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The prince charming of Armenian pop - Armenian Reporter

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Garbis Zobian in Dame de Prague (Ghermann).Above: GarbisZobian (DonJose) and Blanche<strong>The</strong>bom in Carmen(1960).in detail. Contingency is the fruit<strong>of</strong> human ignorance.<strong>The</strong>re are a few factors in thematter at hand. First, there werealready good-quality recordingtools in existence, which couldrecord the natural beauty <strong>of</strong> thehuman voice.Zobian was born one monthafter the <strong>Armenian</strong> Genocide.That unspeakable carnage, to allappearances, was condemned byforemost politicians, intellectualsand artists.God, who had generously endowedthis child, could not accommodateHimself to the loss<strong>of</strong> Garbis; therefore, He savedmother and child from inevitabledeath.It is undeniable that the mother’ssuffering and restless state <strong>of</strong>mind had an effect on the formation<strong>of</strong> the young Zobian’s spiritualworld during the period he wasnursed by her. (So did her subsequentoral histories too.)Garbis Zobian in Othello.Garbis Zobian in Carmen (Don Jose).<strong>The</strong> second factor is that God hadgiven the <strong>Armenian</strong> people such talentedand well-known singers as PietroSacinari, who was <strong>of</strong> <strong>Armenian</strong>background, Armenag Shahmuradianand Arman Tokatian. <strong>The</strong> timehad ripened, and the next peak hadto be born. That was Garbis Zobian.For some, all this may perhaps seemstrange, but, for me, that is in conformitywith universal law. Zobianhad to be born.I’m glad that, in my early youth,I had the opportunity to hear thesinger from the stages <strong>of</strong> the YerevanOpera <strong>The</strong>ater and the largeconcert hall <strong>of</strong> the <strong>Armenian</strong>Philharmonic Orchestra. Subsequently,while working as editor<strong>of</strong> musical programming for theState Committee <strong>of</strong> Radio andTelevision in Yerevan, I becamequite familiar with the performingart <strong>of</strong> not only Zobian but alsoother eminent Diasporan <strong>Armenian</strong>musicians.It is appropriate to note here theconsistent work done by the chiefeditors, Armen Hovhannisian andAndranik Chalgushian, and allthe employees <strong>of</strong> the <strong>Armenian</strong>musical editorial department, inassembling the existing recordings<strong>of</strong> Diasporan <strong>Armenian</strong>s andmaking new ones.<strong>The</strong> writers <strong>of</strong> articles stating thatC12 <strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture 11/10/2007

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