NEWS FROM GRAMMAR 2015
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There used to be dedicated radio and TV reporters. Instead we now<br />
have multiple platforms to file for: radio and TV News, radio and<br />
TV current affairs, Online, ABC News 24, local and national radio<br />
live crosses, and even twitter. The latter is often the best way to get<br />
breaking news across, especially when you're in a situation where<br />
you can't get away and record a radio report.<br />
If someone asked me to sum up my job I'd say: there's never a dull<br />
moment in journalism. If you're thinking of it as a career, go for it, but<br />
be up for a challenge and hard work. You'll have some great stories<br />
to tell your friends.<br />
Lucy Barbour<br />
George with David Frost<br />
The pathway to my job<br />
as political producer for<br />
the 730 programme has<br />
included everything from<br />
avocado farming, travel<br />
writing in Asian jungles<br />
and even a stint helping<br />
to manage a homeless<br />
choir. University, travel and<br />
some rather quirky jobs<br />
eventually led me to the<br />
ABC, where I worked for<br />
Andrew Denton on Enough<br />
Rope before venturing<br />
out on my own into freelance food writing and community radio. My<br />
first attempt on air was a rudimentary food podcast that explored<br />
topics like sustainable fishing, raw milk cheese and how to make<br />
the world’s best cocktail. Ironically, pouring drinks in a bar was what<br />
supplemented my income as a self-employed journalist at the time.<br />
One year later, much to my excitement, I was employed by ABC<br />
Rural radio. Equipped with a microphone, camera and my brother’s<br />
rusty Subaru, I worked across regional Victoria, reporting on<br />
everything from bird flu outbreaks to biodynamic wines and even<br />
a talking camel (I’m not joking). After 18 months, I was offered the<br />
position of rural radio reporter with ABC Canberra. From there, I<br />
moved to Parliament House to work as the department’s political<br />
reporter and spent my days chasing Barnaby Joyce up and down the<br />
corridors. Late last year I was offered the role of political producer<br />
for Sabra Lane on 7.30. My first week in the role coincided with the<br />
leadership spill motion, so there wasn’t much time to ‘settle in’.<br />
Lucy in radio<br />
Lucy and Jules 7.30<br />
Each day I’m awake by 6am to catch the early headlines, read<br />
the newspapers and try to squeeze in a run. By 9am, we’ve<br />
pitched a story idea on our daily conference call, and then we start<br />
researching, interviewing and writing. A huge amount of work goes<br />
into a short television package. Our coverage this year has included<br />
the scrapping of major policies like the GP co-payment and university<br />
deregulation, as well as a recent exclusive on Australia’s mental<br />
health services. Often stories break late in the day and we have to<br />
change tack or drop our original piece altogether. If we’re not filing,<br />
we’re ‘digging’, uncovering important stories that deserve to be told.<br />
We usually clock off after 7:30pm. Parliamentary sitting weeks are<br />
incredibly busy - full of intrigue, whispers and networking. The night<br />
we filed a story at 7:29pm was a little unsettling, but working to<br />
deadlines has become second nature.<br />
Journalism isn't glamorous. It can be incredibly hard work but<br />
storytelling is addictive and I'm loving the journey.<br />
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