FAT-O-Caster V.3 - Deaf Eddie
FAT-O-Caster V.3 - Deaf Eddie
FAT-O-Caster V.3 - Deaf Eddie
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Wuzzit do?<br />
Well, for starters, you now can select from 11 different pickup and phasing combinations!<br />
Yes, some of the tones are repeated - but that's what makes this thing so darn easy to use…<br />
So, WHAT are the new tones, and WHERE are they?<br />
I like to count the settings this way: the <strong>FAT</strong>-O-<strong>Caster</strong> <strong>V.3</strong> switch has “notches” we'll call 1, 2,<br />
3 and 4, numbered as you turn the switch COUNTER-CLOCKWISE. So, if it was a tone control<br />
on “10”, you would be at notch 1. As you turn the control “down,” like from ten to, say, six, you<br />
go through the notches 1 through 4. Remember that even though the bridge pup now goes<br />
completely through the <strong>FAT</strong>-O-CASTER <strong>V.3</strong> switch, the 5-way still controls the tones - here's<br />
what to expect from the 5-way at each <strong>FAT</strong>-O-CASTER <strong>V.3</strong> notch:<br />
Notch 1 (“tone knob” on “10”) is just normal Strat tones.<br />
NOTE: As a reference for the rest of these instructions:<br />
On the 5-way: 1=neck, 2=middle and neck, 3=middle, 4=middle and bridge, 5=bridge<br />
Notch 2 (“tone knob” on “9”) is the "NECK on with BRIDGE" setting –<br />
the neck pup is ALSO routed to the bridge end of the 5-way switch.<br />
The combos are all wired parallel.<br />
As you throw the 5-way in this setting, you get (from 1 to 5):<br />
1 = neck<br />
2 = neck and middle<br />
3 = middle<br />
4 = bridge, middle, and neck<br />
5 = bridge and neck<br />
There now, isn't that what you've always said you wanted your Strat to be able to do?<br />
Notch 3 (“tone knob” on “8”) is the "BRIDGE and NECK series" setting.<br />
In 1,2 and 3 it's normal Strat combos<br />
In 5, you get the bridge and neck in series - it's as Gibson-y a tone as yer Strat ever gets<br />
In 4, you get the bridge and neck in series plus the middle parallel.<br />
Notch 4 (“tone knob” on “7”) is the “BRIDGE and NECK SERIES, out of phase" setting.<br />
In 1,2 and 3 it's normal Strat combos<br />
In 5, you get the bridge and neck in series/out of phase.<br />
In 4, you have the bridge and neck series/out of phase parallel to the middle.<br />
It’s not your typical thin out of phase – this one has some bite because it’s in series.<br />
To me, it strongly recalls Albert King’s tone…<br />
Hey, e-mail me with any questions, comments, or suggestions! EB@deaf-eddie.net