3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
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HÉLÈNE DE RIDDER<br />
Belgium / Be©ija<br />
Born 1957<br />
Resschebeke 68<br />
9320 Erembodegem, Belgium<br />
Education<br />
1988–1990 Philosophy, Antwerp,<br />
Belgium<br />
1989–1990 Philosophy of art, Gent,<br />
Belgium<br />
1985–1986 History of art, Aalst, Belgium<br />
1976–1987 Academy Aalst, Monumental<br />
<strong>Art</strong>s, Belgium<br />
Selected exhibitions<br />
2006 Textile <strong>Art</strong> International<br />
Exhibition, Scythia, Ukraine<br />
International Exhibition of<br />
Contemporary Textile <strong>Art</strong><br />
”in_rete”, miniartextil<br />
Como, Italy<br />
2005 The World Batik Conference<br />
exhibition ”Wax Eloquent“,<br />
Massachusetts College of<br />
<strong>Art</strong> in Boston, USA<br />
”Visions in Textile“, ETN-<br />
Exhibition, Izmir, Turkey<br />
2004 3 rd International Biennial –<br />
Square-Carre-Cuadrado,<br />
Valencia, Venezuela, USA<br />
2003 Exhibition ”Batik 2003,<br />
Kunst in Beweging/<strong>Art</strong> in<br />
Motion“, Miat, Gent,<br />
Belgium<br />
Awards<br />
2005 Award (Honourable<br />
Mention), Wax Eloquent<br />
Juried International<br />
Exhibition, Boston, USA<br />
1987 Premium <strong>and</strong> selected<br />
Provincial Prize for arts <strong>and</strong><br />
crafts East- Fl<strong>and</strong>ers, Gent,<br />
Belgium<br />
1986 Prize ”Valerius De<br />
Saedeleer“, Aalst, Belgium<br />
The last few years the technique of batik is art<br />
in motion. From craft to <strong>Art</strong>. From tradition<br />
to a modern art. For me an age-old tradition<br />
with an innovating evolution. I believe in<br />
that evolution more <strong>and</strong> more. This makes<br />
batik so exciting. Always searching to<br />
make...art with a tradition. In my work<br />
”Scratching of my pen” I utilised the brushes<br />
with wax <strong>and</strong> after that I used my etching<br />
pen. In my life there are four basic words,<br />
”what”, ”when”, ”who” <strong>and</strong> ”why”. These<br />
words always form the underlying structure<br />
of my art works.<br />
Although I am not a speaking word-painter, I<br />
love playing with words in my batik works.<br />
Letters <strong>and</strong> h<strong>and</strong>writings, words <strong>and</strong><br />
thoughts are a beloved source of inspiration<br />
for me. Twenty years ago somebody listened<br />
to my silent story. There was no sound, only<br />
written language. An exchange of words<br />
<strong>and</strong> thoughts. I started to enjoy writing.<br />
Writing what I thought. But nobody heard<br />
me. This was the origin, the sprouting of my<br />
scratching batiks.<br />
Works in collections<br />
City of Aalst, Belgium<br />
Norton Priority Museum, Chesire, UK<br />
Guizhou Batik <strong>Art</strong> Research Institute,<br />
Guizhou, China<br />
M. Che Ninghang (Director Guizhou<br />
Museum), Guizhou, China<br />
Botanic Gardens, Meise, Belgium<br />
Kunsthalle Szombathely, Szombathely<br />
Képtar, Hungary<br />
<strong>3rd</strong> International Biennial, ”Square-<br />
Carre-Cuadrado“, Valencia,<br />
Venezuela, USA<br />
KVBKB, Gent, Belgium<br />
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