3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
3rd European textile and Fibre Art Festival - Catalogue
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DAIGA ÍTÅLBERGA SENOUSSAOUI<br />
Latvia / France Latvija / Francija<br />
Born 1963<br />
26, allée des Bergeronnettes<br />
77420 Champs sur Marne, France<br />
Education<br />
2003 MA in <strong>Art</strong>s, <strong>Art</strong> Academy<br />
of Latvia<br />
1984–1989 BA in <strong>Art</strong>s, <strong>Art</strong> Academy<br />
of Latvia; Textile <strong>Art</strong><br />
Department<br />
1978–1982 Riga Design <strong>and</strong> <strong>Art</strong> School;<br />
Textile <strong>Art</strong> Department,<br />
Latvia<br />
Selected exhibitions<br />
2006 “The Two-way Motion”,<br />
Museum of Decorative<br />
<strong>Art</strong>s <strong>and</strong> Design, Riga,<br />
Latvia<br />
“The <strong>Art</strong> of <strong>Fibre</strong>...The<br />
<strong>Fibre</strong> of <strong>Art</strong>“ – Spaces<br />
Cultural the Minimes,<br />
Compiegne, France<br />
2005 “Autumn Salon 2005”,<br />
Floral Park of Paris, France<br />
2004 Solo exhibition, Museum –<br />
Melngalvju House, Riga,<br />
Latvia<br />
1996 Solo exhibition „The Gate”,<br />
Museum of Foreign <strong>Art</strong>,<br />
Riga, Latvia<br />
1994 “10 th International<br />
Symposium of Textile<br />
<strong>Art</strong>”, Graz, Austria,<br />
”Raiffeisenhof centre” <strong>and</strong><br />
”Galerie im<br />
Fernmeldezentrum”<br />
Focusing on the positive aspects of globalization<br />
as an ongoing process that leads to<br />
increased connectivity through the rise of<br />
global communications <strong>and</strong> consequently<br />
cross-cultural contacts that inevitably broaden<br />
<strong>and</strong> enrich our cultural perspective, I<br />
have chosen to draw inspiration for this<br />
work from sources distant from my own in<br />
both temporal <strong>and</strong> cultural planes. Working<br />
in my own author’s technique, I selected<br />
columns as an external structure. Here,<br />
columns not only have a supporting function,<br />
but also jointly form a gate into an<br />
Oriental garden, as well as create an ambience<br />
of the garden itself.<br />
The content of these columns has been drawn<br />
from ornaments of different cultures woven<br />
together into a modern lacework that provides<br />
the columns with a sense of lightness<br />
as opposed to the complex ornamental message.<br />
With this I turn your attention to the<br />
inexhaustible wealth of East Asian culture<br />
<strong>and</strong> welcome you to the Oriental Garden –<br />
a place for peaceful contemplation.<br />
Awards<br />
2004 Prize of the Senator –<br />
Mayor Alain Gournac,<br />
“27 th Salon of Alpicois<br />
<strong>Art</strong>s”, Le Pecq, France<br />
2004 Silver medal, International<br />
Salon of the <strong>European</strong><br />
Academy of <strong>Art</strong>s 2004,<br />
Paris, France<br />
Works in collections<br />
Museum of Decorative <strong>Art</strong>s <strong>and</strong><br />
Design, Riga, Latvia<br />
Works in various interiors <strong>and</strong> private<br />
collections in Latvia, France, Austria,<br />
Germany<br />
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