The Social Cancer, by José Rizal - Home
The Social Cancer, by José Rizal - Home
The Social Cancer, by José Rizal - Home
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CHAPTER XIII 69<br />
"Because the fat curate ordered me to do so."<br />
"Who is the fat curate?" asked Ibarra.<br />
"Who? Why, the one that beats people with a big cane."<br />
Ibarra drew his hand across his forehead. "But at least you can tell us where the grave is. You must remember<br />
that."<br />
<strong>The</strong> grave-digger smiled as he answered quietly, "But the corpse is no longer there."<br />
"What's that you're saying?"<br />
"Yes," continued the grave-digger in a half-jesting tone. "I buried a woman in that place a week ago."<br />
"Are you crazy?" cried the servant. "It hasn't been a year since we buried him."<br />
"That's very true, but a good many months ago I dug the body up. <strong>The</strong> fat curate ordered me to do so and to<br />
take it to the cemetery of the Chinamen. But as it was heavy and there was rain that night--"<br />
He was stopped <strong>by</strong> the threatening attitude of Ibarra, who had caught him <strong>by</strong> the arm and was shaking him.<br />
"Did you do that?" demanded the youth in an indescribable tone.<br />
"Don't be angry, sir," stammered the pale and trembling grave-digger. "I didn't bury him among the<br />
Chinamen. Better be drowned than lie among Chinamen, I said to myself, so I threw the body into the lake."<br />
Ibarra placed both his hands on the grave-digger's shoulders and stared at him for a long time with an<br />
indefinable expression. <strong>The</strong>n, with the ejaculation, "You are only a miserable slave!" he turned away<br />
hurriedly, stepping upon bones, graves, and crosses, like one beside himself.<br />
<strong>The</strong> grave-digger patted his arm and muttered, "All the trouble dead men cause! <strong>The</strong> fat padre caned me for<br />
allowing it to be buried while I was sick, and this fellow almost tore my arm off for having dug it up. That's<br />
what these Spaniards are! I'll lose my job yet!"<br />
Ibarra walked rapidly with a far-away look in his eyes, while the aged servant followed him weeping. <strong>The</strong> sun<br />
was setting, and over the eastern sky was flung a heavy curtain of clouds. A dry wind shook the tree-tops and<br />
made the bamboo clumps creak. Ibarra went bareheaded, but no tear wet his eyes nor did any sigh escape<br />
from his breast. He moved as if fleeing from something, perhaps the shade of his father, perhaps the<br />
approaching storm. He crossed through the town to the outskirts on the opposite side and turned toward the<br />
old house which he had not entered for so many years. Surrounded <strong>by</strong> a cactus-covered wall it seemed to<br />
beckon to him with its open windows, while the ilang-ilang waved its flower-laden branches joyfully and the<br />
doves circled about the conical roof of their cote in the middle of the garden.<br />
But the youth gave no heed to these signs of welcome back to his old home, his eyes being fixed on the figure<br />
of a priest approaching from the opposite direction. It was the curate of San Diego, the pensive Franciscan<br />
whom we have seen before, the rival of the alferez. <strong>The</strong> breeze folded back the brim of his wide hat and blew<br />
his guingón habit closely about him, revealing the outlines of his body and his thin, curved thighs. In his right<br />
hand he carried an ivory-headed palasan cane.<br />
This was the first time that he and Ibarra had met. When they drew near each other Ibarra stopped and gazed<br />
at him from head to foot; Fray Salvi avoided the look and tried to appear unconcerned. After a moment of<br />
hesitation Ibarra went up to him quickly and dropping a heavy hand on his shoulder, asked in a husky voice,