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The prince charming of Armenian pop - Armenian Reporter

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Naush Boghossian.Le Mur de LaPropriete, 1957,oil on canvas50 x 60cm.Carzou represents acentury through his artcanvasFrench-<strong>Armenian</strong>artist’s unrivaled styleby Naush BoghossianGLENDALE, Calif. —<strong>The</strong> art communityis celebrating the work <strong>of</strong><strong>pop</strong>ular French-<strong>Armenian</strong> artistJean Carzou, on the year he wouldhave turned 100.Seven years after his death atthe age <strong>of</strong> 93, Carzou’s paintings,drawings and watercolors will beon display through the end <strong>of</strong> themonth at Stephanie’s Art Galleryin La Canada, Calif. – work itsartistic director says reflects theconscience <strong>of</strong> the 20th century.Carzou’s art, which graces museumsin France, Russia, Australia,Israel, and Egypt among othercountries, remains as relevant asever in a world that continues tograpple with war, ethnic strife,and the ever-increasing influence<strong>of</strong> technology.But the continued appreciation<strong>of</strong> his work is perhaps the greatesttestament to a man who neverdeserted his faith in humanityand nature; his art embracing thehope that light and peace are presenteven in the darkest creations.“Springing from somewhere,life will always bud again,” as describedby Grigor K’eoseyan in hisbook Carzou: Mogakan ashkhari menkarich’e (translated into Englishby Ara Kalaydjian).Born Karnig Zouloumian onJan. 14, 1907, in Aleppo, Syria,Carzou grew up in a volatile andrevolutionary time. He saw twoworld wars, economic depression,the Cold War with its threat <strong>of</strong> nuclearannihilation, and the rapidadvancement <strong>of</strong> technology.Although he escaped the 1915<strong>Armenian</strong> Genocide, the eventbecame the source <strong>of</strong> a recurringtheme in his work: desolation andsolitude. And though he was notagainst progress, he was also consumedby the increasing influence<strong>of</strong> technology on modern life.Carzou said <strong>of</strong> progress, “<strong>The</strong>machine cannot change humandestiny; and I believe firmly thatby distancing himself from nature,man actually departs fromtruth. . . . I see a great many captives,but very few happy people.”Carzou’s first significant brushwith art came at the age <strong>of</strong> nineafter the death <strong>of</strong> his father, whenhe and his mother took over hisfather’s photography business.He later studied architectureC16 <strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture 11/10/2007

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