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3rd European textile and Fibre Art Festival - Catalogue

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SARAH PERRET<br />

France / Francija<br />

Born 1958<br />

Le Village<br />

26400 Montclar S/Gervanne, France<br />

Education<br />

1978 Ecole nationale d’<strong>Art</strong>s<br />

Décoratifs, Aubusson,<br />

France<br />

Selected exhibitions<br />

2005 KARPIT 2 –<br />

Métamorphoses,<br />

Budapest, Hungary<br />

2004 Solo exhibition, Fondation<br />

Bullukian, Lyons, France<br />

Textil’<strong>Art</strong> – Tourette<br />

s/Loup, France<br />

2002 Solo exhibition “Le Polaris”,<br />

Corbas, France<br />

Solo exhibition “MAPRA”,<br />

Lyons, France<br />

Since 1980, I have been making tapestries in my<br />

own individual workshop. I create my tapestries,<br />

from the drawing of the sketches to<br />

their realisations „in wool“, always as unique<br />

pieces. Working as a self-taught tapestry<br />

artist, these nine years were dedicated to<br />

the mere exploitation of the surface.<br />

I thus wove nine tapestries of different dimensions,<br />

<strong>and</strong> closed this cycle of work with a<br />

triptych finished in June 1997.<br />

At the beginning of my work on tapestries, <strong>and</strong><br />

influenced by a training period at the Ecole<br />

Nationale d’<strong>Art</strong>s Décoratifs in Aubusson, I<br />

was initiated to the techniques by the way<br />

of transcriptions of well-known paintings<br />

(Goya, Gauguin, le Douanier Rousseau, <strong>and</strong><br />

a painting by a friend painter, Alain Golay,<br />

whose daring composition of a face had<br />

struck me ).<br />

After that period, my tapestries were the fruit<br />

of photographic research. Which is<br />

explained both by my interest in cinema <strong>and</strong><br />

my different trips to foreign countries.<br />

Relying on haphazard cutting <strong>and</strong> reassembling,<br />

I shaped new l<strong>and</strong>scapes, <strong>and</strong> human<br />

forms differently combined – a kaleidoscope<br />

of bodies <strong>and</strong> faces.<br />

From then on, my theme of research will be<br />

unique <strong>and</strong> my way of exploiting it multiple,<br />

due to my fascination for the human body.<br />

Since the chosen material matters from the<br />

very idea of the sketches, I wanted to use<br />

the traces left by the body on different malleable<br />

materials. After fruitless trials with<br />

s<strong>and</strong>, I decided to use a pool of mud in<br />

which I printed different positions of my<br />

body. After being photographed at various<br />

stages in the process of drying <strong>and</strong> crackling,<br />

these gave the triptych „Géographie<br />

humaine“ („Human Geography“) as a conclusion<br />

to the combination photo/tapestry.<br />

After my previous interest in the outward<br />

shape, I am now trying to find the interior<br />

beauty.<br />

Between 1998 <strong>and</strong> 2004, I have made a series<br />

of seven tapestries inspired by the work of<br />

André Vesale <strong>and</strong>, more generally, by the<br />

difficult beginnings of anatomy, between<br />

<strong>Art</strong> <strong>and</strong> Science. I am very interested in<br />

anatomic wax representations.<br />

Nature goes in Resistance.<br />

There is no opposition between human <strong>and</strong><br />

nature but just take conscious aware the<br />

impact between them.<br />

Just a disquiet, face of our antic relations <strong>and</strong><br />

their progressive destruction.<br />

96

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