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Architecture Program Report Tulane University New Orleans ...

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esearch and intermittent courses on “Black Architects” are also of note in<br />

this regard. In addition, Professor Gonzalez’s course “Representations of<br />

Culture and Ethnicity,” a history elective, is well-subscribed (AHST 633).<br />

Foreign Study opportunities—which occur by and large in the fourth-year—<br />

allow students to experience the diverse nature of the human condition.<br />

Travel studios in Europe, South America, Central America and East Asia<br />

are all offered to the Masters of <strong>Architecture</strong> students and Preservation<br />

students alike.<br />

In addition, the focus on <strong>New</strong> <strong>Orleans</strong> as a field laboratory ensures that<br />

students will be introduced to the role of diverse cultures on the patterning of<br />

the social and spatial conditions: the myriad cultures and their very real<br />

impact—material, formal, technological, and constructional—on the fabric of<br />

<strong>New</strong> <strong>Orleans</strong> and its architecture is a highly visible aspect of the substance of<br />

the curriculum. What is perhaps most instructive for students of architecture is<br />

the ability of different cultures to adapt architecture according to the shape of<br />

their daily lives—needs that are not only concerned with the maintenance of<br />

life, but the rituals and constructs associated with religious, commercial<br />

(economic), and social conduct. Hence, the study of diversity is not confined<br />

to the academic forum, but extends into the fabric of the city. <strong>Architecture</strong> in<br />

<strong>New</strong> <strong>Orleans</strong> is not only engaging, but is demonstrably engaged by its<br />

inhabitants. This is reflective of the flexibility of its vernacular traditions and<br />

the infusion of new and inspired uses over an extended period of time.<br />

The societal roles and ethical responsibilities of the architect, specifically<br />

with respect to human diversity, are foregrounded throughout the required<br />

studio sequence. Community based projects are the subject of several<br />

projects in the First- and Second-years and are often the subject of the<br />

upper-level platforms (see 1. 5. <strong>Program</strong> Strategic Plan). The advocacy of<br />

diversity issues is compounded by the impact of the <strong>Tulane</strong> Regional Urban<br />

Design Center, the Campus Affiliates Project now acting as the oversight<br />

for the Housing Authority of <strong>New</strong> <strong>Orleans</strong>, and the Masters in Preservation<br />

Studies <strong>Program</strong>. In addition, several faculty members focus on these<br />

issues not only in their research, but also in the required design studio<br />

sequence and in the review of student work.<br />

The ethical responsibilities of the architect are also treated in the required<br />

Concerns of the Profession (APFC 410) class taught in the Third or Fourthyear<br />

of the students’ curricula.<br />

In addition, <strong>Architecture</strong> and Social Engagement (APFC 630) and<br />

<strong>Architecture</strong> and the Underserved (APFC 433) focus on human diversity<br />

issues.<br />

14. Accessibility<br />

Ability to design both site and building to accommodate individuals with<br />

varying physical abilities.<br />

This is a component of the core design studio sequence beginning in the<br />

Second-Year (DSGN 210, 220) and continuing throughout the DSGN<br />

curriculum. Of particular note are the URBANbuild design/build components

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