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Organizational Development: A Manual for Managers and ... - FPDL

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9. Tools<br />

9.1 WARMING UP AND TUNING IN. One of specific features of the “transitional” audience is a<br />

very different background of officials who come <strong>for</strong> the course. There may be highly educated<br />

professor in one group with the worker or driver. Some are experienced national-wide known<br />

politicians <strong>and</strong> others are not interested in politics at all. Political belongings may cause quite<br />

hostile pre-adjustments. Ages are different also. However, they all are men <strong>and</strong> women, usually<br />

they are good people, they are all interested in what will happen, who are the neighbours <strong>and</strong><br />

trainers, <strong>and</strong> so on. There<strong>for</strong>e, good way to start is to tell trainees more about the organisers,<br />

why do they do it, who are trainers <strong>and</strong> what are their ambitions. For example, we always say<br />

that we consider ourselves far not so smart <strong>and</strong> experienced like our trainees, but we have<br />

some special skills in helping other people to exchange their knowledge <strong>and</strong> experience,<br />

probably to make theirs life experience a bit more conscious <strong>and</strong> operable, <strong>and</strong> so on. However,<br />

it is necessary to advice audience in indirect <strong>for</strong>m about the relevant background <strong>and</strong><br />

achievements of those who are going to teach them, just to diminish a cognitive dissonance of<br />

some participants, who could consider themselves older, better educated <strong>and</strong> experienced, than<br />

trainers.<br />

There are many ways to become acquainted with trainees. A bad one is an official representing<br />

by each trainee of himself. In dependence from the kind of audience, general mood at the<br />

beginning <strong>and</strong> other circumstances, trainer should choose one of the methods like: talking five<br />

minutes in pairs <strong>and</strong> then representing neighbours (it works even when all group come from the<br />

same organisation – than we ask them to find out something new about his neighbour <strong>and</strong><br />

share with others); playing with the small ball when each who get it should say his name <strong>and</strong><br />

something about himself; <strong>and</strong> so on. We never know in advance, which way will be most<br />

suitable in the moment. (Ones we should start from dancing, just switching in very pleasant<br />

music, than trainers <strong>and</strong> organisers invited some less reserved participants, others joined us,<br />

<strong>and</strong> in 15 minutes very cold audience became very warm <strong>and</strong> ready to work together. In the<br />

other case, a bottle of cognac made the necessary effect.)<br />

9.2 PRESENTATIONS. Oral presentation of the models <strong>and</strong> necessary theoretical materials is one<br />

of the most difficult things to do in training courses <strong>for</strong> adult professionals.<br />

To tune in the topic, it is always better to start with the exercise of any kind, which would<br />

demonstrate to trainees, that they do not underst<strong>and</strong> well enough some ideas (<strong>for</strong> example, it is<br />

not easy to explain what means word ‘politic’ or ‘quality’), or that they underst<strong>and</strong> the idea very<br />

differently. Then the presentation of this idea by trainer looks like having more sense <strong>and</strong> will be<br />

meet with more consciousness <strong>and</strong> interest.<br />

Taking in account very different background of trainees, it is a challenge not to say things, which<br />

are well known to the part of the audience, or at least to say them in a way, which would make<br />

these things interesting <strong>for</strong> everyone. One of the most important rules is never explain what<br />

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