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May 2015 Issue 13 features an exclusive interview with the 1st lady of Dirtybird, J.Phlip. Colours fly as we delve into Holi with a chat with the festival's co-founder. We look into what type of music boosts focus.

May 2015 Issue 13 features an exclusive interview with the 1st lady of Dirtybird, J.Phlip. Colours fly as we delve into Holi with a chat with the festival's co-founder. We look into what type of music boosts focus.

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one year I will call time on the label, but then<br />

as these things do I came across the very<br />

vibrant and exciting Bassline genre, then the<br />

UK Funky genre started to blow up and one<br />

signing led to another (that positive knock<br />

on effect) and here we are today. I have<br />

been very fortunate to have and still am<br />

working with some of the best there has<br />

ever been - both music and tech equally<br />

important - the old music industry and a<br />

new music industry running side by side.<br />

BitTorrent - made with and for the<br />

web's creative community.<br />

I came across BitTorrent Bundles via<br />

following Matt Mason on twitter, Matt<br />

works for the BitTorrent company out of<br />

San Francisco, USA & he was previously at<br />

RWD Magazine (founding editor-in-chief,<br />

and he also wrote The Pirate's Dilemma<br />

(2008). I had previously been in a deal with<br />

EMI but decided to leave after 3 years - it's<br />

an honor to have worked with such an iconic<br />

company but leaving felt like the right thing<br />

to do at that point - I was also asked if I<br />

would like my label to go via Warner Ada,<br />

which I declined. At the time it just felt like<br />

the old industry was lost when it came to<br />

technology and it seemed they were<br />

struggling to see my vision as did radio who<br />

were watering down British Black / multi<br />

cultural music, but these guys at BitTorrent<br />

were technology, so it really did just make<br />

sense. I decided to give the BitTorrent<br />

Bundles brand one of my projects which was<br />

a few years old, I entitled the release 'The<br />

Best Of UKG EP' which was originally a 3 part<br />

EP entitled UKG 2012 EP 1,2,3 and the<br />

results were actually very very good,<br />

considering I did no online promo - it just<br />

seemed to take on a life of its own within<br />

their seeding system, I then decided to<br />

upload another in the Kayla L'ayton The<br />

Remixes EP - again this was impressive, but<br />

the big question was once the paygates go<br />

up would the service be as successful as the<br />

free download? Well, this is where we are at<br />

now - the great thing about our community<br />

(be it online or in the field) is I have seen<br />

some of my contacts from our promo list<br />

go on to use and are now using that service<br />

with great results, which is a great thing -<br />

the net is there for all, when these things<br />

happen naturally that really does make me<br />

happy - I have those, I did that / made that<br />

happen smurk. And radio in the past few<br />

months seems to be heading towards<br />

where I saw music, which is a great thing -<br />

you have to acknowledge / respect radio<br />

pd's when they get on the right path and<br />

even more so when they drop you an<br />

apology email :)<br />

The Developing Music Industry<br />

I like the new industry, we recently saw Jay Z<br />

and a whole host of artists come together<br />

with a new streaming site, Tidal, which I<br />

expect will develop into much more with<br />

time - and of-course the live aspect is<br />

thriving. Most music fans I speak with always<br />

comment on how excited they are to see<br />

their favorite artists live. In our dance<br />

community I am constantly seeing festival<br />

campaigns for dance music, in-fact I am<br />

constantly saluting friends of mine who<br />

have made / or are making that transition, it<br />

really is impressive and a breath of fresh air -<br />

we all seemed to come<br />

37

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