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98 JONATHAN SWIFT – A BIBLIOGRAPHY OF CRITICAL STUDIES/ UPDATED JANUARY 2011 Swift, 1667-1745, eds Aileen Douglas, Patrick Kelly, and Ian Campbell Ross (Dublin, 1998), pp. 180-200 Fabricant, Carole. “The Battle of the Ancients and the (Post)Moderns: Rethinking Swift through Contemporary Perspectives,” The Eighteenth Century, 32 (1991), 256-73 Fabricant, Carole. “The Garden as City: Swift’s Landscape of Alienation,” English Literary History, 42 (1975), 531-55 Fabricant, Carole. “The Voice of God and the Actions of Men: Swift among the Evangelicals,” Reading Swift: Papers from The Third Münster Symposium on Jonathan Swift, eds Hermann J. Real and Helgard Stöver-Leidig (München, 1998), pp. 141-54 Fabricant, Carole. Swift’s Landscape (Notre Dame and London, 1995 [1982]) (see pp. ix-xxxii: Introduction to the Notre Dame Edition) Fabricant, Carole. Swift’s Landscape. Baltimore and London, 1982 Fabricant. Carole. “The Shared Worlds of Manley and Swift,” Pope, Swift, and Women Writers, ed. Donald C. Mell (Newark and London, 1996), pp. 154-78 Fadiman, Clifton. “Afterword,” Gulliver’s Travels: Retold by Padraic Colum (New York and London, 1962), pp. 259-60 Fagan, Patrick. A Georgian Celebration: Irish Poets of the Eighteenth Century. Dublin 1989 Fagan, Patrick. The Second City: Portrait of Dublin, 1700-1760. Dublin, 1986 Faggi, Adolfo. “I viaggi di Gulliver,” Rivista d’Italia, 15 Febbraio 1913, pp. 245-60 Faggi, Adolfo. “Le fonti dei Viaggi di Gulliver,” Studi filosofici e letterari (Turin, 1938), pp. 130- 35 Fairchild, Hoxie Neale. Religious Trends in English Poetry, I, 1700-1740: Protestantism and the Cult of Sentiment (New York, 1958 [1939]) (see pp. 32, 119 and passim for The Day of Judgement) Fairchild, Hoxie Neale. The Noble Savage: A Study in Romantic Naturalism (New York, 1961 [1928]) (see pp. 45-49 for Gulliver’s Travels) Fairer, David and Christine Gerrard, eds. “Jonathan Swift,” Eighteenth-Century Poetry: An Annotated Anthology (Oxford, 1999), pp. 71-100 Fairer, David. “Rev. Michael V. DePorte, Nightmares and Hobbyhorses: Swift, Sterne, and Augustan Ideas of Madness (San Marino, 1974),” Notes and Queries, 223 (1978), 560-62 Fairer, David. English Poetry of the Eighteenth Century, 1700-1789. London and New York, 2003 Fairer, David. Pope’s Imagination (Manchester, 1984) (compares Pope with Swift throughout) Fairlie, Henry. “Rev. Michael Foot, The Pen & the Sword (London, 1957),” The Spectator, 29 November 1957, pp. 760-61 Falkiner, C. Litton. Studies in Irish History and Biography, Mainly of the Eighteenth Century. London, New York, Bombay, 1902 Falkiner, Sir Frederick R. “Of the Portraits, Busts, and Engravings of Swift and their Artists, with a Note on the Portraits of Stella,” The Prose Works of Jonathan Swift, ed. Temple Scott (New York, 1971 [1908]), XII, 1-82 Falkiner, Sir Frederick R. The Foundation of the Hospital and Free School of King Charles II, Oxmantown, Dublin, Commonly Called the Blue Coat School. Dublin, 1906 Falle, George. “Divinity and Wit: Swift’s Attempted Reconciliation,” University of Toronto Quarterly, 46 (1976-77), 14-30 Falle, George. “Sir Walter Scott as Editor of Dryden and Swift,” University of Toronto Quarterly, 36 (1966-67), 161-80 Falle, George. “Swift’s Writings and a Variety of Commentators,” University of Toronto Quarterly, 34 (1965), 294-312
JONATHAN SWIFT – A BIBLIOGRAPHY OF CRITICAL STUDIES/ UPDATED JANUARY 2011 99 Falzerano, James V. “Adam in Houynhnhnmland: The Presence of Paradise Lost,” Milton Studies, 21 (1985), 179-97 Fanning, Christopher. “Sermons on Sermonizing: The Pulpit Rhetoric of Swift and of Sterne,” Philological Quarterly, 76 (1997), 413-36 Fanning, Christopher. “Small Particles of Eloquence: Sterne and the Scriblerian Text,” Modern Philology, 100 (2003), 360-92 Fanning, Christopher. “The Scriblerian Sublime,” Studies in English Literature, 45 (2005), 647-67 Fara, Patricia. Sympathetic Attractions: Magnetic Practices, Beliefs, and Symbolism in Eighteenth- Century England. Princeton, New Jersey, 1996 Farmer, A. J. “Rev. Oliver W. Ferguson, Jonathan Swift and Ireland (Urbana, Illinois, 1962),” Erasmus, 15 (1963), 671-74 Farrachi, Armand. “Préface,” La Mécanique de l’esprit (Paris, 1955), pp. 5-15 Farrachi, Armand. “Préface: le scalp de Jonathan Swift,” La Mécanique de l’esprit (Paris, 1995), pp. 5-15 Farrell, John. Paranoia and Modernity: Cervantes to Rousseau. Ithaca and London: Cornell University Press, 2006 (see pp. 174-94 for “Swift and the Satiric Absolute”) Faulkner, Peter. “Yeats and the Irish Eighteenth Century,” The Dolmen Press Yeats Centenary Papers MCMLXV, ed. Liam Miller (Dublin, London, Chester Springs, Pennsylvania, 1968), pp. 109-24 Fausett, David. Images of the Antipodes in the Eighteenth Century: A Study in Stereotyping. Amsterdam and Athens, Georgia, 1995 Fauske, Chris. “Misunderstanding What Swift Misunderstood: or, The Economy of a Province,” Money, Power, and Print: Interdisciplinary Studies on the Financial Revolution in the British Isles, eds Ivar McGrath and Chris Fauske (Newark: University of Delaware Press, 2008), pp. 135- 56 Fauske, Christopher J. “A System Illusory and Immoral: Jonathan Swift and the Emergence of Modern Economic Polity,” Culture, Capital and Representation, ed. Robert J. Balfour (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan), pp. 49-66 Fauske, Christopher J. Jonathan Swift and the Church of Ireland, 1710-1724. Dublin and Portland, Oregon, 2002 Fauske, Christopher. “Rev. The Cambridge Companion to Jonathan Swift, ed. Christopher Fox (Cambridge, 2003),” Eighteenth-Century Ireland, 19 (2004), 223-27 Feather, John. “Rev. M. Pollard, Dublin’s Trade in Books, 1550-1800 (Oxford, 1989),” British Journal for Eighteenth-Century Studies, 15 (1992), 81 Feder, Lillian. Madness in Literature (Princeton, New Jersey, 1980) (see pp. 163-67 for A Tale of a Tub) Fehr, Bernhard. “Rev. Émile Pons, Swift: les années de jeunesse et le ‘Conte du Tonneau’ (Strasbourg, 1925),”Beiblatt zur Anglia, 46 (1935), 147-49 Fehrman, Carl. “Den lärde i litteraturen (The Scholar in Literature),” Bonniers Litterära Magasin, 28 (1959), 143-52 Feinberg, Leonard. Introduction to Satire. Ames, Iowa, 1967 Feingold, Richard. “Swift as Lyricist: The Poems to Stella and his Career in Satire,” Moralized Song: The Character of Augustan Lyricism (New Brunswick, New Jersey, and London, 1989), pp. 52-93 Feingold, Richard. “Swift as Lyricist: The Poems to Stella and his Career in Satire,” Jonathan Swift: A Collection of Critical Essays, ed. Claude Rawson (Englewood Cliffs, New Jersey, 1995), pp. 132-65
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