CrX4 User Manual - LinPlug Virtual Instruments

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Glossary AM: AM or Amplitude Modulation is a process where the amplitude of one oscillator (the carrier) is controlled by another (the modulator). When the frequency of the modulator is periodic and below the audio range (less than 20 Hz) tremolo is produced. When the modulation frequency is within the audio range metallic overtones are produced. Amplifier: A signal processing device that changes the amplitude, and hence the volume, of a signal. Effect: A signal processing device that changes some aspect of the input signal. An enormous number of different effect types are available. These include Chorus (which produces a thickening of the signal), Delay (adding echoes to the signal) and Distortion (which changes the shape of the waveform usually adding overtones). Envelope: A time-varying signal used to control the development of another signal after it has been triggered. Envelopes are often used for controlling a signal's amplitude or filter's frequency. The shape of the envelope is determined by the number of control parameters. Usually four parameters are available: Attack Time, Decay Time, Sustain Level and Release Time. Filter: FM: A signal processing device that suppresses or filters out specific parts of a signal's frequency spectrum. Numerous types of filter are used in audio synthesis. These include Low Pass, High Pass, Band Pass and Notch. FM or Frequency Modulation is a process where the frequency of one oscillator or filter (the carrier) is controlled by another (the modulator). When the frequency of the modulator is periodic and below the audio range (less than 20 Hz) vibrato is produced. When the modulation frequency is within the audio range, Frequency Modulation is produced. CrX4 User Manual 60
LFO: An LFO or Low Frequency Oscillator is a periodic signal source (usually below audio frequency range) used to modulate another module's parameter. An LFO can be used for a variety of effects including vibrato (by modulating the pitch) and tremolo (by modulating the volume). Modulation Matrix: A signal junction where a source signal can be patched so that it controls a destination signal. The CrX4's Modulation Matrix is used for tasks such as modulating an oscillator's amplitude by an LFO. Oscillator: Ring Modulation: Noise: A signal source that generates a periodic waveform at a given frequency. The process of combining two audio signals by multiplication. Ring Modulation produces sidebands but suppresses both the carrier and modulating frequencies. Specifically White Noise is a signal which contains equal energy over its frequency range, compared to other types of noise, white noise has a bright sound. CrX4 User Manual 61
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CrX4 User Manual Copyright LinPlug
Page 3 and 4:
Welcome Thank you for purchasing a
Page 5 and 6:
Ping Pong (Delay)..................
Page 7 and 8:
Common to Mac and PC The first time
Page 9 and 10: output of filter 1 is send to filte
Page 11 and 12: User Interface Sections The user in
Page 13 and 14: The Generator Controls The upper an
Page 15 and 16: Time Sampler Generator The Time Sam
Page 17 and 18: Wavetable Generator The CrX4's Wave
Page 19 and 20: which is looped. These three parame
Page 21 and 22: dynamically to MIDI input. If you o
Page 23 and 24: Oscillator Generator The Oscillator
Page 25 and 26: Filters The CrX4 contains two indep
Page 27 and 28: The Filter Envelope section is loca
Page 29 and 30: Velocity to Main Volume The Velo (V
Page 31 and 32: Effects The CrX4 has 6 independent,
Page 33 and 34: St (Stereo) Delay The Stereo delay
Page 35 and 36: Chorus The Chorus effect can be use
Page 37 and 38: Filter The Drive slider (Saturation
Page 39 and 40: Flanger The CrX4’s Flanger can be
Page 41 and 42: Stereo Enhancer The CrX4’s Stereo
Page 43 and 44: The Divider Mode popup menu determi
Page 45 and 46: The Envelopes are positioned in eac
Page 47 and 48: LFO The CrX4’s LFO (“Low Freque
Page 49 and 50: Modulation Matrix The CrX4's Modula
Page 51 and 52: § Random: In this mode the notes o
Page 53 and 54: Preset Browser The Preset Browser s
Page 55 and 56: To use the CrX4’s ECS feature, pr
Page 57 and 58: Library Location / Startup Patch Wh
Page 59: The “Allow Host Program Change”
Page 63 and 64: Appendix A: Tempo Sync Settings Tem
Page 65 and 66: Expression Contr. LFO 1 LFO 2 LFO 3
Page 67 and 68: Note: The Filters 1 and 2 offer the
Page 69 and 70: Appendix D: Using TUN files in the
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CrX4 User Manual - LinPlug Virtual Instruments

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