Architecture Program Report Tulane University New Orleans ...

Architecture Program Report Tulane University New Orleans ... Architecture Program Report Tulane University New Orleans ...

architecture.tulane.edu
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27.06.2015 Views

1. Speaking and Writing Skills Ability to read, write, listen and speak effectively The development of student’s ability to speak and write effectively on subject matter contained in the professional curriculum occurs in numerous venues throughout the curriculum sequence. The University mandates an introductory four-credit English course (ENGL 101) for all first-semester students. This course acts as a monitor of the general verbal and written abilities of the students; failure to perform adequately necessitates remedial work. Yet the School of Architecture also plays a substantial role in the development of student verbal and writing skills across the curriculum. The Introduction to Architecture course (AHST 110) requires weekly briefs concerning the material covered in class. In addition, the required History and Theory Sequence (AHST courses) contribute substantially to the students’ abilities to read, write, listen and speak effectively. Design (DSGN) studios also require conceptual briefs—written and verbal—throughout the studio sequence. As might be expected, students are required to produce essays and papers in their History sequence and required theory elective courses (Perhaps the most protracted “research” associated with writing, at least within the bounds of the required curriculum sequence, is the Pre-thesis Research course DSGN 510). Occurring during the penultimate semester, these courses require extensive written material coupled with three verbal presentations associated with the student’s research. Drafts of the material are collected, reviewed, and commented on several times over the course of the semester. In these documents, students are expected to elaborate not only their conceptual thesis statement, but to present supportive historical and theoretical research and analysis. In addition, they are asked to document a preliminary approach to systems design visually and verbally and to document their site using both methods—verbal and graphic analysis. Hence, the connection between visual and verbal literacy in the discipline and research of architecture, promoted from the early years forward, are reintroduced and reinforced in the final phases of the professional curriculum. It should also be understood that a significant component of the jury process concerns the use of language as a representational skill. Throughout the course of their education, students are introduced to the language associated with architectural thought, while also be impressed with the understanding that a clear use of language begets a rigorous thought process—a condition that should be evidenced in their material production. Though there may indeed be a wide range of opinion regarding the approach a student has taken, the formulation of an effective argument is not only made visually, but verbally as well. And, in accordance with the rules of criticism, the visual and the verbal should effectively implicate one another. Finally, all students in the School of Architecture have to become at least minimally proficient in a foreign language. By taking a minimum of at least four credits in a foreign language (most students place out of the additional 6 credit hours required). The study of foreign language increases their knowledge of English substantially.

2. Critical Thinking Skills Ability to raise clear and precise questions, use abstract ideas to interpret information, consider diverse points of view, reach well-reasoned conclusions, and test them against relevant criteria and standards. The development of critical thinking skills associated with the comprehensive analysis and evaluation of a building, building complex, or urban space is diffused throughout the program curriculum. This occurs across the design curriculum (DSGN courses). In the initial phases of the design curriculum, students are introduced to traditional forms of analysis—the formal analysis methods of often associated with Cambridge and Austin, Texas during the years of Colin Rowe. Through the use of precedents, students assess and record the various systems associated with the syntactical aspects of a building: proportion, circulation, building envelope, figure/ground, etc. Intermittently, they are asked to assess and record an analysis of their own design production in this manner, thereby establishing an understanding of the complicit relationships between synthesis, analysis, and criticism. As above, the subject of analysis in a critical sense, or “critical thinking skills” is not limited to visual literacy alone, but is stressed as a discursive mode, that is, in terms of the relationship between their language skills and their material production. This occurs with the formulation and development of representational skills and the critical correlation between words (conceptual thought, ideas) and things. Yet representation and criticism are not limited to formal mechanisms. The literary devices associated with an architecture conceptualized according to metaphors—a building that “acts like a landscape” or an urban space conceived of as a “space of public discourse” for instance bear metaphoric connotations—a classic form of representation extant throughout the course of architectural education since the Enlightenment and the selfconscious introduction of criticism as a mode of operation for the discipline of architecture. As might be expected, the subject matter and methods associated with the required and elective history and theory courses support these particular modes of critical thinking; exercises associated with the recognition of historical precedent and literary devices appear in the First- and Second-year core studios and the Introduction to History classes (AHST 110). There are also prominent features of the entire history (AHST) sequence, as mentioned, and the current “required theory electives” such as the Contemporary Issues course (AHST 410) and Theorizing the Real in Contemporary Practice (AHST 411) (students are required to elect either one of the courses in their fourth year). However, both of these methods of critical thinking bear a distinct relationship to qualitative forms of analysis and students become quite familiar with them in the review of their work. The RBST series allows students to extend their understanding of Critical Thinking Skills into the Urban Design Environment. Other methods of critical thinking and analysis that contribute substantially to the development of these skills are the quantitative modes of analysis

2. Critical Thinking Skills<br />

Ability to raise clear and precise questions, use abstract ideas to interpret<br />

information, consider diverse points of view, reach well-reasoned<br />

conclusions, and test them against relevant criteria and standards.<br />

The development of critical thinking skills associated with the comprehensive<br />

analysis and evaluation of a building, building complex, or urban space is<br />

diffused throughout the program curriculum. This occurs across the design<br />

curriculum (DSGN courses). In the initial phases of the design curriculum,<br />

students are introduced to traditional forms of analysis—the formal analysis<br />

methods of often associated with Cambridge and Austin, Texas during the<br />

years of Colin Rowe. Through the use of precedents, students assess and<br />

record the various systems associated with the syntactical aspects of a<br />

building: proportion, circulation, building envelope, figure/ground, etc.<br />

Intermittently, they are asked to assess and record an analysis of their own<br />

design production in this manner, thereby establishing an understanding of<br />

the complicit relationships between synthesis, analysis, and criticism. As<br />

above, the subject of analysis in a critical sense, or “critical thinking skills” is<br />

not limited to visual literacy alone, but is stressed as a discursive mode, that<br />

is, in terms of the relationship between their language skills and their material<br />

production. This occurs with the formulation and development of<br />

representational skills and the critical correlation between words (conceptual<br />

thought, ideas) and things.<br />

Yet representation and criticism are not limited to formal mechanisms. The<br />

literary devices associated with an architecture conceptualized according to<br />

metaphors—a building that “acts like a landscape” or an urban space<br />

conceived of as a “space of public discourse” for instance bear metaphoric<br />

connotations—a classic form of representation extant throughout the<br />

course of architectural education since the Enlightenment and the selfconscious<br />

introduction of criticism as a mode of operation for the discipline<br />

of architecture. As might be expected, the subject matter and methods<br />

associated with the required and elective history and theory courses<br />

support these particular modes of critical thinking; exercises associated<br />

with the recognition of historical precedent and literary devices appear in<br />

the First- and Second-year core studios and the Introduction to History<br />

classes (AHST 110). There are also prominent features of the entire history<br />

(AHST) sequence, as mentioned, and the current “required theory<br />

electives” such as the Contemporary Issues course (AHST 410) and<br />

Theorizing the Real in Contemporary Practice (AHST 411) (students are<br />

required to elect either one of the courses in their fourth year). However,<br />

both of these methods of critical thinking bear a distinct relationship to<br />

qualitative forms of analysis and students become quite familiar with them<br />

in the review of their work.<br />

The RBST series allows students to extend their understanding of Critical<br />

Thinking Skills into the Urban Design Environment.<br />

Other methods of critical thinking and analysis that contribute substantially<br />

to the development of these skills are the quantitative modes of analysis

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