3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue 3rd European textile and Fibre Art Festival - Catalogue
MICHIKO KAWARABAYASHI Japan / Japåna Born 1942 14-1, Higashiura-Cho, Misasagi, Daigo, Fushimi-Ku, Kyoto 601-1313 Japan Education 1963–1965 International Design Institute in Kyoto, Japan Selected exhibitions Collaborating textile artists from Britain and Japan, National Museum of Modern Art, Kyoto, Japan “Through the Surface” Japanese and British artists on tour, UK 4 th International Textile Exhibition, Kaunas, Lithuania 1 st International Triennial for Minitextiles, Szombathely, Hungary International Biennial of Miniature Textile, Szombathely, Hungary ”Fibre Art Today” exhibitions at Shijo Gallery, Kyoto, Japan Awards Prize, Tokyo Textile Design Competition, Tokyo, Japan TFT Prize, Tokyo Textile Design Competition, Tokyo, Japan Himeji City Culture Promotion Foundation Prize – 50 th Anniversary Himeji City, Japan Works in collections Nottingham Castle Museum and Art Gallery, UK Contemporary Art Society Collection, UK I am fascinated with ephemeral moments - the ambiguity of time and space. Blurring clear boundaries and the possibility of being „inbetween” these two phenomena allow me to view the world from various points of view. My Intention is to create „overlapping layers” which appear to ebb and flow between static and dynamic states. These overlapping conditions are equivocal, ambiguous and ephemeral in terms of the exact position of the boundary and the way which it is perceived. Composition between Japanese traditional texture (Linen mosquito net) and Japanese traditional twine which is called „Mizuhiki” creates a dynamic emotional illusion. The flickering light and shadow and the transience of shifting surfaces allude to the world of nature. In Japanese, the word „musubu” means to tie or bind, and when something is tied with the strong, thin, ceremonial two-tone twine made from Japanese paper fibers called „Mizuhiki”, it takes on a special meaning. To Japanese, tying something in this manner conveys warmth, affection and togetherness. My hope is to leverage this concept to create a moment which binds people, culture and time together in such a way that participants are brought into an calm and infinite space. 66
EPHEMERAL MOMENT NETVERAMS MIRKLIS 2007. Japanese traditional texture: kaya (linen mosquito net), mizuhiki (paper thread). Tie. 220x200x10 67
- Page 15 and 16: GLOBAL INTRIGUE GLOBÅLÅ INTRIGA P
- Page 17 and 18: MONEY SHORT CUTS NAUDAS ATMAZGÅÍA
- Page 19 and 20: UNITED COLORS OF CAPITALISM APVIENO
- Page 21 and 22: ARCHIVES ARHÈVI 2007. Paper, acryl
- Page 23 and 24: MADE IN NORWAY RAÛOTS NORV‰ÌIJ
- Page 25 and 26: GLOBAL BUSINESS GLOBÅLAIS BIZNESS
- Page 27 and 28: THE FAMILIAR WHICH HAS BECOME STRAN
- Page 29 and 30: 4X4 2006. Hand made fabric, ceramic
- Page 31 and 32: ALOHA HOME SWEET HOME SVEICINÅTAS,
- Page 33 and 34: TARGET M‰RappleIS 2005. Hand cut
- Page 35 and 36: JOURNEY CEÒOJUMS 2006. Cotton fabr
- Page 37 and 38: SEGMENTED CIRCLE SEGMENT‰TAIS APL
- Page 39 and 40: JUMP 3 L‰CIENS 3 2006. Mixed fibe
- Page 41 and 42: SCRATCHING OF MY PEN ÍVÈKÅJOT AR
- Page 43 and 44: THE THEATRE IN THE PARK TEÅTRIS PA
- Page 45 and 46: SIGNS ZÈMES 2007. Wool, Shibori te
- Page 47 and 48: SURROUNDED BY IESKAUTS 2007. Human
- Page 49 and 50: TRANSVERSE MOVEMENT KUSTÈBA PRET
- Page 51 and 52: SHEEP DROPPINGS OF WOOL AITU VILNAS
- Page 53 and 54: DARKNESS WALKING PASTAIGA TUMSÅ 20
- Page 55 and 56: THE WING OF THE DAWN RÈTAUSMAS V
- Page 57 and 58: IT`S SMOULDERING TAS GRUZD 2007. Wo
- Page 59 and 60: TEHERAN 2006 TEHERÅNA 2006 2006. V
- Page 61 and 62: OSLO, AUGUST 2006 OSLO, AUGUSTS 200
- Page 63 and 64: THE LAST MOMENT P‰D‰JAIS BRÈDI
- Page 65: OUTSIDERS AUTSAIDERI 2007. Newspape
- Page 69 and 70: MARIONETTE MARIONETE 2006. Wire, fi
- Page 71 and 72: BP SUPERMAN BP SUPERMENS 2007. Synt
- Page 73 and 74: JOINT (UNITE) VIENOTÈBA 2007. Wool
- Page 75 and 76: THE RANK AND FILE IERINDNIEKI 2007.
- Page 77 and 78: THE DREAM OF A WARRIOR OF LIGHT AT
- Page 79 and 80: THE MOON BAY M‰NESS LÈCIS 2006.
- Page 81 and 82: UNIVERSUMARIUM VISUMÅRIJS 2007. Sy
- Page 83 and 84: USING MY EYE AS A JAPANESE SWORD MA
- Page 85 and 86: GREEN CIRCLE / SYMBIOSIS ZAÒAIS AP
- Page 87 and 88: GLOBAL NETWORK GLOBÅLAIS TÈKLS 20
- Page 89 and 90: BEAUTIFUL EARTH SKAISTÅ ZEME 2007.
- Page 91 and 92: ORIKATA 06 2006. Polyester, goldlea
- Page 93 and 94: SLIP No. 2. HER NAME WAS EGLñ SLEJ
- Page 95 and 96: INDETERMINABLE BEAUTY NENOSAKÅMS S
- Page 97 and 98: GOBE MOUCHE DE VENUS 2006. Wool, co
- Page 99 and 100: COVERED CAR (WITH BASKET) APSEGTÅ
- Page 101 and 102: WORLD`S STRONGEST MAN PASAULES STIP
- Page 103 and 104: GLOW MIRDZUMS 2006. Woolen felt, br
- Page 105 and 106: JACKPOT DÛEKPOTS 2007. Wool, linen
- Page 107 and 108: 15 OF US 15 NO MUMS 2006. Felt, woo
- Page 109 and 110: THE GARDEN - WIND PASSING BY DÅRZS
- Page 111 and 112: GARDEN OF THE EAST AUSTRUMU DÅRZS
- Page 113 and 114: RISK FACTOR RISKA FAKTORS 2006. Art
- Page 115 and 116: UNTITLED BEZ NOSAUKUMA 2006. Ramie,
EPHEMERAL MOMENT<br />
NETVERAMS MIRKLIS<br />
2007. Japanese traditional texture: kaya (linen mosquito net), mizuhiki (paper thread). Tie. 220x200x10<br />
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