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Download PDF - St. Catherine's College - University of Oxford

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COLLEGE LIFE<br />

The Nick Young Award<br />

The Nick Young Award was established in memory <strong>of</strong><br />

Nick Young (1968, English), whose interest in drama<br />

and films began at an early age with participation in<br />

school plays. Later, while an undergraduate at Catz,<br />

he directed several <strong>College</strong> productions. His short<br />

film, He Always…, won a medal at the Cannes Film<br />

Festival. At the time <strong>of</strong> his death, in 1981, he was<br />

planning a film about the second Afghan war.<br />

The Award enables a Catz finalist to spend three<br />

months working with Domus Fellow Lord Bragg<br />

at Directors’ Cut Productions. Recent Award<br />

winner, James Maloney (2008, Music) wrote to<br />

the Master on completing his ‘varied and exciting’<br />

placement at the cutting edge <strong>of</strong> TV production and<br />

development…<br />

I’ve just completed my Nick Young Award work–<br />

placement which I’d like to thank you and the <strong>College</strong><br />

for facilitating – I had a fantastic time full <strong>of</strong> varied<br />

experiences, and I learned a huge amount along the<br />

way. Towards the end <strong>of</strong> my placement, I found myself<br />

talking to Emeritus Fellow Michael Frayn, who was very<br />

complimentary about his time as Cameron Mackintosh<br />

Visiting Pr<strong>of</strong>essor at Catz.<br />

I started the placement in February excited, but not<br />

really knowing what to expect – a couple <strong>of</strong> months<br />

previously I’d been lucky enough to interview Catz<br />

alumnus James Marsh (1982, English) for The Year, who<br />

told me that his Oscar–winning career grew out <strong>of</strong> his<br />

Nick Young placement.<br />

I found myself working both on the South Bank SkyArts<br />

Awards, and on the new series <strong>of</strong> The South Bank<br />

Show. I worked as a researcher with a small team in the<br />

<strong>of</strong>fices in Soho; a talented and very friendly bunch, who<br />

taught me loads about the inner workings <strong>of</strong> television<br />

and film making. Melvyn Bragg was in most days; just<br />

to work so closely alongside a titan <strong>of</strong> arts broadcasting<br />

was privilege enough!<br />

Initially I found myself researching and writing pr<strong>of</strong>iles<br />

on the nominations for our awards show, much <strong>of</strong> which<br />

was eventually used by the presenters <strong>of</strong> the awards<br />

on the night – Tom Jones, Michael Ball and Wayne<br />

Sleep to name a few! Through the Awards I was also<br />

lucky enough to stay at The Dorchester (the event’s<br />

location) for a couple <strong>of</strong> nights for the first (and most<br />

probably last) time. Liberace’s piano was situated just<br />

by our production base, so I even managed to do some<br />

entertaining <strong>of</strong> the troops.<br />

Each <strong>of</strong> our winners was given a specially made Anish<br />

Kapoor sculpture as their prize; I was given the task <strong>of</strong><br />

delivering these to the recipients after the event (we<br />

used just a couple in rotation on the night) which was<br />

a fascinating job – especially so when I was told the<br />

financial value <strong>of</strong> each by Kapoor’s studio (which was<br />

apparently well into the tens <strong>of</strong> thousands!)<br />

On the whole<br />

it’s been<br />

a fantastic<br />

experience,<br />

and I’d like<br />

to thank<br />

you and the<br />

<strong>College</strong> very<br />

much for the<br />

opportunity<br />

to have<br />

undertaken it<br />

12/THE NICK YOUNG AWARD

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