03.06.2015 Views

Final_Judgment

Final_Judgment

Final_Judgment

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

[658] <strong>Final</strong> <strong>Judgment</strong> 756<br />

How the Mossad Skillfully Hid in Plain Sight:<br />

The "Indispensible Mark" in the JFK Conspiracy<br />

The late G. K. Chesterton (1874-1936) provided a means of<br />

understanding the Mossad role in the JFK conspiracy in the story of his<br />

fictional detective, Father Brown, thwarting a crime during a dinner party at<br />

an elegant hotel. In The Queer Feet, the villain infiltrated the party and<br />

made off with the silverware in the presence of a small handful of waiters<br />

and distinguished guests. Because both the waiters and the diners were<br />

attired in evening clothes, the thief dressed likewise. His ability to act and<br />

posture accordingly, despite his singular costume, made his crime possible.<br />

In the dining room, the criminal assumed the pose of a skilled waiter,<br />

moving swiftly, with precision—an "obsequious attendant"—keeping his<br />

distance, his eyes averted. Moving about elsewhere, the thief adopted the<br />

easy gestures, casual manners—the "absent-minded insolence"—of a<br />

society plutocrat, ignoring the hired help as he moved among them.<br />

Fortunately, Father Brown happened to be in the hotel and, as the crime<br />

was underway, overheard "the queer feet," —that is, the abrupt change of<br />

footfall as the villain slipped in and out of the dining room, changing his<br />

persona with lightning speed, from fast-walking "waiter" to leisurely<br />

"aristocrat." And so Father Brown captured the criminal and saved the day.<br />

Father Brown explained: "A crime is like any other work of art. Every<br />

work of art, divine or diabolic, has one indispensable mark—the center of it is<br />

simple, however much the fulfillment may be complicated. Every clever<br />

crime is founded ultimately on some one quite simple fact—some fact that<br />

is not itself mysterious. The mystification comes in covering it up, in<br />

leading men's thoughts away from it." * So it is with the JFK assassination.<br />

Because of its ability to infiltrate and/or manipulate or otherwise<br />

collaborate with such diverse groups as the CIA, organized crime, certain<br />

American "right wing" persons and organizations, the anti-Castro Cuban<br />

exiles, posturing accordingly, echoing concerns about JFK that these<br />

elements harbored, the Mossad assumed a protective coloration, operating<br />

behind the other conspirators and yet effectively acted in the open,<br />

hiding—as they say—in plain sight.<br />

As such, the role of the Mossad and its motive in moving against JFK—<br />

his effort to block Israel from building nuclear weapons—became lost in<br />

the multiple, seemingly disconnected and seemingly competing conspiracy<br />

theories that emerged in the wake of the assassination.<br />

Call it the "missing link" or "the hidden picture on the other side of the<br />

jigsaw puzzle" or the one "indispensable mark" pointing to the perpetrator<br />

of the crime, the bottom line, however uncomfortable it may be to some, is<br />

that, in the JFK assassination, the Mossad connection is inescapable.<br />

*With all due credit to George O'Toole who first cited Father Brown's remarks<br />

in the context of the JFK conspiracy, although, of course, O'Toole was not referring<br />

to the Mossad.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!