3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
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SARAH PERRET<br />
France / Francija<br />
Born 1958<br />
Le Village<br />
26400 Montclar S/Gervanne, France<br />
Education<br />
1978 Ecole nationale d’<strong>Art</strong>s<br />
Décoratifs, Aubusson,<br />
France<br />
Selected exhibitions<br />
2005 KARPIT 2 –<br />
Métamorphoses,<br />
Budapest, Hungary<br />
2004 Solo exhibition, Fondation<br />
Bullukian, Lyons, France<br />
Textil’<strong>Art</strong> – Tourette<br />
s/Loup, France<br />
2002 Solo exhibition “Le Polaris”,<br />
Corbas, France<br />
Solo exhibition “MAPRA”,<br />
Lyons, France<br />
Since 1980, I have been making tapestries in my<br />
own individual workshop. I create my tapestries,<br />
from the drawing of the sketches to<br />
their realisations „in wool“, always as unique<br />
pieces. Working as a self-taught tapestry<br />
artist, these nine years were dedicated to<br />
the mere exploitation of the surface.<br />
I thus wove nine tapestries of different dimensions,<br />
<strong>and</strong> closed this cycle of work with a<br />
triptych finished in June 1997.<br />
At the beginning of my work on tapestries, <strong>and</strong><br />
influenced by a training period at the Ecole<br />
Nationale d’<strong>Art</strong>s Décoratifs in Aubusson, I<br />
was initiated to the techniques by the way<br />
of transcriptions of well-known paintings<br />
(Goya, Gauguin, le Douanier Rousseau, <strong>and</strong><br />
a painting by a friend painter, Alain Golay,<br />
whose daring composition of a face had<br />
struck me ).<br />
After that period, my tapestries were the fruit<br />
of photographic research. Which is<br />
explained both by my interest in cinema <strong>and</strong><br />
my different trips to foreign countries.<br />
Relying on haphazard cutting <strong>and</strong> reassembling,<br />
I shaped new l<strong>and</strong>scapes, <strong>and</strong> human<br />
forms differently combined – a kaleidoscope<br />
of bodies <strong>and</strong> faces.<br />
From then on, my theme of research will be<br />
unique <strong>and</strong> my way of exploiting it multiple,<br />
due to my fascination for the human body.<br />
Since the chosen material matters from the<br />
very idea of the sketches, I wanted to use<br />
the traces left by the body on different malleable<br />
materials. After fruitless trials with<br />
s<strong>and</strong>, I decided to use a pool of mud in<br />
which I printed different positions of my<br />
body. After being photographed at various<br />
stages in the process of drying <strong>and</strong> crackling,<br />
these gave the triptych „Géographie<br />
humaine“ („Human Geography“) as a conclusion<br />
to the combination photo/tapestry.<br />
After my previous interest in the outward<br />
shape, I am now trying to find the interior<br />
beauty.<br />
Between 1998 <strong>and</strong> 2004, I have made a series<br />
of seven tapestries inspired by the work of<br />
André Vesale <strong>and</strong>, more generally, by the<br />
difficult beginnings of anatomy, between<br />
<strong>Art</strong> <strong>and</strong> Science. I am very interested in<br />
anatomic wax representations.<br />
Nature goes in Resistance.<br />
There is no opposition between human <strong>and</strong><br />
nature but just take conscious aware the<br />
impact between them.<br />
Just a disquiet, face of our antic relations <strong>and</strong><br />
their progressive destruction.<br />
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