Ambrosine Allen 'After the Ascent'

Catalogue of the exhibition 'After the Ascent' by Ambrosine Allen, held at Millennium, St. Ives. www.millenniumgallery.co.uk/aftertheascent/catalogue.htm Catalogue of the exhibition 'After the Ascent' by Ambrosine Allen, held at Millennium, St. Ives. www.millenniumgallery.co.uk/aftertheascent/catalogue.htm

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A m br o s i n e A l l e n ‘ A f t e r T h e A s c e n t ’


<strong>Ambrosine</strong> <strong>Allen</strong>’s complex and elaborate collages are created with tiny paper<br />

cuttings taken from discarded encyclopaedias – raw material imbued with<br />

evidence of mankind’s scientific, mythological and historical enlightenment. These<br />

fragments are <strong>the</strong>n painstakingly assembled into majestic invented and imagined<br />

landscapes. Terrains evolve, layer by layer as more and more cuttings are added. A<br />

development of tectonic geology occurs and new geographies take shape.<br />

Underneath each finished work sits multiple alternate renderings – <strong>the</strong> channels and<br />

tributaries of flowing water, discarded conurbations, swirling skies, and <strong>the</strong> rise and<br />

fall of <strong>the</strong> evolving topographies.<br />

The undertaking is extraordinarily lengthy with each piece taking several months<br />

to complete. The final image existing only as a result of <strong>the</strong> turmoil and<br />

transformation of it’s construction.<br />

The resultant landscapes are both familiar yet alien. Human traces are scattered and<br />

buried, nature seizes and conquers. ‘After <strong>the</strong> Ascent’ offers us a potential evolution<br />

shaped by <strong>the</strong> magnificent capabilities of <strong>the</strong> natural world in riposte to <strong>the</strong> egotism<br />

of human endeavour.<br />

Are <strong>the</strong>se vistas to be viewed as foreboding visions or do we witness a panorama<br />

of reawakening and renewal? These works go straight to <strong>the</strong> heart of a prescient<br />

anxiety concerning our harmony with this world that we inhabit.<br />

Joseph Clarke | 2015<br />

Mountain Study at an Elevated View<br />

paper collage with archival UVA filter matt varnish | 23.5 x 62 cm<br />

2


Retreating Glacier<br />

paper collage with archival UVA filter matt varnish | 57 x 67 cm<br />

5


Mountain Study with Passing Storm<br />

paper collage with archival UVA filter matt varnish | 54.5 x 95 cm<br />

6


After Bagetti : The Towering Wall of a Mighty Cavern<br />

paper collage with archival UVA filter matt varnish | 65 x 96 cm<br />

9


Facing <strong>the</strong> Torrent<br />

paper collage with archival UVA filter matt varnish | 20 x 8.5 cm<br />

10


Downward with <strong>the</strong> Entire Mass of Water<br />

paper collage with archival UVA filter matt varnish | 27.5 x 27.5 cm<br />

13


Moon: After Drilling, On <strong>the</strong> Tundra, Over Water<br />

paper collage with archival UVA filter matt varnish | 5.5 x 5.5 cm each<br />

14


A Study of Volaire: From <strong>the</strong> Shore Looking East<br />

paper collage with archival UVA filter matt varnish | 46 x 34 cm<br />

17


An Account of Fire, Up Close and Far Away<br />

paper collage with archival UVA filter matt varnish | 20 x 12 cm each<br />

18


Observation of <strong>the</strong> Mountain at Dusk<br />

collaged paper globe with archival UVA filter matt varnish | 43 x 23 x 18 cm<br />

21


Upon Reaching <strong>the</strong> Open Air<br />

collaged paper globe with archival UVA filter matt varnish | 22 x 22 x 10 cm<br />

22


The Secrets of Wastewater<br />

paper collage with archival UVA filter matt varnish, paper, plaster and wood | 33 x 43 x 16 cm<br />

25


<strong>Ambrosine</strong> <strong>Allen</strong> was born in 1982 and raised in rural Suffolk.<br />

In 2005 she completed <strong>the</strong> MA Fine Art Drawing course at Wimbledon<br />

School of Art and has lived and worked in South East London<br />

ever since.<br />

Upon graduating she was selected for <strong>the</strong> Jerwood Drawing Prize in<br />

2005 and has continued to exhibit widely in <strong>the</strong> UK and Internationally.<br />

Her first solo show, ‘Compendium to <strong>the</strong> New World’ in 2012 was a sell<br />

out and she was included in Quintessentially’s Generation Next: YBA<br />

Spirit feature on artists to watch.<br />

She exhibited widely with All Visual Arts, including flagship shows<br />

Metamorphosis: <strong>the</strong> Transformation of Being in 2012 and Viewing<br />

Room 2013 at The Crypt, No.1 Marylebone, London.<br />

She has work in numerous private collection in <strong>the</strong> UK, Switzerland,<br />

Germany, Stockholm and America.<br />

‘After <strong>the</strong> Ascent’ is her first solo exhibition at Millennium.


Published by Millennium to coincide with <strong>the</strong> exhibition ‘After <strong>the</strong> Ascent’ by <strong>Ambrosine</strong> <strong>Allen</strong><br />

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted<br />

in any form or by any means electronic, mechanical, photocopying, recording or o<strong>the</strong>rwise without permission<br />

Publication produced by Impact Printing Services<br />

M I L L E N N I U M<br />

Street-an-Pol<br />

St. Ives<br />

Cornwall<br />

01736 793121<br />

mail@millenniumgallery.co.uk<br />

www. m i l l e n n i u m g a l lery.co.uk

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