A psychoanalytic expedition into the dark core of the ... - JPCS

A psychoanalytic expedition into the dark core of the ... - JPCS A psychoanalytic expedition into the dark core of the ... - JPCS

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Journal of Postcolonial Cultures and Societies ISSN No. 1948-1845 (Print); 1948-1853 (Electronic) the better part of the development of the human species in Civilization and its Discontents. If used to reread Conrad’s metaphorical language of the tale of Kurtz told through Marlow’s voice, Freud's analysis might prove useful in psychoanalyzing the modern mind of the Enlightened European. As the 19 th century European literary novel meets early 20 th century psychoanalytic theory, this encounter might reveal to us the precise nature of the collective pathology of the Modern European mindset in the very terms through which it began to understand its own psychology. Though a tempting prospect, in order to avoid the danger of superimposing a structural coherence onto a literary narrative, this essay will not attempt to undertake what could be called a Freudian reading of Conrad’s novella. It will, however, try to tease out some Freudian themes within this work of fiction. It is hoped that a psychoanalytic exploration would enable the excavation of some of the darker secrets that lay hidden, repressed in the neuroses and psychoses that raged within the enlightened mind of modernity. It would be obviously problematic to attribute dynamics of the Freudian psyche onto the lives of actual individuals, but insofar as Heart of darkness is a work of fiction, it might afford us the luxury to examine is as a specimen representative of the topography of the modern European mind. Given that most of the narrative is a long drawn out confession on part of the main narrator named Marlow, the monologue could be read as an outpouring of the repressed conscious (and here we might imagine a psychoanalyst seated among his silent audience). The metaphor of the exploratory expedition which might represent the colonial project as a whole could also be read as a kind of self-exploration of the darkened contours of colonial psychology. Moving one step further from Marlow's confessional monologue, if the novella as a whole were to be considered as a transcript of the modern mind, then the characters that we find therein might be taken as representing psychological constructs that might relate A psychoanalytic expedition into the dark core of the enlightened mind,’ Asif Ali Akhtar JPCS Vol 3, No 1, 2012 39

Journal of Postcolonial Cultures and Societies ISSN No. 1948-1845 (Print); 1948-1853 (Electronic) to one another within a Freudian framework. Excavating the mental-landscape of the narrative in this manner might allow us to better understand (and possibly diagnose) the complexes and their interplay. As a starting point for our psychoanalytic expedition we would have to take Marlow's narrative voice as the internal voice of the Freudian 'ego'. In this regard, Marlow's voice is the voice of organized and reasonable cognition. As the unnamed protagonist of the novella describes him, in terms of his own yarn-spinning monologues, as someone who sought “the meaning of an episode” not at the core of the narrative, “but outside, enveloping the tale which brought it out only as a glow brings out a haze”. While we don't know a lot about the character of Marlow at the onset, we learn more about him as his monologue continues. In a way, he can also be read as a representation of the imperial subject, aspiring to be posted as a colonial officer in some far off land, and looking to pursue a fruitful career in a trading company. As his tale begins, we are transported, suddenly, from the river Thames to the very heartland of the 'dark continent'. And as we are told by Marlow at the very onset of his narration, the tale is not about “what happened to [him] personally”, rather it is about how he came to find Mr. Kurtz, the only other prominent character in the narrative, at the “farthest point of navigation and the culminating point of [his] experience”. He purports to be telling the tale so that those present may begin “to understand the effect of [the experience of finding Kurtz] on [him],” as the incidents he recounts would “throw a kind of light on everything about [him] -- and into [his] thoughts” (this is a statement that would excite the ears of our hypothetical psychoanalyst seated among the audience). A psychoanalytic expedition into the dark core of the enlightened mind,’ Asif Ali Akhtar JPCS Vol 3, No 1, 2012 40

Journal <strong>of</strong> Postcolonial Cultures and Societies<br />

ISSN No. 1948-1845 (Print); 1948-1853 (Electronic)<br />

<strong>the</strong> better part <strong>of</strong> <strong>the</strong> development <strong>of</strong> <strong>the</strong> human species in Civilization and its Discontents. If used to<br />

reread Conrad’s metaphorical language <strong>of</strong> <strong>the</strong> tale <strong>of</strong> Kurtz told through Marlow’s voice, Freud's<br />

analysis might prove useful in psychoanalyzing <strong>the</strong> modern mind <strong>of</strong> <strong>the</strong> Enlightened European. As <strong>the</strong><br />

19 th century European literary novel meets early 20 th century <strong>psychoanalytic</strong> <strong>the</strong>ory, this encounter<br />

might reveal to us <strong>the</strong> precise nature <strong>of</strong> <strong>the</strong> collective pathology <strong>of</strong> <strong>the</strong> Modern European mindset in <strong>the</strong><br />

very terms through which it began to understand its own psychology. Though a tempting prospect, in<br />

order to avoid <strong>the</strong> danger <strong>of</strong> superimposing a structural coherence onto a literary narrative, this essay<br />

will not attempt to undertake what could be called a Freudian reading <strong>of</strong> Conrad’s novella. It will,<br />

however, try to tease out some Freudian <strong>the</strong>mes within this work <strong>of</strong> fiction. It is hoped that a<br />

<strong>psychoanalytic</strong> exploration would enable <strong>the</strong> excavation <strong>of</strong> some <strong>of</strong> <strong>the</strong> <strong>dark</strong>er secrets that lay hidden,<br />

repressed in <strong>the</strong> neuroses and psychoses that raged within <strong>the</strong> enlightened mind <strong>of</strong> modernity.<br />

It would be obviously problematic to attribute dynamics <strong>of</strong> <strong>the</strong> Freudian psyche onto <strong>the</strong> lives <strong>of</strong> actual<br />

individuals, but ins<strong>of</strong>ar as Heart <strong>of</strong> <strong>dark</strong>ness is a work <strong>of</strong> fiction, it might afford us <strong>the</strong> luxury to<br />

examine is as a specimen representative <strong>of</strong> <strong>the</strong> topography <strong>of</strong> <strong>the</strong> modern European mind. Given that<br />

most <strong>of</strong> <strong>the</strong> narrative is a long drawn out confession on part <strong>of</strong> <strong>the</strong> main narrator named Marlow, <strong>the</strong><br />

monologue could be read as an outpouring <strong>of</strong> <strong>the</strong> repressed conscious (and here we might imagine a<br />

psychoanalyst seated among his silent audience). The metaphor <strong>of</strong> <strong>the</strong> exploratory <strong>expedition</strong> which<br />

might represent <strong>the</strong> colonial project as a whole could also be read as a kind <strong>of</strong> self-exploration <strong>of</strong> <strong>the</strong><br />

<strong>dark</strong>ened contours <strong>of</strong> colonial psychology. Moving one step fur<strong>the</strong>r from Marlow's confessional<br />

monologue, if <strong>the</strong> novella as a whole were to be considered as a transcript <strong>of</strong> <strong>the</strong> modern mind, <strong>the</strong>n <strong>the</strong><br />

characters that we find <strong>the</strong>rein might be taken as representing psychological constructs that might relate<br />

A <strong>psychoanalytic</strong> <strong>expedition</strong> <strong>into</strong> <strong>the</strong> <strong>dark</strong> <strong>core</strong> <strong>of</strong> <strong>the</strong> enlightened mind,’ Asif Ali Akhtar<br />

<strong>JPCS</strong> Vol 3, No 1, 2012<br />

39

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