3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
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MARIT HELEN AKSLEN<br />
Norway / Norvé©ija<br />
Born 1971<br />
Klingenbergsv. 1<br />
7043 Trondheim, Norway<br />
Education<br />
1998–2000 Postgraduate studies,<br />
National College of <strong>Art</strong> <strong>and</strong><br />
Design, Bergen, Norway<br />
1993–1996 <strong>Art</strong> studies, National<br />
College of <strong>Art</strong> <strong>and</strong> Design,<br />
Bergen, Norway<br />
1992–1993 <strong>Art</strong> studies, Risør<br />
Kunstskole, Norway<br />
Selected exhibitions<br />
2006 Solo exhibition at<br />
Kunstnerforbundet, Oslo,<br />
Norway<br />
Kunstnersenteret Møre og<br />
Romsdal<br />
Textile Expressions in<br />
Contemporary <strong>Art</strong>,<br />
Lithuania, Latvia, Bulgaria<br />
2005 “Stoff”, Slikeborg, Denmark<br />
“H<strong>and</strong>s of Norway”,<br />
Stockholm, Sweden<br />
2003 The National Annual Fall<br />
exhibition, Oslo, Norway<br />
Works in collections<br />
Norwegian Council of Culture<br />
Museum of Applied <strong>Art</strong>, Bergen, Norway<br />
North-Trøndelag Fylkesgallery,<br />
Haugesund Billedgallery,<br />
Trondheim District , Norway<br />
St Olavs Hospital in Trondheim,<br />
Norway<br />
I have been concentrating on clothes <strong>and</strong> find<br />
exploring the language of clothes exciting.<br />
I use ready-mades in my work, like shirts <strong>and</strong><br />
braces. Most of the time I use fragments of<br />
shirts, like cuffs, collars <strong>and</strong> pockets. I have<br />
been trying to give the fragments a new<br />
shape <strong>and</strong> a new function by building them<br />
up, using their construction, in a different<br />
way. This is how I am putting them into a<br />
new context.<br />
I also often decode the use of white shirts in<br />
the world of politics <strong>and</strong> corporate business.<br />
In this work “Money Short Cuts” I have been<br />
concentrating on a serious global problem,<br />
corruption.<br />
More specific it is about<br />
Money Laundering / White-wash.<br />
First you see the black cuffs that become<br />
whiter <strong>and</strong> whiter on its way to the top.<br />
When you go closer you can see the world<br />
map in embroidery on the whole tapestry.<br />
The countries are embroidered in black but<br />
some of the countries are embroidered in<br />
red. Those are the countries <strong>and</strong> the places<br />
where it is possible <strong>and</strong> easy to wash your<br />
money white.<br />
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