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GENERAL CATEGORY<br />

Pic<strong>to</strong>rial (Class 14) A fine scenic image that illustrates <strong>the</strong> natural and man-made geographical features relating <strong>to</strong><br />

our environment. Landscapes, seascapes, mountains and aerials are acceptable. Successful images MUST be a cut<br />

above ordinary scenic images.<br />

Unclassified (Class 15) Images which defy classification in<strong>to</strong> any of <strong>the</strong> o<strong>the</strong>r categories, including abstracts and<br />

special manipulations. (Not all special effect images must go in<strong>to</strong> this class. A posterized industrial pho<strong>to</strong>, if<br />

recognizable as industrial, should be entered in Industrial, not Unclassified.<br />

Animals (Class 16) A mixed class covering wild animals pho<strong>to</strong>graphed in <strong>the</strong>ir natural habitat and domestic<br />

animals pho<strong>to</strong>graphed in a location of <strong>the</strong> pho<strong>to</strong>grapher’s choosing (in-studio or on-location).<br />

Press (Class 17) Press images will be judged less on technical excellence and more on viewer impact. Images should<br />

evoke direct viewer response because of <strong>the</strong> emotional, humourous or unusual nature of <strong>the</strong> subject matter. No<br />

alteration, manipulation or staged images allowed in this class. Basic colour and brightness adjustments, cropping,<br />

dodging and burning-in are allowed.<br />

Fine Art (Class 18) Unusual images, individual images or a series of images on one entry. Conventional beauty,<br />

formal design and familiar subjects are often not components of fine art images and can include: classic B&W<br />

scenes, painterly effects, soft focus, journalistic, bizarre images and o<strong>the</strong>r unconventional approaches.<br />

Free Style (Class 19) A complete image that makes use of, and builds on, pho<strong>to</strong>graphic imagery. While ano<strong>the</strong>r<br />

may produce components of <strong>the</strong> image, <strong>the</strong> entrant is responsible for all elements of <strong>the</strong> “post-image” production.<br />

The obvious strength of <strong>the</strong> composition is based on what is created from <strong>the</strong> components. The image is still<br />

recognizable as a pho<strong>to</strong>graph following normal conventions of light, shading, perspective etc. Entrants may<br />

declare <strong>the</strong>mselves as <strong>the</strong> maker of all image components by placing <strong>the</strong> bracketed capital letter (M) at <strong>the</strong> end<br />

of <strong>the</strong> image title.<br />

Edi<strong>to</strong>rial (Class 23) Depicting lifestyle or business environments and <strong>the</strong>ir s<strong>to</strong>ry-telling activities, <strong>the</strong>se images<br />

typically accompany an article or caption description. In successfully invoking a viewer’s interest, <strong>the</strong>se featureoriented<br />

pho<strong>to</strong>graphs include executive portraiture, annual reports, business activities in general, and may<br />

present images of an emotional, humorous or unusual nature. No Press images within this class<br />

FOLLOW UP<br />

Image <strong>Salon</strong> Chair: Craig Smith 250-392-3814 or aboutface@wlake.com<br />

E-mail entries and completed entry form <strong>to</strong>:<br />

aboutface@wlake.com<br />

You will get an email from Craig Smith confirming receipt of your images. Eventbrite will email a receipt of your<br />

payment; if you do NOT receive any confirmation within a day or two of your emailing of ei<strong>the</strong>r, please contact<br />

Craig immediately.<br />

The time of your email will be on <strong>the</strong> email itself which will serve <strong>to</strong> qualify your digital submission - do NOT<br />

leave emailing your images <strong>to</strong> <strong>the</strong> last minute as <strong>the</strong>re may be server issues which will prevent your images from<br />

arriving on time.

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