Connotations 18.1-3 (2008/2009)

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282 JEAN-MICHEL GANTEAU ——. “The Englishness of English Literature.” The Collection. Ed. Thomas Wright. London: Vintage, 2001. 328-40. ——. “London Luminaries and Cockney Visionaries.” The Collection. Ed. Thomas Wright. London: Vintage, 2001. 341-51. ——. Albion: The Origins of the English Imagination. London: Chatto and Windus, 2002. Ang, Susan. “‘OOOO that Eliot-Joycean Rag’: A Fantasia upon Reading English Music.” Connotations 15.1-3 (2005/2006): 215-42. Congreve, William. Incognita; or, Love and Duty Reconciled. Intr. Peter Ackroyd. London: Hesperus P, 2003. Deleuze, Gilles. Le Pli: Leibniz et le baroque. Paris: Minuit, 1988. Ganteau, Jean-Michel. “Post-baroque Sublime? Peter Ackroyd’s English Music.” Miscelanea 22 (2000): 21-44. ——. Peter Ackroyd et la musique du passé. Paris: Michel Houdiard, 2008. Genette, Gérard. “Introduction à l’architexte.” Théorie des genres. Ed. Gérard Genette et al. Paris: Seuil, 1986. 89-156. Hawthorne, Nathaniel. The House of the Seven Gables. London: Everyman, 1992. James, Henry. The American. Ed. James W. Tuttleton. New York: Norton, 1978. Maack, Annegret. “Maintaining Plurality: A Response to Susan Ang.” Connotations 17.2-3 (2007/2008): 302-09. Onega, Susana. Metafiction and Myth in the Novels of Peter Ackroyd. Columbia, SC: Camden House, 1999.
Roads Not Taken Connotations A Journal for Critical Debate Contents of Volume 18 (2008/2009) MATTHIAS BAUER 1 State super vias, et videte, et interrogate de viis antiquis que sit bona, et ambulate in ea JOERG O. FICHTE 6 Spenser as Prometheus: The Monstrous and the Idea of Poetic Creation * MAIK GOTH 183 Roads-Not-Taken, Taken by the Adapter: The Case of Biblical Samson * DAVID FISHELOV 28 Dickens and the Comic Extraneous H. M. DALESKI 208 * *
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Connotations 18.1-3 (2008/2009)

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