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Connotations 18.1-3 (2008/2009)

Connotations 18.1-3 (2008/2009)

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166<br />

ROBERT E. KOHN<br />

Modernism Becomes Complex along the Rules-Oriented Road<br />

Modernism is said to have begun in America with the Chicago Columbian<br />

Exposition of 1893, which may explain why Pynchon began<br />

Against the Day in that venue. In his eponymous biography, Henry<br />

Adams recorded the enthusiasm for human progress through scientific<br />

and technological advancement that he felt in his visit to the Chicago<br />

World’s Fair. Although he marveled at the exhibits on railroads,<br />

explosives, dynamos, electric batteries and telephones, Adams was<br />

most impressed by the fantastic displays of the Cunard Steamship<br />

Company before which, this “student hungry for results found himself<br />

obliged to waste a pencil and several sheets of paper trying to<br />

calculate exactly when, according to the given increase of power,<br />

tonnage, and speed, the growth of the ocean steamer would reach its<br />

limits” (341). His on-the-spot calculations resonate on the penultimate<br />

page of Against the Day in the description of an airship “grown as<br />

large as a small city” (1084).<br />

Modernism is hailed by turn-of-the-nineteenth-century denizens of<br />

Against the Day for its “electric runabouts, flush toilets, 1,200-volt<br />

trolley dynamos and other wonders of the modern age” (65). In this<br />

fabulous fin de siècle world, there was plenty of bell-hanger work for<br />

Merle Rideout:<br />

[A] sudden huge demand was spreading throughout the Midwest for<br />

electric bells, doorbells, hotel annunciators, elevator bells, fire and burglar<br />

alarms—you sold them and installed them on the spot, walked away down<br />

the front path counting out your commission while the customer stood there<br />

with her finger on the buzzer like she couldn’t get enough of the sound.<br />

(Against 72-73)<br />

This delightful passage echoes the beginning of capitalistic consumerism,<br />

abetted by the utopian promise of Nikola Tesla’s “project of free<br />

universal power for everybody” (158). The mere mention of words<br />

like “laboratories” and “experiments” stirred excitement, as did the<br />

anticipation of scientific miracles like “wireless waves, […] Roentgen<br />

rays, whatever rays are coming next. Seems every day somebody’s

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