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The Social Cancer, by José Rizal - Home

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CHAPTER VI 47<br />

pretty young woman of Santa Cruz, who gave him social position and helped him to make his fortune. Doña<br />

Pia Alba was not satisfied with buying and selling sugar, indigo, and coffee, but wished to plant and reap, so<br />

the newly-married couple bought land in San Diego. From this time dated their friendship with Padre Damoso<br />

and with Don Rafael Ibarra, the richest capitalist of the town.<br />

<strong>The</strong> lack of an heir in the first six years of their wedded life made of that eagerness to accumulate riches<br />

almost a censurable ambition. Doña Pia was comely, strong, and healthy, yet it was in vain that she offered<br />

novenas and at the advice of the devout women of San Diego made a pilgrimage to the Virgin of Kaysaysay<br />

[40] in Taal, distributed alms to the poor, and danced at midday in May in the procession of the Virgin of<br />

Turumba [41] in Pakil. But it was all with no result until Fray Damaso advised her to go to Obando to dance<br />

in the fiesta of St. Pascual Bailon and ask him for a son. Now it is well known that there is in Obando a trinity<br />

which grants sons or daughters according to request--Our Lady of Salambaw, St. Clara, and St. Pascual.<br />

Thanks to this wise advice, Doña Pia soon recognized the signs of approaching motherhood. But alas! like the<br />

fisherman of whom Shakespeare tells in Macbeth, who ceased to sing when he had found a treasure, she at<br />

once lost all her mirthfulness, fell into melancholy, and was never seen to smile again. "Capriciousness,<br />

natural in her condition," commented all, even Capitan Tiago. A puerperal fever put an end to her hidden<br />

grief, and she died, leaving behind a beautiful girl ba<strong>by</strong> for whom Fray Damaso himself stood sponsor. As<br />

St. Pascual had not granted the son that was asked, they gave the child the name of Maria Clara, in honor of<br />

the Virgin of Salambaw and St. Clara, punishing the worthy St. Pascual with silence.<br />

<strong>The</strong> little girl grew up under the care of her aunt Isabel, that good old lady of monkish urbanity whom we met<br />

at the beginning of the story. For the most part, her early life was spent in San Diego, on account of its<br />

healthful climate, and there Padre Damaso was devoted to her.<br />

Maria Clara had not the small eyes of her father; like her mother, she had eyes large, black, long-lashed,<br />

merry and smiling when she was playing but sad, deep, and pensive in moments of repose. As a child her hair<br />

was curly and almost blond, her straight nose was neither too pointed nor too flat, while her mouth with the<br />

merry dimples at the corners recalled the small and pleasing one of her mother, her skin had the fineness of an<br />

onion-cover and was white as cotton, according to her perplexed relatives, who found the traces of Capitan<br />

Tiago's paternity in her small and shapely ears. Aunt Isabel ascribed her half-European features to the<br />

longings of Doña Pia, whom she remembered to have seen many times weeping before the image of<br />

St. Anthony. Another cousin was of the same opinion, differing only in the choice of the smut, as for her it<br />

was either the Virgin herself or St. Michael. A famous philosopher, who was the cousin of Capitan Tinong<br />

and who had memorized the "Amat," [42] sought for the true explanation in planetary influences.<br />

<strong>The</strong> idol of all, Maria Clara grew up amidst smiles and love. <strong>The</strong> very friars showered her with attentions<br />

when she appeared in the processions dressed in white, her abundant hair interwoven with tuberoses and<br />

sampaguitas, with two diminutive wings of silver and gold fastened on the back of her gown, and carrying in<br />

her hands a pair of white doves tied with blue ribbons. Afterwards, she would be so merry and talk so sweetly<br />

in her childish simplicity that the enraptured Capitan Tiago could do nothing but bless the saints of Obando<br />

and advise every one to purchase beautiful works of sculpture.<br />

In southern countries the girl of thirteen or fourteen years changes into a woman as the bud of the night<br />

becomes a flower in the morning. At this period of change, so full of mystery and romance, Maria Clara was<br />

placed, <strong>by</strong> the advice of the curate of Binondo, in the nunnery of St. Catherine [43] in order to receive strict<br />

religious training from the Sisters. With tears she took leave of Padre Damaso and of the only lad who had<br />

been a friend of her childhood, Crisostomo Ibarra, who himself shortly afterward went away to Europe. <strong>The</strong>re<br />

in that convent, which communicates with the world through double bars, even under the watchful eyes of the<br />

nuns, she spent seven years.<br />

Each having his own particular ends in view and knowing the mutual inclinations of the two young persons,<br />

Don Rafael and Capitan Tiago agreed upon the marriage of their children and the formation of a business

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