Rumbling on performativity_Frits Simon
Rumbling on performativity_Frits Simon
Rumbling on performativity_Frits Simon
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important issues in my practice, how these issues are socially c<strong>on</strong>strued in the interacti<strong>on</strong>s<br />
am<strong>on</strong>g me and my colleagues and what might be learned from these experiences.<br />
The research brought quite some surprising outcomes and originated some insights<br />
which may be helpful for others working in more or less the same circumstances.<br />
Given its <strong>on</strong>tological and epistemological assumpti<strong>on</strong>s the research has not provided<br />
in some general soluti<strong>on</strong>s regarding uncovered drawbacks of <strong>performativity</strong> and<br />
policy. My insights are not meant as a set of systematic generalizati<strong>on</strong>s to be a next<br />
meal for the tapeworm. However, they may be worthwhile in general discussi<strong>on</strong>s<br />
regarding <strong>performativity</strong> and educati<strong>on</strong>al policy.<br />
1.5 A bird’s eye of my research<br />
Three narratives of in total 4 narratives c<strong>on</strong>cern activities regarding my work as an<br />
adviser to the board. One narrative is about my activities in a project <strong>on</strong> identity-management<br />
(chapter 4), a sec<strong>on</strong>d narrative is about my involvement with an internal<br />
process of developing performance agreements (chapter 5) and a third narrative is<br />
about a discussi<strong>on</strong> about the potential of c<strong>on</strong>structive dissent for organizati<strong>on</strong>al<br />
development (chapter 6).<br />
In the narrative about the project <strong>on</strong> identity-management I write about a period of<br />
10 weeks in which I was involved in a coordinati<strong>on</strong> team. This team had to prepare<br />
c<strong>on</strong>clusi<strong>on</strong>s for the Executive Board regarding the evaluati<strong>on</strong> of the results of an<br />
identity-management programme. In the descripti<strong>on</strong>, analysis and reflecti<strong>on</strong> <strong>on</strong> this<br />
process I learned to understand how c<strong>on</strong>clusi<strong>on</strong>s – which will have impact <strong>on</strong> the<br />
policy of the UAS - are moulded in the interacti<strong>on</strong>s am<strong>on</strong>g those involved. Moreover, I<br />
felt provoked to reflect up<strong>on</strong> my role as adviser within a broad range of role-metaphors<br />
varying from a ventriloquist to a corporate jester.<br />
In the narrative about the performance agreements I write about a period of 8<br />
m<strong>on</strong>ths. During that period I was <strong>on</strong>e of the two project-leaders which were resp<strong>on</strong>sible<br />
for drawing up the menti<strong>on</strong>ed before performance agreements for the UAS. You<br />
would expect that given the potential c<strong>on</strong>sequences of the performance agreements,<br />
the drawing up of these agreements would have been a well-organized and rather<br />
rati<strong>on</strong>al undertaking. My narrative, analysis and reflecti<strong>on</strong>s up<strong>on</strong> this period of 8<br />
m<strong>on</strong>ths point to a rather Babyl<strong>on</strong>ian and Sisyphean process of internal negotiati<strong>on</strong>s,<br />
lucky coincidence, differences in power and of str<strong>on</strong>g interdependency am<strong>on</strong>g the<br />
involved. Again I felt provoked to reflect up<strong>on</strong> my role as adviser, this time more<br />
oriented <strong>on</strong> aspects of mediating, c<strong>on</strong>necting and linking in a world which has become<br />
rather unpredictable.<br />
In the narrative about dissent I write about a period of <strong>on</strong>e and a half year. In this<br />
period I was involved in a search for how to think about and how to organize dissent<br />
1. Introducti<strong>on</strong>: research into <strong>performativity</strong> from a ‘pers<strong>on</strong>al’ perspective | 21