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166ARIADNE.blocks of poor pale stone, till she could bidthem arise and speak.Sometimes the artist'screation is spontaneous,electric, full of sudden and eager joys, like thebirthof love itself: sometimes itisaccomplishedonly withsoretravail,and manypangs and sleeplessnights,Idee the birth of children. Whetherthe offspring of joy or of pain be tlie holiest andthe strongest, who shall say? — is our ladyof SanSisto or the Delphic Sibyl worth the most ?All this timeInever saw the one whosepleasure it had been to teach her the gladnessof laborious clays, and all the secrets of the artsthat say to the wood and the stone, " tell menthe vision wehave had of heaven." He did notsummonme, andIdid not dare to seek him.Isaw the old mother, who grew quite blind,and who struck herstaff at theemptyair,and saidtome: "So wouldIstrike the girl wereshe here;was she blind like me " that she could not see agreatlife at her feet?One night Giulio, the foreman, said to me," the master has beenill; we were very afraid."It seemed that the fever of oui' city, which had

ARIADNE. 167never touched Maryx once in aU the five-andtwentyyears which had passed since he had firststood by the white lions hi the portico of VillaMedicia,had taken hold onhimhithisunhealthyand burning summer.Isuppose the fever comes up from the soil; —our marveUous soU that, hke the water of oursprings and fountains,never changes takeit awa}'or shut it up as you may, and bears such lovelyluxuriance of leaf and blossoms; — because theearthhere has all been so scorched through andthrough with blood,and every handsbreadth ofits space is as it were a sepulchre,and the lushgrass, and the violets that are sweeter here thanever they are elsewhere, and all the deliciousmoist hanging mosses and herbs and ferns are,after aU, so rich,because born from the bodies ofvirgins and martyrs, and heroes, and all thenameless mUhons that he buried here.Blood must have soaked through the — soildeeper than any tree can plunge its roots: tenthousand animals woidd be slaughtered in thecircus in a clay, not to speak of men: — however,come whenceit may,the fever, that evenHorace

166ARIADNE.blocks of poor pale stone, till she could bidthem arise and speak.Sometimes the artist'screation is spontaneous,electric, full of sudden and eager joys, like thebirthof love itself: sometimes itisaccomplishedonly withsoretravail,and manypangs and sleeplessnights,Idee the birth of children. Whetherthe offspring of joy or of pain be tlie holiest andthe strongest, who shall say? — is our ladyof SanSisto or the Delphic Sibyl worth the most ?All this timeInever saw the one whosepleasure it had been to teach her the gladnessof laborious clays, and all the secrets of the artsthat say to the wood and the stone, " tell menthe vision wehave had of heaven." He did notsummonme, andIdid not dare to seek him.Isaw the old mother, who grew quite blind,and who struck herstaff at theemptyair,and saidtome: "So wouldIstrike the girl wereshe here;was she blind like me " that she could not see agreatlife at her feet?One night Giulio, the foreman, said to me," the master has beenill; we were very afraid."It seemed that the fever of oui' city, which had

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