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The seeds of violence in domesticity: The case of post ... - JPCS

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Journal <strong>of</strong> Postcolonial Cultures and Societies<br />

ISSN (USA): 1948-1845 (Pr<strong>in</strong>t), 1948-1853 (Electronic)<br />

Indian filmography. <strong>The</strong>se stories are set either <strong>in</strong> urban low-middle class (Fire, 1996), <strong>in</strong> the<br />

Bombayte urbanite milieu (Bhoot, 2003) or <strong>in</strong> the expatriate experience (Provoked, 2006;<br />

Videsh. Heaven on Earth, 2008). <strong>The</strong>y highlight <strong>violence</strong> <strong>in</strong> the domestic circle as a<br />

dispossess<strong>in</strong>g sign <strong>of</strong> refused or marg<strong>in</strong>alized belong<strong>in</strong>g, <strong>in</strong> a way that defers to an<br />

undist<strong>in</strong>guished tomorrow the supposed affability <strong>of</strong> national <strong>in</strong>clusion stated by Nehru.<br />

Post-colonial Indian identity relied and relies on the family cell, as the <strong>in</strong>terpreter <strong>of</strong><br />

accepted corporate behaviour and the guardian <strong>of</strong> authorized hierarchies. In the transition from<br />

the colonial period to the <strong>post</strong>-age <strong>of</strong> Independence whatever diasporic movement outside<br />

homogeneity and homologation acted around issues <strong>of</strong> unconscious mimicry, to symbolise the<br />

confusion caused by the mottled reality conceal<strong>in</strong>g beh<strong>in</strong>d the multicultural layers <strong>of</strong> the Indian<br />

world. This might be the <strong>case</strong> with Dharmaputra, a film <strong>in</strong> which transitions <strong>of</strong> identity from one<br />

community to another are frown upon. This theme is rehearsed <strong>in</strong> the many films concern<strong>in</strong>g<br />

assumed identities with<strong>in</strong> the domestic circle, whose closed frame generates cont<strong>in</strong>uous<br />

<strong>in</strong>timations <strong>of</strong> expulsion and discrim<strong>in</strong>at<strong>in</strong>g <strong>violence</strong>. <strong>The</strong> complex network imply<strong>in</strong>g both<br />

belong<strong>in</strong>g and refusal goes beyond the authority <strong>of</strong> the nation-state, s<strong>in</strong>ce it ma<strong>in</strong>ta<strong>in</strong>s the doma<strong>in</strong><br />

<strong>of</strong> the archaic (casteism, fundamentalism) with<strong>in</strong> the plea for modernity.<br />

Consequently, the power <strong>of</strong> the nation-state should be viewed as split between corporate<br />

authorizations and communal autonomies assert<strong>in</strong>g difference. <strong>The</strong> clash takes primarily place<br />

<strong>in</strong>side the domestic sphere, out <strong>of</strong> which arise the basic marks allow<strong>in</strong>g or forbidd<strong>in</strong>g the<br />

exchange across communities <strong>in</strong> terms <strong>of</strong> caste and religion. Khap panchayats with<strong>in</strong> villages<br />

and rural communities def<strong>in</strong>e the next step towards separation, <strong>in</strong> a bid to ma<strong>in</strong>ta<strong>in</strong> supposed<br />

specificity. On a higher level, the centrality and pan-Indianness <strong>of</strong> the political parties is<br />

nowadays crumbl<strong>in</strong>g down <strong>in</strong> terms <strong>of</strong> regionalism, casteism and religion. <strong>The</strong>se are provok<strong>in</strong>g<br />

micro-partitions with<strong>in</strong> the unified body <strong>of</strong> the Indian nation, from communalism to <strong>in</strong>surgency.<br />

Domestic control is no more sufficient to encapsulate corporate ethos with<strong>in</strong> safe channels <strong>of</strong><br />

unity <strong>in</strong> difference. <strong>The</strong> flaw perhaps lies <strong>in</strong> the imposition <strong>of</strong> corporate authority to domestic<br />

life, as a form <strong>of</strong> genetic heritage which cannot be changed, s<strong>in</strong>ce discrim<strong>in</strong>ates and makes the<br />

difference <strong>of</strong> Indian culture, <strong>in</strong> terms <strong>of</strong> nationalism and superiority.<br />

__________<br />

Biography<br />

Alessandro Monti is former Full Pr<strong>of</strong>essor <strong>of</strong> English Language and Literature and Head <strong>of</strong> the<br />

Department <strong>of</strong> Oriental Studies (University <strong>of</strong> Tur<strong>in</strong>, Italy). Visit<strong>in</strong>g Pr<strong>of</strong>essor at the Kakatya<br />

University (Warangal, A.P.), 2002, and Research Fellow (Indian Centre for Cultural Relations)<br />

with the Department <strong>of</strong> Journalism and Mass Communication, BHU, Varanasi), 2011: Research<br />

on Indian C<strong>in</strong>ema. He founded and edited till December 2010 the critical series DOST<br />

(Department <strong>of</strong> Oriental Studies <strong>in</strong> Tur<strong>in</strong>). He collaborates with several Indian publishers. He<br />

resigned from the University <strong>in</strong> September 2010.<br />

“<strong>The</strong> <strong>seeds</strong> <strong>of</strong> <strong>violence</strong> <strong>in</strong> <strong>domesticity</strong>: <strong>The</strong> <strong>case</strong> <strong>of</strong> <strong>post</strong>-Independence India,” Alessandro Monti<br />

<strong>JPCS</strong>, Vol. 2, No 3, July 2011. http://www.jpcs.<strong>in</strong><br />

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