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Over the Rainbow: - Wrestling With Angels

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newspapers across <strong>the</strong> country ran articles, often two or three pages in length, explaining gay<br />

issues to <strong>the</strong> local public.<br />

Television (Montgomery, 1989:chap. 5.)<br />

A breakthrough for prime-time television occurred when That Certain Summer played on<br />

ABC in November of 1972. The movie featured a divorced fa<strong>the</strong>r whose son comes to stay with<br />

him for <strong>the</strong> summer. The boy is shocked when he discovers that his fa<strong>the</strong>r lives with his male<br />

lover. Although <strong>the</strong> child is unable to accept his fa<strong>the</strong>r’s lifestyle, <strong>the</strong> movie deals<br />

sympa<strong>the</strong>tically with what it means to be gay. It was acclaimed for its sensitive treatment of<br />

<strong>the</strong> subject matter and did well in <strong>the</strong> ratings. Before <strong>the</strong> airing of this film, primetime<br />

television had not dealt with homosexuality .<br />

Three years after The Stonewall Riots representation on prime time TV became a critical<br />

symbolic target for homosexual activists. They sought to gain influence over <strong>the</strong> way in which<br />

<strong>the</strong>y were portrayed. Although gays did not have <strong>the</strong> legal assistance or public sympathy that<br />

minority or women advocacy groups received, <strong>the</strong>y did have one important advantage. They<br />

had what <strong>the</strong>y referred to as ‘agents in place’. A substantial number of gay people, some in<br />

high positions, worked in <strong>the</strong> television industry who were not open about <strong>the</strong>ir lifestyle. These<br />

‘agents in place’ were able to leak information to gay activists, alerting <strong>the</strong>m to upcoming<br />

episodes in which gays were depicted negatively. Shortly after <strong>the</strong> airing of That Certain<br />

Summer activist groups began to approach <strong>the</strong> networks to negotiate <strong>the</strong> way in which gays<br />

were portrayed.<br />

Ron Gold ,<strong>the</strong> media director of <strong>the</strong> New York based Gay Activist Alliance (GAA), wrote to<br />

<strong>the</strong> standards and practices department of all three networks requesting meetings. Before <strong>the</strong><br />

meeting with ABC, an agent had supplied GAA members with an upcoming episode of Marcus<br />

Welby, MD. where Welby advised a homosexual who was both a husband and a fa<strong>the</strong>r to<br />

suppress his homosexual desires. The meeting with ABC was both confrontational and hostile.<br />

A meeting with twenty-five angry activists was not <strong>the</strong> kind of meeting that network executives<br />

preferred to have with activist groups. Although <strong>the</strong> objectionable episode aired few days<br />

later, it did impact later decisions. Gay activists were invited by ABC executives to comment<br />

on any scripts dealing with homosexuality. Executives were hoping for ei<strong>the</strong>r approval or minor<br />

changes.<br />

<strong>Over</strong> <strong>the</strong> <strong>Rainbow</strong>: The Gay Battle for Social Reorganization of America. 2010<br />

Dr. M. L. Coppock<br />

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