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Buddha Abhidhamma - Ultimate Science - BuddhaNet

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57<br />

Now the five factors of jhàna are being developed slowly.<br />

The initial application (vitakka) directs the mind towards the object<br />

(earth-circle); it temporarily inhibits sloth and torpor. Sustained<br />

application (vicàra) sustains the mind on the object by examining<br />

the object again and again; it temporarily inhabits sceptical doubt<br />

(vicikicchà).<br />

Pãti develops joy or pleasurable interest in the object; it<br />

temporarily inhibits illwill. Pãti is also a precursor of sukha<br />

(pleasant feeling). Pãti creates an interest in the subject while<br />

sukha enables one to enjoy the object. Sukha holds the mind to<br />

stay longer on the object by its bliss; it temporarily drives away<br />

restlessness and remorse.<br />

Ekaggatà gathers the citta and its concomitants on the object<br />

to reach the state of one-pointedness; it temporarily inhibits<br />

sensual desire.<br />

When the hindrances subside temporarily, the mind does not<br />

wander away from the object as frequently as before and weak<br />

degree of concentration is attained. At this stage one can see the<br />

earth-circle with closed eyes as one has seen it with open eyes.<br />

This visualised image is called uggaha-nimitta (acquired image).<br />

Now one meditates on this acquired image with closed eyes,<br />

saying mentally “pathavã, pathavã” as before. When one reaches<br />

a higher degree of concentration, the image suddenly changes<br />

its colour and appearance. It becomes many times brighter and<br />

is as smooth as the surface of a mirror. The change is like taking<br />

a mirror out of its rough leather case. This new image is also<br />

known as pañibhàga-nimitta (counter-image).<br />

The difference between the two images is very distinct.<br />

Uggaha-nimitta is an exact mental replica of the original object;<br />

it contains all the defects present in the original object. Pañibhàga-

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