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Contract 2012-2015 - American Guild of Musical Artists

Contract 2012-2015 - American Guild of Musical Artists

Contract 2012-2015 - American Guild of Musical Artists

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will not be required.<br />

(c)<br />

If hot water and shower facilities are not available, body make-up<br />

(d) In any rehearsal room or stage, the floor <strong>of</strong> such room or stage<br />

shall be maintained in proper condition for such work, including floor work, and cleaned prior to<br />

such rehearsals.<br />

(e) The Employer agrees to provide on tour sufficient barres for stage<br />

and for every warm-up. Dancers should have at least one barre present during performances,<br />

space permitting.<br />

(f) During half (1/2) hour prior to curtain going up, the stage or<br />

adjacent space will be free for use by the <strong>Artists</strong> whenever possible.<br />

6. Employer will provide warm-up space including proper floor and barres<br />

during all performances if at reasonable cost consistent with prior practice.<br />

E. UNSAFE THEATRES<br />

1. The Employer agrees that <strong>Artists</strong> will not be requested or required to<br />

rehearse or perform in any theater or other facility which is unsafe or unsanitary or which<br />

contains a floor that is not a safe floor for dance. <strong>Artists</strong> shall not be required to rehearse or to<br />

perform on any concrete or marble floors or upon any other inflexible surface, which is<br />

considered unsafe or injurious to the dancers. <strong>Artists</strong> will not be required to rehearse or perform<br />

upon any wooden floors, which are directly laid over similar surfaces lacking in safe dance<br />

resiliency or on floors with irregular or uneven surfaces.<br />

AGMA may advise the Employer <strong>of</strong> any theater that is unsafe or unsanitary or<br />

that has a floor, which is unsafe or improperly constructed for dance, to the extent AGMA is<br />

aware <strong>of</strong> such condition. If the Employer has concerns about the safety <strong>of</strong> a stage floor in which<br />

it intends to perform, AGMA will attempt to investigate all aspects <strong>of</strong> the stage floor in question<br />

to determine if it meets the requirements <strong>of</strong> a safe floor for dance. However, any such<br />

investigation or determination shall not relieve the Employer <strong>of</strong> its responsibilities hereunder.<br />

2. The Employer will see to it that the stage floor, where the <strong>Artists</strong> will<br />

perform in the theatre, is made <strong>of</strong> suspended wood, and not concrete. Under no circumstance<br />

will the <strong>Artists</strong> be required to perform on any flooring laid directly over concrete. Also, the<br />

employer agrees to lay a sprung floor over stages in those domestic theaters that, from previous<br />

experience and mutual Agreement, have proved to be uncomfortably hard except in cases <strong>of</strong> one<br />

night stands. A committee comprised <strong>of</strong> the Stage Manager, AGMA Delegate(s), Artistic<br />

Director and/or Associate Artistic Director will compile a list <strong>of</strong> such theaters with unacceptable<br />

flooring. Delegates shall be notified whether there is a sprung floor and the repertoire to be<br />

performed in each theater at least three (3) weeks before commencement <strong>of</strong> an international tour.<br />

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