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Rumbling on performativity_Frits Simon

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In its diversity auto-ethnography aims at change, transformati<strong>on</strong>, liberati<strong>on</strong>,<br />

breaking taboos, politicizing, pers<strong>on</strong>al change and theory-development (Alexander,<br />

2013; Allen-Collins<strong>on</strong>, 2013; Anders<strong>on</strong>, 2006a; Anders<strong>on</strong> and Glass-Coffin,<br />

2013; Bartleet, 2013; Boylorn and Orbe, 2014a; Chang, 2013; Chang et al., 2013;<br />

Denzin, 2013; Douglas and Carless, 2013; Holman J<strong>on</strong>es et al., 2013b; Quicke, 2010;<br />

Tedlock, 2013). Auto-ethnography is an attempt of re-enchantment of the world<br />

(Brinkmann, 2012) against the <strong>on</strong>going processes of rati<strong>on</strong>alisati<strong>on</strong>.<br />

Although individual and narrative auto-ethnographic research is dominant<br />

within auto-ethnography, different approaches have been developed. Collaborative<br />

auto-ethnography engages multiple authors and perspectives around a<br />

subject, leading to interpers<strong>on</strong>al reflexive layers in the research (Chang, 2013;<br />

Chang et al., 2013). Artful and embodied methods of inquiry, using music, dance,<br />

film and performances, have also been developed as auto-ethnographic opti<strong>on</strong>s<br />

(Bartleet, 2013).<br />

Viable and valuable (analytical) auto-ethnography<br />

Especially for a comparis<strong>on</strong> with a complex resp<strong>on</strong>sive process-approach it is<br />

interesting to learn about an analytical auto-ethnographic line of approach.<br />

Anders<strong>on</strong> (2006a) formulates five key features for a viable and valuable autoethnography.<br />

These features implicate that the researcher should:<br />

1 Be a complete member in the social world under study, being aware that he<br />

experiences a role duality in being participant and observer, and being aware<br />

that his perspective is still his perspective;<br />

2 Take an analytic reflexive stance, through which he is aware of the reciprocal<br />

influence of doing research and being researched;<br />

3 Be visible, active and reflexively engaged in the text through which his feelings<br />

and experiences, and his pers<strong>on</strong>al engagement become apparent;<br />

4 Engage with others in the field of his study, as a dialogue with ‘the others’ is<br />

needed to prevent self-absorpti<strong>on</strong>;<br />

5 Be committed to an analytic agenda to gain a broader insight in social phenomena<br />

and to refine theoretical understandings of social processes.<br />

Resp<strong>on</strong>ding to his critics who accuse Anders<strong>on</strong> - due to his commitment to an<br />

analytic agenda - of a return to an out-of-date realistic ethnography, Anders<strong>on</strong><br />

(2006b) acknowledges his realistic aspirati<strong>on</strong>s. Anders<strong>on</strong> prefers ethnography<br />

with practical c<strong>on</strong>sequences to build a better world; analytical auto-ethnography<br />

should seek to generalize bey<strong>on</strong>d an individual case. Anders<strong>on</strong>’s critics fear<br />

that this demand for generalizability may jeopardize their auto-ethnographic<br />

project in which a post-modernistic or anti-foundati<strong>on</strong>al orientati<strong>on</strong> should be<br />

leading. However, the premises of auto-ethnography express as menti<strong>on</strong>ed<br />

before a str<strong>on</strong>g anti-foundati<strong>on</strong>al orientati<strong>on</strong>.<br />

Taking care of good narratives<br />

Auto-ethnographic researchers care for a good narrative and set standards for<br />

the quality of their narratives. The overview which Denzin (2014) offers exemplifies<br />

that the standards have to do with flesh and blood stories, provided with<br />

tensi<strong>on</strong>, a plot, emoti<strong>on</strong>s which move and empathize readers. According to<br />

Denzin (2014: 78) valuable narratives:<br />

42

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