Contract 2012-2015 - American Guild of Musical Artists

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EXHIBIT “1” Agreement between the ______________________________________________ located at ________________________, hereinafter called the Company and ____________________, hereinafter called the Photographer, dated this ___________ day of ___________,20___. Whereby it is mutually agreed that the Company will admit the Photographer to the premises of the ___________________ Theater under the following conditions: 1. The Photographer agrees that any photographs taken in the _______________ Theater will be used only for purposes of the Company’s publicity, in newspaper, souvenir books, house programs or other publicity uses designated by the Company. 2. The Company agrees to compensate the Photographer for any photographs ordered or used by the Company at a rate to be mutually agreed upon. 3. The Photographer agrees to submit all photographs of principal and soloist dancers to both the dancer involved and the Company for approval. 4. This Agreement relates only the Company’s publicity uses and no rights for any commercial use of any photograph taken in the _________________ Theater are granted herein to the Photographer. For the purposes of this paragraph, the sale of a photograph of said dancer shall not constitute commercial use. In witness whereof the Company and the Photographer have affixed their signature below: Photographer (Dance Company) 53
EXHIBIT”2” AGMA REGULATIONS FOR SAFETY WITH SWORDS AND/OR PROPS AS WEAPONS For the purposes of this Agreement all props used as weapons, including but not limited to swords, sharp implements, knives, poles or any other like instrument, shall be referred to as weapons. The Employer agrees that whenever a production requires the use of weapons, the following regulations shall apply. 1. The Employer shall engage an Fight Director (see subparagraph 9.) who shall be thoroughly familiar with the proper use and maintenance of the weapons required in the production. The Fight Director will be engaged during the rehearsal process to work with the Artist(s) and Covers in collaboration with the Choreographer or Stager. Instruction in the proper and safe use of the weapons shall be a prerequisite prior to the issuance of any weapon to any Artist for any rehearsal or performance. Where a question of safety exists in the opinion of the Fight Director, the Choreographer or Stager may not overrule the Fight Director’s expert judgment. 2. No Artist shall be required or permitted to handle any weapon in either rehearsal or performance until the Artist feels confident that he/she has received adequate instructions. 3. All weapons shall be in the possession of the Stage Manager/Property Master when not actually in use during rehearsal or performance. 4. It is agreed that at the commencement of each rehearsal involving weapons, performance tempos shall be modified to facilitate a proper warm-up and orientation prior to rehearsing at a performance-level tempo. 5. All weapons will be thoroughly inspected, cleaned and inventoried by the Stage Manager/Property Master at the end of each rehearsal and performance. 6. At the conclusion of the weapon scene all weapons shall be returned to the Stage Manager/Property Master and stored for safe-keeping. 7. The Flight Director will be present for at least one on-stage technical rehearsal to observe and to supervise the actual staging of the fight sequence. 8. In the event that the performance parameters change (by way of example without limitation: where a smaller stage diminishes individual Artists’ parameters of safety necessitating fewer Artists, fewer weapons, or revised choreography), the Fight Director will supervise restaging. Such restaging may be devised in advance in anticipation of a 54
Page 1 and 2:
COLLECTIVE BARGAINING AGREEMENT bet
Page 3 and 4: The Employer shall employ and maint
Page 5 and 6: The parties recognize that mutual d
Page 7 and 8: E. DISCRIMINATION FORBIDDEN Employe
Page 9 and 10: Free Day after fourteen consecutive
Page 11 and 12: 7. In the event changes (other than
Page 13 and 14: include but are not limited to reco
Page 15 and 16: ehearsal or fraction thereof. In th
Page 17 and 18: which includes a dance piece that h
Page 19 and 20: will not be required. (c) If hot wa
Page 21 and 22: compensate each Artist $10.00 per r
Page 23 and 24: 2. There will be a one-half hour, 1
Page 25 and 26: 5. Transportation Reimbursement On
Page 27 and 28: C. BOAT TRAVEL, CONDITIONS OF Where
Page 29 and 30: 8. Air travel shall be timed from t
Page 31 and 32: follows: 1. Employer is hereby gran
Page 33 and 34: Payment of meal money will be paid
Page 35 and 36: 6. Travel Overtime - The “Travel
Page 37 and 38: (i) Whenever a Stage Manager or Ass
Page 39 and 40: term of this Agreement. Any fees ch
Page 41 and 42: (10) years of service and above and
Page 43 and 44: 9. Extended Sick Pay - For all non-
Page 45 and 46: 5. Photographs or other reproducibl
Page 47 and 48: (iv) Except as provided for in Sect
Page 49 and 50: “It is agreed that if by reason o
Page 51 and 52: 22. SECURITY DEPOSIT/BOND A. At lea
Page 53: Date: Date: Delegate Delegate 52
Page 57 and 58: EXHIBIT “3” RELEASE AGREEMENT A
Page 59 and 60: TABLE OF CONTENTS I. SCOPE OF AGREE
Page 61 and 62: A. RETIREMENT 37 B. HEALTH (MEDICAL
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Contract 2012-2015 - American Guild of Musical Artists

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