Curse of Cannan - The New Ensign

years studying occult symbolism at the previously mentioned Papus Institute in Paris. He always
carried a forked cane which he had reproduced from ancient drawings of a wizard's staff; he was
touted in the United States by Caresse Crosby, of the Black Sun Press (the black sun is an occult
symbol representing the far side of the sun).
"Abstract" art was promoted by the Rockefellers because it is the modern depiction of the cults
of the ancient world, principally the demon worship of Baal. These mystical symbols are
understood by only a few cognoscenti, the Gnostics, or knowing ones, who perpetuate the secret
organizations and dabble in their mystical powers. These same symbols are to be seen in the
background of many Renaissance paintings, when Baal-worship was sanitized as
"NeoPlatonism." Aby Warburg, of the Warburg Institute, spent his life studying these occult
symbols of the Renaissance, except for a fortuitous nervous breakdown lasting four years, which
kept him out of army service during the First World War. War burg traced the development by
which the classical representation of deities in art were transformed into occult symbols by the
artists of the Renaissance, in which they now appeared in a demonic mien. War burg was able
to trace this symbolism through the emblems reproduced on heraldry and the costumes used in
these paintings. This occult symbolism now is the mainstay of the modern "abstract" school of
painting.
Abstract art also represents the Canaanite forces at work to deliberately debase the high standard
of living reached by the people of Shem in the Classical World. The occult symbols which were
infiltrated into Renaissance art were an important step in this program, but their real success did
not come until the twentieth century, when rags dipped into paint and flung onto canvas, or pieces
of scrap from junk heaps, became the new version of "high art." This was but one aspect of the
ongoing campaign against the people of Shem, which was enshrined in the principles of
"liberalism." Harold Laski defined liberalism as the political counterpart of capitalism. Liberalism
is also the political program of Freemasonry, which has always been anti-capitalist. It is especially
opposed to the development of modern technology, which dealt the deathblow to the profitable
slave trade of the Canaanites, as machines replaced the use of slave labour
The United States is now in the forefront of the Masonic Canaanite conspiracy to dismantle the
modern industry which has been developed by the people of Shem. As a result, we now have
the Rust Belt, miles of deserted factory buildings from the East Coast to the West Coast;
thousands of independent farmers driven off their farms by loan capital, ruined because they
were independent producers, or kulaks, and a threat to the Masonic Canaanite control of capital.
The linchpin in the Canaanite program to destroy American industry was the assault on our auto
productions, which provided one of every seven jobs in the United States. This was accomplished
by enlisting our defeated "fascist" enemies, Germany and Italy, in a plot to flood the United
States with foreign cars. Anyone suggesting such a possibility in 1948 would have been
considered insane. The entire program was implemented by one man, General William Draper,
of Dillon Read. His firm had previously handled the financing of Germany's rearmament program
in order to make World War II possible; he was appointed the czar of postwar Germany's
economic program, where he organized. Volkswagen and other producers to mount a serious
challenge to American production. After setting up this program, in 1947 he was moved to Tokyo
as Under Secretary of the Army, where he single-handedly created the "Japanese miracle." While
General MacArthur postured as the "new Emperor" of Japan, it was Draper who ruled the country
from behind the scenes. He commissioned Joseph Dodge to control the development of the
Japanese auto industry; Dodge later became the president of Detroit's largest bank. The DRAPER
PLAN resulted in a massive two-pronged attack against American auto production. The result
was bankruptcy for thousands of small producers throughout the United States, who turned out
parts for Detroit's mass production. To this day, Draper's name is unknown in Detroit, despite
the fact that he brought the city to its knees. It was a typical operation of the Masonic Canaanites.
Every agency of the federal government has now been enlisted in the campaign to destroy
American industry and production. The principal weapon is the Internal Revenue Service, which
seeks out and destroys anyone who is engaged in the productive use of capital. The IRS moves
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