Download PDF - St. Catherine's College - University of Oxford
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COLLEGE LIFE<br />
The Nick Young Award<br />
The Nick Young Award was established in memory <strong>of</strong><br />
Nick Young (1968, English), whose interest in drama<br />
and films began at an early age with participation in<br />
school plays. Later, while an undergraduate at Catz,<br />
he directed several <strong>College</strong> productions. His short<br />
film, He Always…, won a medal at the Cannes Film<br />
Festival. At the time <strong>of</strong> his death, in 1981, he was<br />
planning a film about the second Afghan war.<br />
The Award enables a Catz finalist to spend three<br />
months working with Domus Fellow Lord Bragg<br />
at Directors’ Cut Productions. Recent Award<br />
winner, James Maloney (2008, Music) wrote to<br />
the Master on completing his ‘varied and exciting’<br />
placement at the cutting edge <strong>of</strong> TV production and<br />
development…<br />
I’ve just completed my Nick Young Award work–<br />
placement which I’d like to thank you and the <strong>College</strong><br />
for facilitating – I had a fantastic time full <strong>of</strong> varied<br />
experiences, and I learned a huge amount along the<br />
way. Towards the end <strong>of</strong> my placement, I found myself<br />
talking to Emeritus Fellow Michael Frayn, who was very<br />
complimentary about his time as Cameron Mackintosh<br />
Visiting Pr<strong>of</strong>essor at Catz.<br />
I started the placement in February excited, but not<br />
really knowing what to expect – a couple <strong>of</strong> months<br />
previously I’d been lucky enough to interview Catz<br />
alumnus James Marsh (1982, English) for The Year, who<br />
told me that his Oscar–winning career grew out <strong>of</strong> his<br />
Nick Young placement.<br />
I found myself working both on the South Bank SkyArts<br />
Awards, and on the new series <strong>of</strong> The South Bank<br />
Show. I worked as a researcher with a small team in the<br />
<strong>of</strong>fices in Soho; a talented and very friendly bunch, who<br />
taught me loads about the inner workings <strong>of</strong> television<br />
and film making. Melvyn Bragg was in most days; just<br />
to work so closely alongside a titan <strong>of</strong> arts broadcasting<br />
was privilege enough!<br />
Initially I found myself researching and writing pr<strong>of</strong>iles<br />
on the nominations for our awards show, much <strong>of</strong> which<br />
was eventually used by the presenters <strong>of</strong> the awards<br />
on the night – Tom Jones, Michael Ball and Wayne<br />
Sleep to name a few! Through the Awards I was also<br />
lucky enough to stay at The Dorchester (the event’s<br />
location) for a couple <strong>of</strong> nights for the first (and most<br />
probably last) time. Liberace’s piano was situated just<br />
by our production base, so I even managed to do some<br />
entertaining <strong>of</strong> the troops.<br />
Each <strong>of</strong> our winners was given a specially made Anish<br />
Kapoor sculpture as their prize; I was given the task <strong>of</strong><br />
delivering these to the recipients after the event (we<br />
used just a couple in rotation on the night) which was<br />
a fascinating job – especially so when I was told the<br />
financial value <strong>of</strong> each by Kapoor’s studio (which was<br />
apparently well into the tens <strong>of</strong> thousands!)<br />
On the whole<br />
it’s been<br />
a fantastic<br />
experience,<br />
and I’d like<br />
to thank<br />
you and the<br />
<strong>College</strong> very<br />
much for the<br />
opportunity<br />
to have<br />
undertaken it<br />
12/THE NICK YOUNG AWARD