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Entire Issue - National Association of Legal Assistants

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The Digital Millennium Copyright Act<br />

continued from page 19<br />

under the law. “This is sort <strong>of</strong> the first dent in the<br />

DMCA…but developers still need to be careful,” Burton said.<br />

While this suit might seem a legitimate use <strong>of</strong> DMCA to<br />

protect Adobe’s copyrighted s<strong>of</strong>tware, other individuals and<br />

companies which rely on the ability <strong>of</strong> a competitor <strong>of</strong> copyrighted<br />

inventions to “reverse engineer” a similar product,<br />

pulled their intended products from the market, fearing prosecution<br />

on similar grounds. Likewise, Dug Song, an author <strong>of</strong><br />

papers regarding s<strong>of</strong>tware security, removed a paper from his<br />

Web site describing a common vulnerability in many firewalls.<br />

Other programmers who have found flaws in proprietary s<strong>of</strong>tware<br />

have withheld papers or made anonymous reports instead<br />

<strong>of</strong> being identified with the information. Detractors <strong>of</strong> DMCA<br />

claim that the fear <strong>of</strong> prosecution stifles legitimate competition<br />

and free speech.<br />

Universal City Studios v. Reimerdes, 82 F.Supp.2d 211<br />

(S.D.N.Y. 2000), broached both the issues <strong>of</strong> freedom <strong>of</strong> press<br />

and fair use. Eric Corley, publisher <strong>of</strong> 2600 Magazine, in its<br />

coverage <strong>of</strong> the DMCA controversy, posted on its Web site a<br />

link to a program known as De-Contents Scramble System<br />

(DeCSS), which defeats encryption used on DVD movies.<br />

Corley and 2600 were not accused <strong>of</strong> creating the s<strong>of</strong>tware, or<br />

<strong>of</strong> using the s<strong>of</strong>tware to infringe on existing copyrights. The<br />

district court found that the mere posting <strong>of</strong> the link was sufficient<br />

to be in violation <strong>of</strong> the provisions <strong>of</strong> §1201, and they<br />

were permanently barred from publishing or even linking to<br />

the DeCSS s<strong>of</strong>tware code.<br />

The Second Circuit Court <strong>of</strong> Appeals upheld the lower<br />

court decision in November 2001. The mere threat <strong>of</strong> litigation<br />

has silenced many web bulletin boards. According to an<br />

article entitled “Call it the Digital Millennium Censorship Act,”<br />

by Julie Cohen, law pr<strong>of</strong>essor at Georgetown University: “A<br />

publisher can prohibit fair-use commentary simply by implementing<br />

access and disclosure restrictions that bind the entire<br />

public.” While not the intent <strong>of</strong> the drafters, the DMCA seems<br />

to protect one side <strong>of</strong> the public while unfairly restricting the<br />

other.<br />

Within the ruling, the DeCSS s<strong>of</strong>tware was held to be a<br />

violation <strong>of</strong> the DMCA because it defeated the encryption<br />

placed on the product by the copyright owners. Yet, prior to<br />

the DMCA, an individual consumer had the right <strong>of</strong> “fair use”<br />

<strong>of</strong> a purchased copyrighted item. “Fair Use” is the doctrine that<br />

allows the public to use copyrighted works, without having to<br />

ask permission <strong>of</strong> the owner, so long as the use does not unduly<br />

interfere with the owner’s market <strong>of</strong> the work.<br />

The right <strong>of</strong> a consumer to purchase a music CD or<br />

a VCR tape <strong>of</strong> a movie and make additional copies for<br />

his/her own use has long been established. However, any<br />

consumer who chooses to defeat anti-copy encryption on<br />

products sold since the institution <strong>of</strong> DMCA are subject<br />

to a first <strong>of</strong>fense fine <strong>of</strong> $500,000 and/or five years in federal<br />

prison. A second <strong>of</strong>fense will net the violator a fine <strong>of</strong><br />

$1,000,000 and/or 10 years!<br />

Edward Felten v. Recording Industry <strong>Association</strong> <strong>of</strong><br />

America, (RIAA), Case No. FVR63285 (D.N.J. 2001), also<br />

dealt with freedom <strong>of</strong> speech in a different setting. In April<br />

2001, just before the 4th International Information Hiding<br />

Workshop, Pr<strong>of</strong>essor Edward Felten <strong>of</strong> Princeton University<br />

received a letter from RIAA strongly suggesting that if he were<br />

to give his planned speech on cracking digital watermarks in<br />

s<strong>of</strong>tware such as Secure Digital Music Initiative (“SDMI”),<br />

they would file suit under DMCA.<br />

Pr<strong>of</strong>essor Felten not only chose to give his speech,<br />

he filed suit against RIAA and the U.S. in New Jersey<br />

Federal Court. He asked the court to declare that he and his<br />

research team had the First Amendment right to discuss and<br />

publish their work, even if it may discuss weaknesses in the<br />

systems used to control digital music. After both the government<br />

and RIAA filed documents stating that “scientists<br />

attempting to study access control technologies” are not<br />

subject to the DMCA, the Court dismissed Felten’s case.<br />

They chose not to appeal the dismissal, hoping to take the<br />

industry and government at their word that they will never<br />

again threaten scientific research.<br />

SOME GOOD NEWS<br />

Not all <strong>of</strong> the DMCA news is bad. The case <strong>of</strong> Ellison v.<br />

Robertson, 189 F.Supp.2d 1051, 2002 Copr.L.Dec. P 28,420,<br />

62 U.S.P.Q.2d 1170, will assist Internet Service Providers<br />

(ISPs) in avoiding liability for illegal material appearing on<br />

their networks.<br />

Harlan Ellison, author <strong>of</strong> several books and short stories,<br />

sued AOL in 2000 alleging that the company violated the<br />

DMCA by allowing unauthorized copies <strong>of</strong> his works to<br />

appear on Usenet servers for two weeks. The suit originally<br />

named the fan who scanned the works, as well as the newsgroup<br />

host, but both other parties settled, leaving AOL as the<br />

only defendant.<br />

U.S. District Judge Florence-Marie Cooper correctly<br />

interpreted the provisions <strong>of</strong> existing copyright law, as<br />

20<br />

FACTS & FINDINGS / AUGUST 2003

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