3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
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MICHIKO KAWARABAYASHI<br />
Japan / Japåna<br />
Born 1942<br />
14-1, Higashiura-Cho, Misasagi, Daigo, Fushimi-Ku, Kyoto<br />
601-1313 Japan<br />
Education<br />
1963–1965 International Design<br />
Institute in Kyoto, Japan<br />
Selected exhibitions<br />
Collaborating <strong>textile</strong> artists<br />
from Britain <strong>and</strong> Japan,<br />
National Museum of<br />
Modern <strong>Art</strong>, Kyoto, Japan<br />
“Through the Surface”<br />
Japanese <strong>and</strong> British artists<br />
on tour, UK<br />
4 th International Textile<br />
Exhibition, Kaunas,<br />
Lithuania<br />
1 st International Triennial<br />
for Mini<strong>textile</strong>s,<br />
Szombathely, Hungary<br />
International Biennial of<br />
Miniature Textile,<br />
Szombathely, Hungary<br />
”<strong>Fibre</strong> <strong>Art</strong> Today”<br />
exhibitions at Shijo Gallery,<br />
Kyoto, Japan<br />
Awards<br />
Prize, Tokyo Textile Design<br />
Competition, Tokyo, Japan<br />
TFT Prize, Tokyo Textile<br />
Design Competition,<br />
Tokyo, Japan<br />
Himeji City Culture<br />
Promotion Foundation<br />
Prize – 50 th Anniversary<br />
Himeji City, Japan<br />
Works in collections<br />
Nottingham Castle Museum <strong>and</strong> <strong>Art</strong><br />
Gallery, UK<br />
Contemporary <strong>Art</strong> Society Collection,<br />
UK<br />
I am fascinated with ephemeral moments - the<br />
ambiguity of time <strong>and</strong> space. Blurring clear<br />
boundaries <strong>and</strong> the possibility of being „inbetween”<br />
these two phenomena allow me<br />
to view the world from various points of<br />
view.<br />
My Intention is to create „overlapping layers”<br />
which appear to ebb <strong>and</strong> flow between static<br />
<strong>and</strong> dynamic states. These overlapping<br />
conditions are equivocal, ambiguous <strong>and</strong><br />
ephemeral in terms of the exact position of<br />
the boundary <strong>and</strong> the way which it is perceived.<br />
Composition between Japanese traditional texture<br />
(Linen mosquito net) <strong>and</strong> Japanese traditional<br />
twine which is called „Mizuhiki”<br />
creates a dynamic emotional illusion. The<br />
flickering light <strong>and</strong> shadow <strong>and</strong> the transience<br />
of shifting surfaces allude to the<br />
world of nature.<br />
In Japanese, the word „musubu” means to tie<br />
or bind, <strong>and</strong> when something is tied with<br />
the strong, thin, ceremonial two-tone twine<br />
made from Japanese paper fibers called<br />
„Mizuhiki”, it takes on a special meaning.<br />
To Japanese, tying something in this manner<br />
conveys warmth, affection <strong>and</strong> togetherness.<br />
My hope is to leverage this concept to<br />
create a moment which binds people, culture<br />
<strong>and</strong> time together in such a way that<br />
participants are brought into an calm <strong>and</strong><br />
infinite space.<br />
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