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3rd European textile and Fibre Art Festival - Catalogue

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HÉLÈNE DE RIDDER<br />

Belgium / Be©ija<br />

Born 1957<br />

Resschebeke 68<br />

9320 Erembodegem, Belgium<br />

Education<br />

1988–1990 Philosophy, Antwerp,<br />

Belgium<br />

1989–1990 Philosophy of art, Gent,<br />

Belgium<br />

1985–1986 History of art, Aalst, Belgium<br />

1976–1987 Academy Aalst, Monumental<br />

<strong>Art</strong>s, Belgium<br />

Selected exhibitions<br />

2006 Textile <strong>Art</strong> International<br />

Exhibition, Scythia, Ukraine<br />

International Exhibition of<br />

Contemporary Textile <strong>Art</strong><br />

”in_rete”, miniartextil<br />

Como, Italy<br />

2005 The World Batik Conference<br />

exhibition ”Wax Eloquent“,<br />

Massachusetts College of<br />

<strong>Art</strong> in Boston, USA<br />

”Visions in Textile“, ETN-<br />

Exhibition, Izmir, Turkey<br />

2004 3 rd International Biennial –<br />

Square-Carre-Cuadrado,<br />

Valencia, Venezuela, USA<br />

2003 Exhibition ”Batik 2003,<br />

Kunst in Beweging/<strong>Art</strong> in<br />

Motion“, Miat, Gent,<br />

Belgium<br />

Awards<br />

2005 Award (Honourable<br />

Mention), Wax Eloquent<br />

Juried International<br />

Exhibition, Boston, USA<br />

1987 Premium <strong>and</strong> selected<br />

Provincial Prize for arts <strong>and</strong><br />

crafts East- Fl<strong>and</strong>ers, Gent,<br />

Belgium<br />

1986 Prize ”Valerius De<br />

Saedeleer“, Aalst, Belgium<br />

The last few years the technique of batik is art<br />

in motion. From craft to <strong>Art</strong>. From tradition<br />

to a modern art. For me an age-old tradition<br />

with an innovating evolution. I believe in<br />

that evolution more <strong>and</strong> more. This makes<br />

batik so exciting. Always searching to<br />

make...art with a tradition. In my work<br />

”Scratching of my pen” I utilised the brushes<br />

with wax <strong>and</strong> after that I used my etching<br />

pen. In my life there are four basic words,<br />

”what”, ”when”, ”who” <strong>and</strong> ”why”. These<br />

words always form the underlying structure<br />

of my art works.<br />

Although I am not a speaking word-painter, I<br />

love playing with words in my batik works.<br />

Letters <strong>and</strong> h<strong>and</strong>writings, words <strong>and</strong><br />

thoughts are a beloved source of inspiration<br />

for me. Twenty years ago somebody listened<br />

to my silent story. There was no sound, only<br />

written language. An exchange of words<br />

<strong>and</strong> thoughts. I started to enjoy writing.<br />

Writing what I thought. But nobody heard<br />

me. This was the origin, the sprouting of my<br />

scratching batiks.<br />

Works in collections<br />

City of Aalst, Belgium<br />

Norton Priority Museum, Chesire, UK<br />

Guizhou Batik <strong>Art</strong> Research Institute,<br />

Guizhou, China<br />

M. Che Ninghang (Director Guizhou<br />

Museum), Guizhou, China<br />

Botanic Gardens, Meise, Belgium<br />

Kunsthalle Szombathely, Szombathely<br />

Képtar, Hungary<br />

<strong>3rd</strong> International Biennial, ”Square-<br />

Carre-Cuadrado“, Valencia,<br />

Venezuela, USA<br />

KVBKB, Gent, Belgium<br />

40

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