Ambrosine Allen 'After the Ascent'
Catalogue of the exhibition 'After the Ascent' by Ambrosine Allen, held at Millennium, St. Ives. www.millenniumgallery.co.uk/aftertheascent/catalogue.htm Catalogue of the exhibition 'After the Ascent' by Ambrosine Allen, held at Millennium, St. Ives. www.millenniumgallery.co.uk/aftertheascent/catalogue.htm
A m br o s i n e A l l e n ‘ A f t e r T h e A s c e n t ’
- Page 4: Ambrosine Allen’s complex and ela
- Page 8: Mountain Study with Passing Storm p
- Page 12: Facing the Torrent paper collage wi
- Page 16: Moon: After Drilling, On the Tundra
- Page 20: An Account of Fire, Up Close and Fa
- Page 24: Upon Reaching the Open Air collaged
- Page 28: Ambrosine Allen was born in 1982 an
A m br o s i n e A l l e n ‘ A f t e r T h e A s c e n t ’
<strong>Ambrosine</strong> <strong>Allen</strong>’s complex and elaborate collages are created with tiny paper<br />
cuttings taken from discarded encyclopaedias – raw material imbued with<br />
evidence of mankind’s scientific, mythological and historical enlightenment. These<br />
fragments are <strong>the</strong>n painstakingly assembled into majestic invented and imagined<br />
landscapes. Terrains evolve, layer by layer as more and more cuttings are added. A<br />
development of tectonic geology occurs and new geographies take shape.<br />
Underneath each finished work sits multiple alternate renderings – <strong>the</strong> channels and<br />
tributaries of flowing water, discarded conurbations, swirling skies, and <strong>the</strong> rise and<br />
fall of <strong>the</strong> evolving topographies.<br />
The undertaking is extraordinarily lengthy with each piece taking several months<br />
to complete. The final image existing only as a result of <strong>the</strong> turmoil and<br />
transformation of it’s construction.<br />
The resultant landscapes are both familiar yet alien. Human traces are scattered and<br />
buried, nature seizes and conquers. ‘After <strong>the</strong> Ascent’ offers us a potential evolution<br />
shaped by <strong>the</strong> magnificent capabilities of <strong>the</strong> natural world in riposte to <strong>the</strong> egotism<br />
of human endeavour.<br />
Are <strong>the</strong>se vistas to be viewed as foreboding visions or do we witness a panorama<br />
of reawakening and renewal? These works go straight to <strong>the</strong> heart of a prescient<br />
anxiety concerning our harmony with this world that we inhabit.<br />
Joseph Clarke | 2015<br />
Mountain Study at an Elevated View<br />
paper collage with archival UVA filter matt varnish | 23.5 x 62 cm<br />
2
Retreating Glacier<br />
paper collage with archival UVA filter matt varnish | 57 x 67 cm<br />
5
Mountain Study with Passing Storm<br />
paper collage with archival UVA filter matt varnish | 54.5 x 95 cm<br />
6
After Bagetti : The Towering Wall of a Mighty Cavern<br />
paper collage with archival UVA filter matt varnish | 65 x 96 cm<br />
9
Facing <strong>the</strong> Torrent<br />
paper collage with archival UVA filter matt varnish | 20 x 8.5 cm<br />
10
Downward with <strong>the</strong> Entire Mass of Water<br />
paper collage with archival UVA filter matt varnish | 27.5 x 27.5 cm<br />
13
Moon: After Drilling, On <strong>the</strong> Tundra, Over Water<br />
paper collage with archival UVA filter matt varnish | 5.5 x 5.5 cm each<br />
14
A Study of Volaire: From <strong>the</strong> Shore Looking East<br />
paper collage with archival UVA filter matt varnish | 46 x 34 cm<br />
17
An Account of Fire, Up Close and Far Away<br />
paper collage with archival UVA filter matt varnish | 20 x 12 cm each<br />
18
Observation of <strong>the</strong> Mountain at Dusk<br />
collaged paper globe with archival UVA filter matt varnish | 43 x 23 x 18 cm<br />
21
Upon Reaching <strong>the</strong> Open Air<br />
collaged paper globe with archival UVA filter matt varnish | 22 x 22 x 10 cm<br />
22
The Secrets of Wastewater<br />
paper collage with archival UVA filter matt varnish, paper, plaster and wood | 33 x 43 x 16 cm<br />
25
<strong>Ambrosine</strong> <strong>Allen</strong> was born in 1982 and raised in rural Suffolk.<br />
In 2005 she completed <strong>the</strong> MA Fine Art Drawing course at Wimbledon<br />
School of Art and has lived and worked in South East London<br />
ever since.<br />
Upon graduating she was selected for <strong>the</strong> Jerwood Drawing Prize in<br />
2005 and has continued to exhibit widely in <strong>the</strong> UK and Internationally.<br />
Her first solo show, ‘Compendium to <strong>the</strong> New World’ in 2012 was a sell<br />
out and she was included in Quintessentially’s Generation Next: YBA<br />
Spirit feature on artists to watch.<br />
She exhibited widely with All Visual Arts, including flagship shows<br />
Metamorphosis: <strong>the</strong> Transformation of Being in 2012 and Viewing<br />
Room 2013 at The Crypt, No.1 Marylebone, London.<br />
She has work in numerous private collection in <strong>the</strong> UK, Switzerland,<br />
Germany, Stockholm and America.<br />
‘After <strong>the</strong> Ascent’ is her first solo exhibition at Millennium.
Published by Millennium to coincide with <strong>the</strong> exhibition ‘After <strong>the</strong> Ascent’ by <strong>Ambrosine</strong> <strong>Allen</strong><br />
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St. Ives<br />
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