CrX4 User Manual - LinPlug Virtual Instruments

Note: The Filters 1 and 2 offer the same modulation options
Filter Saturation The Amount of Saturation which is applied at the filter
input.
Filter Cutoff
Cutoff frequency of the Filter, often used with an LFO to
create filter sweeps, with the Modulation Wheel to open
or close the filter during playing or with Velocity to
simulate an acoustic instrument's response to harder
played notes.
Filter Resonance Resonance (Emphasis) of the Filter, a not as obvious
effect as modulating the Cutoff.
Filter Env-Depth The Amount of the Filter Envelope actually applied to the
Filter Cutoff.
Filter Type
Filter Pan
Filter Amplitude
Main Ampli
Main Pitch
Matrix Depth
This only works with the Free-Filter, the Filter Type is
modulated.
The output pan position of the Filter.
The output volume of the Filter.
Overall amplitude of Crx4. This destination is always
directly controlled by the Amplitude Envelope but also
available in the Matrix to apply Key-Scaling or LFO's or
for special efects.
Overall pitch of all Generators. Often used for vibrato or
drum sounds where the pitch drops quickly at the start of
the sound. You can also use Glide for certain overall pitch
effects.
Intensity of the first four entries (line 1 to 4) in the
Modulation Matrix, often used with the ModWheel as
source to control a specific modulation parameter.
For Vibrato one would have in example line 1 of the
Matrix read
LFO 0:00 Main Pitch
and another Line would be
Modulation Wheel 2:00 Matrix Depth 1
for a 2 semitones Mod-Wheel controlled Vibrato.
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