polythane (D53) easily and quickly applied by lambswool mops. Moisturecure mustnot be sprayed. 1st coat on particle board waterborne sealer.Line marking is often needed. The lineal metre rates include layout and 1 coat 2 pack Resene Uracryl(RA56) gloss paints (typical dimensions and areas P53/54).Resene Tennis Court Coating (D303) is an acrylic silica modified court coating – 2 shades green andterracotta. 1 coat primer needed on asphalt followed by 2 coats. Average tennis court 260m 2 + 370m 2playing margin + 146LM markings.Resene Blacktop (D304) easily applied to renew asphaltic surfaces Black/Green/RedFire protection systemsCoatings that resist the spread of flame are categorised into ‘Fire indices’ (see attached list). Selectionof conforming paints is simple and does not alter the cost of painting.Coatings that have ‘fire retarding’ properties usually promote an intumescent reaction to heat thatprovides a protective shield.Resene Fireguard (D39) is a pigmented waterborne coating that improves the hazard rating of groups 1and 2 building materials (plywood, timber, particle board etc.) It is applied in one coat over primers andbeneath topcoats such as Resene SpaceCote (D311). Generally specified in public building assemblyand egress area. Only available as a pigmented system.The rate of $9.20 to apply Resene Fireguard is added to the cost of any chosen waterborne system, forexample the cost of priming, Resene Fireguard and 2 acrylic topcoats would be $14.10 + $9.20 per m 2 .Fire rated coatings are high build intumescent coatings used for the protection of steel against failurecaused by fire. The coatings are usually specified in time requirements, from 30 to 120 minutes andthe thickness of applied material provides the protective mechanism. Specialist technical advice isavailable from Altex Coatings (07-541-1221) and is recommended because contract requirementsrequire stringent producer statement conformance. The application is generally by heavy duty airlessspray and the indicative rates exclude substrate priming (usually providing by others) and also excludedecorative (if called for) topcoats.Fire rated coatings are subject to a Producer Statement: fit for purpose.53

Resene Professional development programmeSpecialist coatingsMachine sanding *by others (approx)1 coat particle boardSealer by rollerStopping3 coats polythane by lambswool mopsLayout and lines4cm5cmHour% factorApprox0.110.020.290.100.10Measure$ rate labour/ materialsm 2 15.00m 2 7.00m 2 3.20m 2 19.00LMLM4.204.25specialist coatingsMembrane primer 0.12 m 2 8.002 coats tennis courtLines 5cm0.280.10m 2LM23.504.25Blacktop (by roller)Blacktop colours0.160.16m 2 10.00m 2 10.40Fireguard flat white in 1 coat @ 7m 2 L 0.10 m 2 9.20FRR 30 minutes approxFRR 60 minutes approxFRR 120 minutes approx(by airless only)68.00+m 2m 2 97.00+m 2 78.00+54

Resene Professional development programme55Estimating and preparing quotations forwork is critical to the success of any paintingbusiness and a proper understanding of all thecostings is essential.Once your quote is accepted you have a contractualobligation to complete the works to your customer’ssatisfaction. It is a common misconception thatthe market is dominated by incomplete and ultracompetitive pricing. It is not. Your costings mustbe sufficient to provide enough cash to carry onyour business.There are differing methods of quoting, butpainters with skill and experience can, and do,assess a particular job against their intuitiveexperience. This system is most commonly used toassess repainting work.The obvious problem with estimating is that it isvisual only and by that very nature tends towardsoptimism because although time and materialsmay well be judged properly the general overheadsand profits are often overlooked.Measuring the areas of work and using the totalsof each painting task is obviously more accurate(and time consuming to undertake) but hasseveral advantages. You get to properly survey theconditions, have time to think about everythingand by using unit rates for each area that suits yourparticular operation, can allow properly for all yourpotential costs.Do not, however, underestimate the value ofexperience and the most reliable process ofsuccessful quoting is a combination of visualestimates compared to calculated schedules.Remember always the painting trade is dominatedby labour costs and you are selling time!Because painting is a surface application it ispractical to develop “rates” (that is the costsof most painting tasks) that can be attached tomeasured areas. The “Average rates for painting” isan example where the average of painters costingsare collated as a guideline.There is also given alongside each rate a factor,which is a percentage of the time the averagepainter needs for each unit of area. This guidelineactually historically precedes the built up rateswhich include time, material and overheads andprofit. Yesteryear painters were far more interestedin timelines to estimate their work – firstlybecause materials were simplistic and cheap andsecondly because labour costs were much higherproportionally because of slow applications – thepaints difficult to manage and almost alwaysbrushed out. Using the factors alongside the ratesprovides an excellent tool to manage the paintingprocess because a realistic time allowance isprovided for.Measuring off plans necessitates a systematicapproach – you will need an architectural scalealthough for most measurements the 1 to 100 scaleis best suited for painting.The plans (i.e. Viewed looking down or up will givethe areas of roof, ceilings and floors.Elevations are side views and most exteriorelevations will give all four sides, often interiorsare also drawn room by room.Sections are cross sections taken on an axis (A –A etc) through the structure and provide goodheight references.Schedules doors and windows are commonlydrawn and are easily measured by adding up thevarious numbers of each type and giving them a‘lump sum’ value. (See Ave. Prices earlier).Details the specific details of each structure suchas, for example, fittings and fixtures are usuallydrawn to a larger scale – often 1:50 or 1:25 todetail particular features.Prices for buildings and structures yet to be builtare calculated by measuring the plans and studyingthe specifications describing the works.

Resene Professional development programmeThe plans are similar in that a scale drawing of theplans and elevations are supplemented by crosssection views and details of all the components asnecessary.Because most housing startups are similar the plansand specifications are usually pretty minimal, oftenwith little or nothing describing terms of contractoffered or details of payments etc!House plans do show the gross floor area in squaremetres. Larger building proposals are mostlycontrolled by professional designers and includemore detailed specifications.Occasionally a schedule of quantities is provided,making it easy to put your rates against eachmeasured area of work, and add them up to a total.AreasPainters mostly simply measure the length x heightof walls, both externally and internally and do notexclude the area of doors and windows, but add inthe appropriate rate for these items. The reason isthat ‘cutting in’ takes time so is allowed for in thegross area. This is ok when measuring yourself butremember a Quantity Surveyor or builder providinga formal measure will provide a nett area of actualwall surface!This is a serious problem for painters who are notwell experienced in QS takeoffs, in fact the paintersoften feel cheated by the measurements becausethe actual measures by the Quantity Surveyorare significantly less than the trade overallmeasurements.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz56

Resene Professional development programmeWhen an account becomes ‘overdue’ alwayscontact your customer and ask for payment• If there is a problem with your workmanship orother matters at least you will know and (bylaw) you have the opportunity to put it right• If you don’t and ignore the problem technically,you don’t have a ‘bad debt’ anymore becauseit simply becomes impossible to undertake anyrecovery at all.• Apart from commercial failures (bankruptcies)that occur from time to time the problem is fullpayment for your work rather than ‘bad debts’.Painting is a finishing trade and substrateproblems have a nasty habit of translating intopainter problems, that require considerablereworking, that leads to added expense (oftendisputed) and delays to payment.• An additional difficulty is that there is a casual‘best price’ bidding system and many quote,correctly to actually perform the paintingsystems, but without any regards to contractconditions and/or projected time frames.• Any legal action you instigate for recovery ofmonies due takes time and trouble and moneyto carry out, so be absolutely sure:– The job you did was what the customeragreed to.– You have properly carried out yourpaperwork.– You are pursuing the correct person/organisation.– You can reasonably expect the customercan pay (unlike debts surrounding chattelsfor example, you can’t exactly repossesspaint or wallpaper!)– You are prepared to wait much longer thanyou ever believed possible.In addition to prices each quotation shoulddescribe the preparations and painting systemsand proposed materials.Also include your terms of trade and particularly yourpayment requirements (sometimes of course theseare prescribed in specifications you respond to).Verify your liability insurances and health andsafety protocols, clearly indicate any licences andqualifications held. While this may seem tediousand unnecessary with customers known to youit remains that occasionally things will go wrongand inclusions of all that is needed covers suchcontingencies. Also it is an excellent marketingstrategy compared to casual responses.Mostly inclusions of every type can be available asa ‘cut and paste’ basis.Reducing your credit cycle is sensible.Ask customers (in your quotation) for a deposit.This, of course, eliminates tyre kickers, is alsooften seen favourably by customers because yourservices are secured and the payment for your workis spread out.The painter’s benefits are the provision ofimmediate cash flow, the contract is secured andyour contract terms confirmed legally.Ensure your terms of trade are clearly stated – ifyou need weekly payments, state this requirementwithin your quotation.Exceptions to this are when you respond tospecifications (and contract conditions) offeredby Architects, builders, property developers andmanagers etc., where the conditions of performanceand payment etc are (or should be) stated.Painters often may not be able to operate withinsome commercial markets simply because thefunding requirements become too high due toretentions, guarantees and the longer paymentterms (on average 70+ day credit cycle is typical).Painters are in the credit business!57

Resene Professional development programme1.(thereinafter referred to as “the Contractor”) written quotationshall be deemed to interpret correctly the Customer’s instructionswhether written or oral and the Customer is accordingly advisedto exercise due care in checking quotations. Any additional worknot quoted for shall be carried out at the Customer’s expense.The term “quotation” shall include estimates for the purposesof these Terms of Trade.2. In offering to carry out this work, the contractor undertakesto exercise all care in minimising any possible damage to thecustomers property or to surrounding property.3. Safety – The health safety and welfare of all persons workingon site is the foremost consideration for the Contractor. To thisend all responsible practical efforts must be made to create andmaintain safe working conditions, in conformance with H&S 19–When, in the opinion of the Contractor, an unsafe conditionexists or an unsafe act is being committed (provided such isnot caused by the Contractor), you will be instructed to takeappropriate action to rectify the situation. Failure to do sowill result in the Contractor applying whatever measures areconsidered necessary to ensure conformity with the aboverequirements.4. Payment Terms – Unless stated differently on the front page ofthis quote, the payment terms are as follows:(a) Payment of the Contractor’s account including all additionalcharges is due in full (i) for Residential work within seven (7)days from the completion of the work: and (ii) for Commercialwork by the 20th of the months following the completion of thework.(b) The Contractor reserves the right to charge interest on anypayments not made as above at the rate of 2% per month.(c) The Contractor may at any time require security for paymentand may withhold delivery until provision of sufficient securityor the Contractor may at its option suspend or terminate thecontract and the payment of all materials delivered and workcommenced up to the date of such suspension or terminationand all moneys payable hereunder shall immediately becomedue and payable.(d) All costs and expenses incurred by the Contractor inenforcing these conditions of sale including all legal costsincurred in recovering any debts owed to the Contractor by theCustomer, shall be payable by the Customer.5. Claims – Any complaints made about the standard ofworkmanship or the carrying out of this work shall be madein writing to the Contractor at the address stated on the frontpage of this quote within 10 days following completion of thework.6. Prices quoted are subject to variations occasioned by anyincrease in the cost of the materials to the Contractor subsequentto the date of quotation. The price payable by the Customer maybe varied by such amounts as the Contractor shall certify tobe reasonable having regard to the demonstratable variation incosts.7. Prices are based on colour selections to mid range of R.V. values.Some colour selections may result in increased prices payableby the Customer following advice by the Contractor.8. No responsibility is accepted for loss arising from delay orinability to deliver occasioned by strike, lock out, difficultyprocuring suitable materials, goods or substances requiredTerms of tradeConditions of salein the manufacture of goods, mechanical failure, shortage ofstocks, shortage of labour, lack of skilled labour, delay in transit,prohibition or restrictions, fire, flood, hostilities, civil commotion,terrorism or other cause whatsoever whether similar in natureor not to the foregoing. Any delay caused by the Customer willconstitute a variation and be charged accordingly.9. No liability or obligation is entered into, whether in regardsto these Terms of Trade or any other way to any party notcontracting with the Contractor.10. Failure by the Contractor to insist upon strict performance of anyterm or condition herein shall not be deemed a waiver of anysuch subsequent breach of any term or condition. No provisionherein to be deemed a waiver by the Contractor unless sucha waiver be in writing signed by the Contractor’s authorisedsignatory.11. The Contractor accepts no responsibility for any authorities orapprovals that may be required from third parties in terms of thematerials or services covered by this quotation or subsequentcontract.12. The Customer warrants that where it is proposed to affix orapply any material on any land or premises not owned by theCustomer or to utilise any land or premises not owned by theCustomer, all necessary consent from the appropriate authorityor adjoining land owner has been obtained by the Customer.13. Cancellation of this contract or parts thereof can only be effectedupon terms which will compensate the Contractor against allexpenses incurred and otherwise protect the Contractor againstloss or profit and overhead on the execution of an order.14. It is agreed that where any materials are repossessed in termsof this agreement the purchaser shall remain indebted to theContractor for the purchase price or any part thereof thatremains unpaid.15. Prices quoted are based on the information available from thesite survey. Where circumstances are encountered that are notforeseeable from the site survey requiring extra work, extracosts may be charged. If extra costs are charged they shall bepaid for as set out in Clause 4.16. The Contractor accepts no responsibility for the suitability ofthe structure substrate to which materials herein described areproposed to be applied.17. If any dispute arises from the contracting parties it shall bereferred to Arbitration in accordance with the Arbitration Act1908 within two months.18. Neither party shall vary the conditions of this contract withoutthe written approval of both (signatories hereto) parties.19. Implied Conditions and Special Terms – No conditions orwarranties expressed or implied by law and no representationsor statements are binding on the Contractor unless so specifiedon this quotation and these Terms of Trade and this quotationshall form the sole terms of the Contract. In the case of anyconflict arising between the terms of the order and theseterms and conditions, these terms and conditions shall prevail.No agent or representative of the Contractor is authorised tomake any representations, statements, warranties, conditionsor agreements not expressly set forth in the quotation and theContractor is not in any way bound by any such unauthorisedstatements nor can any such statement be taken to form part ofa contract with the Contractor collateral to the main contract.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz58

Resene Professional development programmeThe Consumer Guarantees Act and PaintingThis Act provides a guarantee of performancefor customers and there are plenty of grey areasin establishing just how well your painting workperforms and for how long customers may takeactions against painters either real or imagined, forproblems that arise with work.Mostly problems are rare with both the materialsand workmanship but arise because of unexpectedsubstrate difficulties – for example timber can anddoes move substantially with weather changes,concrete surfaces can leak and rust is difficult tosuppress.You therefore need a safety parachute to providesome defense against the unexpected.Well – after you work out your price and prepareyour quoted systems add on another offer alongthe following.“We take every care with the preparationand painting, but experience teaches us thatsometimes problems arise due to substratescausing unexpected difficulties. We offer toreturn after 12 months and carefully inspect(and wash if exterior) our decorating andcorrect any deficiencies.This will ensure your property is kept in greatshape.This service, should you accept, will cost ($whatever) when completed, please advise etcetc”.This sends a proper signal to customers because itwill be an easy add on to keep everything spic’nspan and you get to deal with the customer again.And those that don’t accept the offer don’t haveany retrospective claim again your work becauseeffectively they have opted out of any suchwarranty.Sell customers a Service Plan.59

Resene Professional development programmeCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz60

Resene Professional development programmeBadminton court dimensions61

Resene Professional development programmeBasketball court dimensionsCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz62

Resene Professional development programmeNetball court dimensions63

Resene Professional development programmeTennis court dimensionsCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz64

Resene Professional development programmeApprenticeships – add value to your businessTaking on and training an Apprentice is a way foryou to invest in our Industry’s future, give backto your trade and improve the skill set of youremployees.For information on Apprenticeships and how to getinvolved in workplace training call the BCITO todayon 0800 4 BCITO or visit www.bcito.org.nz.The BCITO team work with employers and membersof the painting industry, towards the continuedgrowth and effectiveness of our industries. Qualifiedtrades people are the future of our industries andour industries’ future is BCITO’s business.Why would I need BCITO to help metrain an apprentice?Your RoleEmployers are the best teachers; you are constantlyin the field, up to date with industry developmentsand skilled in your trade. Employers are BCITO’sbest resource.As an Apprentice is part of an Employer’s team, itis in your best interest to provide them with thebest training, there is no substitute for the on thejob training that you, as an Employer can impart.You don’t have to be trade qualified to take on anapprentice – to find out if training is right for youand your business call BCITO today.BCITO RoleWhere BCITO comes in is with nationally recognisedqualifications. They have produced formal,standardised training and assessments and, withthe help of independent training providers, theyaim to give Apprentices an understanding of thetheory behind their good practice.What does an Employer have to do?Training AgreementEmployers are required to sign a Training Agreementwith their apprentice which formalises the processand gives them both access to the ITO’s support,guidance and resources.When the Apprenticeship Training Agreementform is completed and signed, the Employer andApprentice agree who should pay the associatedcosts.The training agreement is forwarded to the ITOwho then register the apprenticeship.Employment AgreementWhen the Training Agreement is signed, a writtenEmployment Agreement needs to be sorted outbetween the Employer and their Apprentice. TheTraining Agreement is considered part of theEmployment Agreement.What exactly does an Apprenticehave to do to become qualified?There are a few simple steps that an Apprentice willhave to take in order to become Trade Certified.Off-Site Block CoursesAll the unit standards (formal teaching, learningand assessment) for Stage One and Two of anApprenticeship are covered on the two block coursesthat are a compulsory part of an apprenticeship(NC in Painting).Block courses are run once a year, over two yearsand each block course runs for two weeks. Blockcourses are held at an accredited training provider.CPIT in Christchurch, Unitec in Auckland andWELTEC in Wellington.65

Resene Professional development programmeNational Certificate in Painting – OptionalStrandsThe unit standards for Stage 3 and 4 are coveredat Optional Strand Courses. These are, as the namewould suggest, optional• Spray Techniques – run by Spray Tech inHamilton as a 5 day learning and assessmentmodule.• Wallcoverings – run at Pacific Wallcoveringsin Porirua, Wellington as a 5 day learning andassessment module.• Industrial Coatings – run by arrangement.• Specialised Coatings – run buy arrangement.What else can Creative TradesITO offer?Industry Training CoordinatorsBCITO have qualified field staff that travel thecountry, providing support and guidance toEmployers and Apprentices and on-site trainingadvice.Administration StaffBCITO administration staff are available to answerany questions you might have. You can call themfor support or training advice on 0800 4 BCITO,visit their website www.bcito.org.nz or email themat info@bcito.org.nz.Trade up to a national qualificationwith Skills RecognitionBeen in the industry for over ten years? Got theskills and the experience but you don’t have the‘piece of paper’ to prove it? If so, BCITO could helpyou recognise your industry skills and help youachieve a nationally recognised qualification withthe Skills Recognition programme.You could get a nationally recognised qualification,or part of a qualification, without having to go overwhat you already know.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz66

Resene Professional development programmeInteriorWalls/ceilings – Select preparation required and then combine with the room to be painted to complete the systemArea Recommended system Key accessories NotesWallboard and ceiling preparationNew paperfaced plasterboard level 4Ensure surface is sanded smooth. Seal with Resene Broadwall WaterborneWallboard Sealer (D403). Once dry fill any gaps or voids.PAL No.1 roller sleeve.220 grit zinc stearate sandpaper.Lightly sand after applying ReseneBroadwall Waterborne Wallboard Sealer(D403) to remove any nibs or rough areas.New paperfaced plasterboard level 5Ensure surface is sanded smooth. After sanding, apply Resene BroadwallSurface Prep & Seal (D807). Once dry fill any gaps.Hi Solid roller for ReseneBroadwall Surface Prep & Seal(D807).PAL No.1 roller sleeve for sealer.220 grit zinc stearate sandpaper.A level 5 finish is recommended for areaswith critical light issues and for use undermetallics. If a level 5 finish has already beenachieved by a plasterer, Resene BroadwallSurface Prep & Seal (D807) is not required,but a sealer such as Resene BroadwallWaterborne Wallboard Sealer will be.Wet areasReplace Resene Broadwall Waterborne Wallboard Sealer (D403) with Resene Sureseal (D42).Stripping wallpaperRepaintsVinyl wallpaperAfter removing wallpaper, roughly sand to remove surface imperfections.Fill any dents and scraper cuts. Apply Resene Sureseal (D42) followed byResene Broadwall Surface Prep & Seal (D807) lightly sanding betweencoats. Fill gaps after sealing.Wash using Resene Interior Paintwork Cleaner (concentrate) correctly dilutedwith water and a lint-free cloth to remove dirt, marks, etc. Fill any voids,holes from picture hooks, etc.Wash using Resene Interior Paintwork Cleaner (concentrate) correctlydiluted with water and a lint-free cloth to remove dirt marks. Fill any voidsand dents using Selleys Rapidfilla. Stick back any lifting wallpaper usingSelleys Aquadhere.Selleys No More Gaps or RapidFilla.100-150 grit sandpaper (dependingon how rough the wall is), 220 gritsandpaper for sanding ReseneBroadwall Surface Prep & Seal(D807).Selleys No More Gaps.Selleys Rapidfilla.Resene Interior Paintwork Cleaner(concentrate).220 grit sandpaper.Selleys Aquadhere.Selleys No More Gaps.Selleys Rapidfilla.Resene Vinyl Wallpaper Sealer(D406).Area Recommended system Alternative system Key accessories NotesRooms (walls) finishing coatsLiving roomResene SpaceCote Low Sheen (D311).Resene Zylone Sheen or ReseneZylone Sheen VOC Free (D302).PAL No.1 roller sleeve.Cutting in brush.Resene Sureseal (D42) will hold back stainsfrom yellowed wallboard and residual gluethat will bleed through waterborne paints.Resene Broadwall Surface Prep & Seal(D807) will significantly improve the finish.An alternative is to use lining paper.Repainting a wall in good condition isstraightforward. Resene paints will stickto most surfaces without the need to sand.Sugar soap may be needed to removegrease or oil residues, particularly in kitchenareas.After 4-5 weeks plasticisers from the vinylwallpaper can leach through waterbornepaints making them tacky to touch. ReseneVinyl Wallpaper Sealer (D406) will sealin the plasticiser and prevent tackinessoccurring.Living rooms need the hardest paint finish.Resene SpaceCote Low Sheen (D311) is awaterborne enamel and more hardwearingthan standard waterborne paints.KitchenResene SpaceCote Low SheenKitchen & Bathroom (D311K), ReseneSpaceCote Low Sheen (D311).Resene Lustacryl Kitchen &Bathroom (semi-gloss – D310K),Resene Lustacryl (semi-gloss –D310) or Resene Room Velvet(low sheen – D320).PAL No.1 roller sleeve.Cutting in brush.The system needs to be hardwearing, cleanableand able to resist steam from kettles, pots etc.Resene SpaceCote Low Sheen Kitchen & Bathroom(D311K) and Resene Lustacryl Kitchen &Bathroom (D310K) combine anti-bacterial silverprotection with the mould inhibitor MoulDefender.Open plan kitchen/living areaResene SpaceCote Low Sheen (D311)or Resene SpaceCote Flat (D314).Resene Zylone Sheen or ReseneZylone Sheen VOC Free (D302).PAL No.1 roller sleeve.Cutting in brush.The system needs to be suitable for bothkitchen and living areas as they sharecommon walls. Resene SpaceCote Flat(D314) is a good option if the walls arelarge and subject to a lot of critical light.Master bedroomResene SpaceCote Flat (D314).Resene Zylone Sheen or ReseneZylone Sheen VOC Free (D302).PAL No.1 roller sleeve.Cutting in brush.Resene SpaceCote Low Sheen (D311) couldalso be used.67

Resene Professional development programmeInterior (continued)Area Recommended system Alternative system Key accessories NotesChild’s bedroomHallways and stairwellsResene SpaceCote Low Sheen (D311).Resene Zylone Sheen or ReseneZylone Sheen VOC Free (D302).PAL No.1 roller sleeve.Cutting in brush.See the Resene KidzColour chart for a rangeof children’s colours. A metallic finish usingResene Enamacryl Metallic (D309a) orspecial finishes, such as Resene BlackboardPaint (D901) or Resene Magnetic Magic(D902), may be an option.Resene SpaceCote Low Sheen (D311).Resene SpaceCote Flat (D314).PAL No.1 roller sleeve.Cutting in brush.Critical light, especially in stairwells, canbe an issue.Dining roomResene SpaceCote Flat (D314).Resene SpaceCote Low Sheen(D311).PAL No.1 roller sleeve.Cutting in brush.A dead flat finish imparts a subtlesophisticated fi nish especially in strongcolours.Bathrooms/laundries (wet areas)CeilingsWet areasResene SpaceCote Low Sheen Kitchen& Bathroom (D311K) or ReseneSpaceCote Low Sheen (D311).Resene SpaceCote Flat Kitchen& Bathroom (D314K) or ReseneSpaceCote Flat (D314).Resene Lustacryl Kitchen &Bathroom (semi-gloss – D310K),Resene Lustacryl (semi-gloss –D310) or Resene Room Velvet(low sheen – D320).Resene SpaceCote Low SheenKitchen & Bathroom (D311K),Resene SpaceCote Low Sheen(D311) or Resene Ceiling Velvet(D321).PAL No.1 roller sleeve.Cutting in brush.PAL No.1 roller sleeve.Cutting in brush.The walls may need wiping after the fi rstcouple of showers. Resene SpaceCote LowSheen Kitchen & Bathroom (D311K) andResene Lustacryl Kitchen & Bathroom (D310K)combine anti-bacterial silver protection withthe mould inhibitor MoulDefender.The paint needs to resist steam from showersetc. Resene SpaceCote Flat Kitchen &Bathroom (D314K) and Resene SpaceCoteLow Sheen Kitchen & Bathroom (D311K)combine anti-bacterial silver protection withthe mould inhibitor MoulDefender.Open plan kitchen/living areaResene SpaceCote Flat Kitchen& Bathroom (D314K) or ReseneSpaceCote Flat (D314).Resene Ceiling Velvet (D321).PAL No.1 roller sleeve.Cutting in brush.As the ceiling area is larger than normal adead flat finish is recommended.Other areasResene Ceiling Paint (D305).Resene SpaceCote Flat (D314).PAL No.1 roller sleeve.Cutting in brush.Ceiling paint may be applied in a singlecoat for repaints. When a coloured finish ispreferred Resene SpaceCote Flat (D314) isrecommended.OtherDoors, joinery, shelving, cupboards,skirting boards*Resene Lustacryl (semi-gloss – D310)or Resene Enamacryl (gloss – D309)waterborne enamels.Resene Lusta-Glo (semi-gloss –D33) or Resene Super Gloss (gloss– D32) traditional solventborneenamels.* When Resene SpaceCote is used on the walls the colour can be extended to include the skirting boards.Clear and stained finishesJoinery, new and strippedResene Aquaclear (waterborne polyurethane – D59) or Resene Qristal Clear(solventborne polyurethane – D52). Resene Colorwood (D50a) for colouror Resene Danska Teak Oil to enhance the grain in hardwoods.Legend or Genius brush.Resene Hot Weather Additive forwaterborne paints.Turps for solventborne paints.PAL Easy reach roller.Legend or Genius brush.Resene Hot Weather Additive forResene Aquaclear (D59) or turpsfor Resene Qristal Clear (D52).The higher the gloss level of the paintthe more imperfections, such as fillednailheads, are highlighted but the morevibrant the colour will look, especially instrong colours.Resene Aquaclear (D59) is a waterbornepolyurethane while Resene Qristal Clear (D52)is a traditional solventborne polyurethane.Depending on the look or finish desired theResene Colorwood (D50a) or Resene DanskaTeak Oil may not be required.Recoating existing varnishResene Aquaclear (waterbornepolyurethane – D59).Resene Qristal Clear (solventbornepolyurethane – D52).Legend or Genius brush.Resene Hot Weather Additive forResene Aquaclear (D59) or turpsfor Resene Qristal Clear (D52).Thoroughly sand the area to be coatedand apply the polyurethane. Lightly sandbetween each coat. Refer to ReseneColorShop staff or call the Resene helplinefor recommended flooring systems.68

Resene Professional development programme69How much paint?Height ofceilingPainting checklistYou will need:Extension poleLint-free cloth (for cleaning)Paint potPaintbrushPutty and/or fillersRollerRoller traySandpaperTac ragTurpsLitres needed for walls*Distance around room in metres10m 12m 14m 16m 18m 20m 22m 24m2.2 metres 2.0 2.5 2.5 3.0 3.5 3.5 4.0 4.52.5 metres 2.0 2.5 3.0 3.5 4.0 4.0 4.5 5.02.8 metres 2.5 3.0 3.5 4.0 4.5 5.0 5.0 5.53.1 metres 2.5 3.0 3.5 4.0 4.5 5.0 5.5 6.03.4 metres 3.0 3.5 4.0 4.5 5.0 5.5 6.0 6.53.7 metres 3.5 4.0 4.5 5.0 5.5 6.0 7.0 7.54.0 metres 3.5 4.0 5.0 5.5 6.0 6.5 7.5 8.0Litres* neededfor ceiling1.0 1.0 1.5 1.5 2.0 2.0 2.5 2.5* All figures for one coat only. * Spreading rate of 12m 2 per litre.* Large doorways or windows reduce the amount of paint required.You may need:Brush cleanerDust maskGlovesMasking tapePaint stripperPainter’s glovesPole sanderPutty knifeRagsResene Hot Weather AdditiveResene Interior Paintwork CleanerResene Moss & Mould KillerResene Paint Prep and HousewashScraperSteel woolWindow scraperPut your colour to the testNo matter Learn how painting you select techniques your colours, withalways use our testpots free how to videos confirm yourWatch and learn with our free step by stepchoices invideos.the areaView recommendedyou are planningpaint applicationtopaint. Resene testpots are techniques available for a range from of painting your projects local –staining or painting weatherboards, paintingResene ColorShop or Reseller interior walls, or you trim, joinery, can order ceilings and online muchmore.from the Resene website.Print and use the project worksheets as a handyreference for your decorating project.Be PaintWise Free for you to view on the Resene website,www.resene.com/videos.For tips on minimising the impact ofyour decorating on the environment seewww.resene.co.nz/paintwise.htm.www.resene.co.nz.paintwise.htmResene How toVideosChoose to help the environmentYou can minimise the effect your next decoratingproject has on the environment by choosing one ofthe Resene range of Environmental Choice approvedproducts. Put your colour to the testNo matter how you select your colours, always use testpots to confirmyour choices in the area you are planning to paint. Resene testpotsare available from your local Resene ColorShop or Reseller or you canorder online from the Resene website.ExteriorStep 1 – Treat for moss and mouldMost exterior surfaces, except bare galvanised iron, will have mould,and possibly moss, growing on them. It is not enough to remove mossand mould without first killing it as any residual spores will simply growback underneath the new paint causing it to flake off.To treat, simply use a garden sprayer to apply Resene Moss & MouldKiller (D80). Wait a few hours for the solution to take effect andthoroughly scrub off.Step 2 – WashingThe purpose of washing is to remove contaminants, such as dirt, salt,mould residue (now it’s been killed), poorly adhered paint and chalkiness,from old painted surfaces.The most effective way is to use Resene Paint Prep and Housewash(D812) or if you are painting a roof, Resene Roof and Metal Wash (D88).Simply wet the area with fresh water and wash using a soft bristledbrush as you would a car. If you are preparing windows use a scouringpad or a 3M stripper pad. A short bristled scrubbing brush is ideal forunpainted concrete and plaster. Rinse clean with fresh water.Waterblasting is useful for hard surfaces, such as concrete and galvanisediron, particularly when paint layers need to be removed. However as acleaner it is less effective than Resene Paint Prep and Housewash (D812)and when used on timber can damage it.Waterblasting is not recommended for joinery.An alternative is to use a wire brush or stripper pad to remove flakingpaint from concrete particularly if only small areas are flaking. A 3Mstripper pad is ideal for removing flaking paint and mild rust fromgalvanised iron – avoid using a wire brush on galvanised iron as it willdamage the surrounding protective zinc layer.Step 3 – Scraping and sanding timber and joineryIf the old paint surface is sound and `deglossed´ then it typically will notneed to be sanded. An exception to this is where old enamels have notbeen exposed to U.V. light and are hard, embrittled with age and haveretained much of their original gloss – usually on the opening edges ofwindow joinery and under eaves etc. Refer to the Sanding chart.Flaking paint will need to be scraped off. Once done, sand back to asound surface ensuring the paint edges are feathered.Note: 1: It is important to spot prime any bare timber the same day asit is sanded and before any filling to prevent overnight dew lifting thenewly feathered paint edge.Note 2: It is good practice to rinse areas with clean water before paintingcommences each day to remove any salt deposits – especially within1.5km of the sea.Step 4 – FillingImperfections and repaired areas, such as punched nails and cracks intimber and plaster, will need to be filled, and in some cases sanded, beforespot priming or painting can commence. The following chart identifiesthe most appropriate fillers for exterior use. The product packaging alsorecommends where and how to use.You are now ready to paint.Resene CoolColoursKeep your paintwork cooler with a Resene CoolColourA Resene CoolColours looks will reflect like a normal more heat colour than but standard thanks to special paintspigmentreducingtechnologystress onitthereflectscoatingmoreandof thesubstratesun’s energy,andsominimisingit doesn’tget as a hot as a standard colour would. The colours work by reflectingheat transference inside, reducing substrate related damage,energy in the near and far infra-red region of the spectrum even thoughthey such absorb as warping, strongly and in the reducing visible region. the need for air conditioning.ReseneReseneCoolColourCoolColourstechnologyare availableis availablein ainrangea rangeofofReseneResenepremiumpremiumpaints and suitable stains suitable for a wide for a range wide range of exterior of exterior projects, projects, especiallywhere dark colours are are planned. planned. Ask Ask your your Resene Resene ColorShop ColorShop staffwhether staff whether a Resene a CoolColour Resene CoolColour finish is right finish for your is project. right for yourproject.

Resene Professional development programmeSandpaperArea Scraper First sandpaper Finishing sandpaperBadly flaking timber 30mm flat scraper 60-80 grit zinc stearate 150 grit zinc stearateLightly flaking (edges of windows etc) 30mm flat scraper 150 grit zinc stearate –FillersSubstrate Recommended Alternative NoteCracks in concrete and plaster, 1mm-2mm Resene Brushable Crack Filler (D811) Selleys Exterior Crack Filler For cracks greater than 2mm contact ReseneCracks in concrete and plaster, less than 1mm Resene Brushable Crack Filler (D811)Consider upgrading to Resene X-200 (D62)–waterproofing systemGaps in weatherboards/soffits etc Selleys No More Gaps Exterior Filler – –Holes/voids in timber PAL Contract Filler Selleys PermafillRusty nailheads will require punching, then priming, before fillingand paintingReplacing putty in wooden windows Red Enz Sash Putty –May be recoated with waterborne systems in 24 hours. Traditionalputties can take several weeks before they can be overcoatedVoids/bugholes in concrete and plaster Resene Rockcote Multistop Selleys Exterior Crack Filler –PrimingSubstrate New AgedCedar Resene Wood Primer (D40) Resene TimberLock (D48)/Resene Wood Primer (D40)Galvanised iron/Zincalume painted – Spot prime with Resene Galvo One (D41). Use two coats over mild rustingGalvanised iron/Zincalume unpainted Resene Galvo-Prime (D402) Resene Galvo One (D41) if more than three months oldPainted concrete/plaster –Spot prime with Resene Concrete Primer (D405). Treat efflorescence and crackswith Resene Sureseal (D42) and before any fillingPreprimed timber Resene Quick Dry Waterborne Primer Undercoat (D45) Resene Quick Dry Waterborne Primer Undercoat (D45) after thorough sandingTimber, including joinery Resene Quick Dry Waterborne Primer Undercoat (D45) Resene TimberLock (D48)/Resene Quick Dry Waterborne Primer Undercoat (D45)Unpainted concrete/plaster Resene Limelock (D809) and/or Resene Concrete Primer (D405) Resene Sureseal (D42)ExteriorArea Recommended system Alternative system Key accessories NotesNew weatherboards, bargeboards etcResene Hi-Glo (gloss – D31) orResene Sonyx 101 (semi-gloss –D30).Resene Lumbersider (low sheen –D34).Legend 63mm-88mm brush.See above for extra preparationrequired.Resene Hi-Glo (D31) and Resene Sonyx 101(D30) have similar durability and bettercleanability than Resene Lumbersider(D34). Consider using a Resene CoolColourfor darker colours.Old weatherboards, bargeboards etcResene Sonyx 101 (semi-gloss –D30).Resene Lumbersider (low sheen –D34).Legend 63mm-88mm brush.See above for extra preparationrequired.The higher the gloss the more imperfectionsin the weatherboards will be highlighted.Consider using a Resene CoolColour fordarker colours.Exterior windows, doors etcResene Lustacryl (semi-gloss –D310) or Resene Enamacryl (gloss– D309).Resene Super Gloss (traditionalenamel – D32).Legend 35mm-50mm cutting inor standard brush.Resene Hot Weather Additive.See above for extra preparationrequired.The waterborne enamels are more U.V.resistant than traditional enamels. Considerusing a Resene CoolColour for darkercolours.Mediterranean/Art Deco style homeResene AquaShield (flat – D601).Resene Lumbersider (low sheen –D34) or Resene Sonyx 101 (semigloss– D30).PAL No.1 or No.2 roller sleevedepending on how textured thesurface is.Resene AquaShield (D601) suits thesehousing styles and has the benefit of beingself-cleaning. Consider using a ReseneCoolColour for darker colours.Stucco/concreteResene Sonyx 101 (semi-gloss –D30) or Resene Lumbersider (lowsheen – D34).Resene AquaShield (D601) for flatMediterranean look.Resene X-200 (D62) if waterproofingis an issue.PAL No.2 or No.3 roller sleeve.Lambswool roller sleeve forResene X-200 (D62).Choose between Resene Sonyx 101 (D30)and Resene Lumbersider (D34) based onthe preferred gloss level. Consider using aResene CoolColour for darker colours.Contemporary homeResene Sonyx 101 (semi-gloss –D30) or Resene Lumbersider (lowsheen – D34).Resene Sandtex (D71) if there aresurface imperfections.PAL No.1 or No.2 roller sleeve andHi Solid roller for Resene Sandtex(D71).Stronger colours (including metallics) are oftenused and would suit a higher gloss. Compressedcement panels are usually screw fixed andResene Sandtex (D71) can help disguise this.Alternatively refer to Resene. Consider using aResene CoolColour for darker colours.Concrete blockResene Sonyx 101 (semi-gloss –D30) Resene Lumbersider (lowsheen – D34).Resene X-200 (low sheen – D62).PAL No.3 roller sleeve.PAL lambswool roller sleeve forResene X-200 (D62).Two to three coats of Resene X-200 (D62) isrecommended if waterproofing is an issue.Most colours are available. Consider usinga Resene CoolColour for darker colours.70

Resene Professional development programmeExterior (continued)Area Recommended system Alternative system Key accessories NotesSoffitsResene SpaceCote Flat (flat –D314) or Resene Lumbersider (lowsheen – D34).Continue selected wall paintsystem over the soffit.Depending on profi le and size,a nook and cranny roller or astandard roller using a PAL No.1roller sleeve could be used.Soffits and exterior `ceilings´ vary greatly. Ifthey are large, as in many modern homes, awhite or off-white soffit will offset interiorneutral tones well.StainingResene Waterborne Woodsman(D57a).Resene Woodsman Wood Oil Stain(D57).63mm-88mm Legend or Geniusbrush.Both stains are penetrating and are easilyrecoated in future years (unlike surface formingstains). The Resene Waterborne Woodsman(D57a) is available in a wider range of coloursand is more U.V. resistant. Consider using aResene CoolColour for darker colours.Garage doors (woodstain finish)Resene Kwila Timber Stain (D501)or Resene Furniture and DeckingOil (D503).Resene Waterborne Woodsman(D57a) or Resene WoodsmanWood Oil Stain (D57).Legend 63mm-88mm brush orResene brush.Turps if using solventborneproduct.Many doors are coated using a lightlypigmented surface forming exterior varnish.This must be removed before a penetratingstain is applied.Kwila decksResene Kwila Timber Stain (D501)or Resene Woodsman Decking Stain(D57D).Resene Woodsman Wood Oil Stain(D57).Initially best brushed using a75mm-100mm brush. Subsequentcoats may be rolled using a PALNo.5 mohair roller sleeve.Use multiple coats if applying over greyed(aged) hardwoods. Resene WoodsmanDecking Stain (D57D) or Resene WoodsmanWood Oil Stain (D57) has alternative coloursto the reddish/brown of the Resene KwilaTimber Stain (D501). Use Resene WoodsmanDecking Stain (D57D) or Resene WoodsmanWood Oil Stain (D57) over pine decking.PergolaResene Lumbersider (low sheen –D34).Resene Sonyx 101 (semi-gloss –D30).50mm-75mm Legend brush and/or a long reach roller with a No.1or No.2 roller sleeve dependingon surface profile.Resene Lumbersider (D34) is self-priming.Refer to priming table.Asphalt drivewayResene Blacktop (D304). – Hi Solid roller sleeve.Not many people are aware that asphalt iseasily reconditioned using Resene Blacktop(D304).Concrete paths and driveways includingstamped concrete and paversResene Concrete Stain (coloured– D58).– PAL No.5 mohair roller sleeve.A non-skid option for paths only is ReseneNon-Skid Deck & Path (D313).Hardwood furnitureResene Furniture and Decking Oil(D503).Resene Kwila Timber Stain (D501).Turps for clean-up, painter’sgloves.Will require annual application. Not suitableif surface forming stains have already beenapplied.Roofing, including galvanised iron guttering, downpipes etcNew Zincalume, including garagedoorsResene Hi-Glo (gloss – D31) orResene Hi-Glo CoolColour (D31C),or Resene Summit Roof (satin –D315) or Resene Summit RoofCoolColour (satin – D315C).Resene Sonyx 101 (semi-gloss– D30).Resene Roof and Metal Wash(D88).88mm-100mm brush.Roof roller kit if painting acorrugated roof.New Zincalume (and galvanised iron) hasa form oil on the surface that must beremoved before painting.Weathered Zincalume or galvanisedironPreviously paintedConcrete, terracotta, Decramasticand asbestos roofingResene Hi-Glo (gloss – D31) orResene Hi-Glo CoolColour (D31C),or Resene Summit Roof (satin –D315) or Resene Summit RoofCoolColour (satin – D315C).Resene Hi-Glo (gloss – D31) orResene Hi-Glo CoolColour (D31C),or Resene Summit Roof (satin –D315) or Resene Summit RoofCoolColour (satin – D315C).Resene Sonyx 101 (semi-gloss– D30).Resene Sonyx 101 (semi-gloss– D30).Please refer to Resene ColorShop staff or the Resene helpline for advice.Resene Roof and Metal Wash(D88).88mm-100mm brush.Roof roller kit if painting acorrugated roof.Resene Roof and Metal Wash(D88).88mm-100mm brush.Roof roller kit if painting acorrugated roof.After 4-6 months galvanised iron andZincalume start to weather and white rust(Zn Oxide) will form. Waterborne primerslike Resene Galvo-Prime (D402) do notperform as well as traditional solventborneproducts on aged galvanising.Most roof repaints are straightforwardunless there is a lot of flaking paint and/orred rust present.7106/2013

Resene Professional development programmeWorking out object areasCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz72

Resene Professional development programmeQuick check for quality quotesIs the measure correct?• Use a system so you can easily check your quantities.• Make sure everything requiring painting is allowed for.Is the specification correct?• Is the proposed scope of work enough to properly carryout the task?• Is the preparation properly specified? Remember: Youare the expert and your advice is valuable if there isa better way for the client to achieve the result theydesire.Are the rates for work correct?• You must know the costs of doing the work?• You must allow for the costs of running your business(overheads) as well as some profit for yourself.What special things are needed?• Proper allowances for height (scaffolding), travelling,accommodation, permits, working hours to suit yourclient, expected weather conditions (painting when itis hot or cold). These all cost money.Is the arithmetic correct?• It is easy to leave out a page of workings. Alwaysdouble check everything before submitting your quote.75

Resene Professional development programmeUnit ratesHour% factorMeasure$ rate labour/ materialsspecialist unit coatings ratesUnit rates – describes the job.Hour % factor – time needed to paint per m 2 .Measure – • Area m 2 (metres squared) • Length LM (in lineals) • Each$ rate labour / materials – includes labour, material, overheadsMultiply the area by the factor to calculate the time for the job.Multiply the area by the $ rate to calculate the cost for the job.Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz76

Resene Professional development programmeunit ratesUnit ratesHour% factorMeasure$ rate labour/ materials77

Resene Professional development programmeUnit ratesHour% factorMeasure$ rate labour/ materialsspecialist unit coatings ratesCall 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz78

Resene Professional development programmeResene Paint Systems – Fire RatingsAdditional Resene systems may achieve fire ratings as new fire tests are done. Please refer to the Resenewebsite www.resene.com/fire for the latest results.The listed Resene paint systems over the listed substrate have been fire tested using a cone calorimeterin accordance with ISO 5660 to determine Group Classification in accordance with New Zealand BuildingCode (NZBC) Verification Method C/VM2 Appendix A; National Construction Code (NCC) Volume OneSpecification C1.10 and A2.4 of the Building Code of Australia.Substrate10mm PaperfacedPlasterboard10mm PaperfacedPlasterboard10mm PaperfacedPlasterboard10mm PaperfacedPlasterboard10mm PaperfacedPlasterboard10mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboardUndercoat (1 coat unlessotherwise stated)Resene BroadwallWaterborne WallboardSealer (SR 10 sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 10 sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 10 sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 10 sqm/L)Resene Sureseal (SR 15sqm/L)Resene Sureseal (SR 15sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 11 sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 11 sqm/L)Resene Broadwall 3 in1 (SR 2.5 sqm/L)Resene Broadwall 3 in1 (SR 2.5 sqm/L)Resene BroadwallSurface Prep & Seal (SR6 sqm/L)Resene BroadwallSurface Prep & Seal (SR6 sqm/L)Resene Broadwall 3 in1 (2 coats) (SR 7 sqm/L)Topcoat (2 coats unlessotherwise stated)Resene SpaceCote LowSheen (SR 15 sqm/L)Resene SpaceCote Flat(SR 15 sqm/L)Resene Zylone Sheen(SR 15 sqm/L)Resene Ceiling Paint(SR 12 sqm/L)Resene SpaceCote Flat(SR 14 sqm/L)Resene Lustacryl (SR 14sqm/L)Resene ClinicalCoteSatin (SR 14 sqm/L)Resene ClinicalCoteLow Sheen (SR 15sqm/L)Resene ClinicalCoteSatin (SR 14 sqm/L)Resene ClinicalCoteLow Sheen (SR 15sqm/L)Resene ClinicalCoteSatin (SR 14 sqm/L)Resene ClinicalCoteLow Sheen (SR 15sqm/L)IndicatedGroup No.1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)- 1-S (NZBC)1 (NZBC)TestReportFH4967FH4967FH4967FH49677-593235-CO7-593262-COFH4925FH4925FH4925FH4925FH4925FH4925FAR398179

Resene Professional development programmeSubstrate13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard13mm PaperfacedPlasterboard6mm FibreCement Board6mm FibreCement Board6mm FibreCement Board6mm FibreCement Board8mm MDF8mm MDF18mm MDF18mm MDF9mm thick ‘A’grade plywood≥ 26mmMetrapanelUndercoat (1 coat unlessotherwise stated)Resene Broadwall 3 in1 (SR 7 sqm/L)Resene Broadwall 3 in1 (SR 7 sqm/L)Resene WaterborneSmooth Surface Sealer(SR 12 sqm/L)Resene BroadwallWaterborne WallboardSealer (SR 10 sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Sureseal (SR 12sqm/L)Resene Sureseal (SR 12sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Quick Dry (SR12 sqm/L)Resene Aquaclear Semi-GlossPre-primedTopcoat (2 coats unlessotherwise stated)Resene Zylone SheenVOC Free (SR 16 sqm/L)Resene SpaceCote LowSheen (SR 16 sqm/L)Resene SpaceCote LowSheen (SR 16 sqm/L)Resene Ceiling Paint(SR 12 sqm/L)Resene Uracryl 802 (SR16 sqm/L)Resene Uracryl 803 (SR16 sqm/L)Resene Uracryl 802 (SR16 sqm/L)Resene Uracryl 803 (SR16 sqm/L)Resene Fireguard (SR3.5 sqm/L)Resene Fireguard (SR3.5 sqm/L), ReseneSpaceCote Low Sheen(SR 14 sqm/L)Resene Fireguard (SR3.5 sqm/L)Resene Fireguard (SR3.5 sqm/L), ReseneSpaceCote Low Sheen(SR 14 sqm/L)Resene AquaclearSemi-Gloss (3 coats SR12 sqm/L)Resene Fireguard(SR 1 sqm/L), ReseneSpaceCote Low Sheen(SR 16 sqm/L)IndicatedGroup No.1-S (NZBC)1 (NZBC)1-S (NZBC)1 (NZBC)1-S (NZBC)1 (NZBC)1-S (NZBC)1 (NZBC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)1-S (NZBC)1 (NCC)3 (NZBC) 3(NCC)3 (NZBC) 3(NCC)3 (NZBC) 3(NCC)3 (NZBC) 3(NCC)TestReportFAR3981FAR3981FAR3981FAR3981FH5139*FH5139*FH5139*FH5139*FH5137FH5137FH5137FH51373 (NZBC) FAR39811-S (NZBC)1 (NCC)FH5334Notes:Test reports give the Group rating determined by application of a paint system to a given substrate thickness. The sameGroup rating applies to the paint system applied to greater thicknesses of the substrate given in the test report.FH5139*It is considered that the resulting Group Classifications achieved by paint systems on fibre cement substrates wouldnot be adversely affected if applied to a concrete substrate. Paint system applied at coverage rates not less than theminimum specified for the fibre cement substrate.9-Dec-13Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz80

In Australia:PO Box 924, Beenleigh, Qld 4207Call 1800 738 383, visit www.resene.com.auor email us at advice@resene.com.auIn New Zealand:PO Box 38242, Wgtn Mail Centre, Lower Hutt 5045Call 0800 RESENE (737 363), visit www.resene.co.nzor email us at advice@resene.co.nz© Copyright Resene Paints Ltd, June 2007.Printed on environmentally responsible paper, which complies with the requirements ofenvironmental management systems EMAS and ISO14001, using vegetable-based inks. Please recycle.12/13