The Social Cancer, by José Rizal - Home
The Social Cancer, by José Rizal - Home
The Social Cancer, by José Rizal - Home
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CHAPTER LV 251<br />
town, from the light--even the moon so troubled him that he plunged into the mysterious shadows of the trees.<br />
<strong>The</strong>re, sometimes pausing, sometimes moving along unfrequented paths, supporting himself on the hoary<br />
trunks or being entangled in the undergrowth, he gazed toward the town, which, bathed in the light of the<br />
moon, spread out before him on the plain along the shore of the lake. Birds awakened from their sleep flew<br />
about, huge bats and owls moved from branch to branch with strident cries and gazed at him with their round<br />
eyes, but Elias neither heard nor heeded them. In his fancy he was followed <strong>by</strong> the offended shades of his<br />
family, he saw on every branch the gruesome basket containing Balat's gory head, as his father had described<br />
it to him; at every tree he seemed to stumble over the corpse of his grandmother; he imagined that he saw the<br />
rotting skeleton of his dishonored grandfather swinging among the shadows--and the skeleton and the corpse<br />
and the gory head cried after him, "Coward! Coward!"<br />
Leaving the hill, Elias descended to the lake and ran along the shore excitedly. <strong>The</strong>re at a distance in the midst<br />
of the waters, where the moonlight seemed to form a cloud, he thought he could see a specter rise and soar the<br />
shade of his sister with her breast bloody and her loose hair streaming about. He fell to his knees on the sand<br />
and extending his arms cried out, "You, too!"<br />
<strong>The</strong>n with his gaze fixed on the cloud he arose slowly and went forward into the water as if he were following<br />
some one. He passed over the gentle slope that forms the bar and was soon far from the shore. <strong>The</strong> water rose<br />
to his waist, but he plunged on like one fascinated, following, ever following, the ghostly charmer. Now the<br />
water covered his chest--a volley of rifle-shots sounded, the vision disappeared, the youth returned to his<br />
senses. In the stillness of the night and the greater density of the air the reports reached him clearly and<br />
distinctly. He stopped to reflect and found himself in the water--over the peaceful ripples of the lake he could<br />
still make out the lights in the fishermen's huts.<br />
He returned to the shore and started toward the town, but for what purpose he himself knew not. <strong>The</strong> streets<br />
appeared to be deserted, the houses were closed, and even the dogs that were wont to bark through the night<br />
had hidden themselves in fear. <strong>The</strong> silvery light of the moon added to the sadness and loneliness.<br />
Fearful of meeting the civil-guards, he made his way along through yards and gardens, in one of which he<br />
thought he could discern two human figures, but he kept on his way, leaping over fences and walls, until after<br />
great labor he reached the other end of the town and went toward Crisostomo's house. In the doorway were<br />
the servants, lamenting their master's arrest.<br />
After learning about what had occurred Elias pretended to go away, but really went around behind the house,<br />
jumped over the wall, and crawled through a window into the study where the candle that Ibarra had lighted<br />
was still burning. He saw the books and papers and found the arms, the jewels, and the sacks of money.<br />
Reconstructing in his imagination the scene that had taken place there and seeing so many papers that might<br />
be of a compromising nature, he decided to gather them up, throw them from the window, and bury them.<br />
But, on glancing toward the street, he saw two guards approaching, their bayonets and caps gleaming in the<br />
moonlight. With them was the directorcillo. He made a sudden resolution: throwing the papers and some<br />
clothing into a heap in the center of the room, he poured over them the oil from a lamp and set fire to the<br />
whole. He was hurriedly placing the arms in his belt when he caught sight of the portrait of Maria Clara and<br />
hesitated a moment, then thrust it into one of the sacks and with them in his hands leaped from the window<br />
into the garden.<br />
It was time that he did so, too, for the guards were forcing an entrance. "Let us in to get your master's papers!"<br />
cried the directorcillo.<br />
"Have you permission? If you haven't, you won't get in,'" answered an old man.<br />
But the soldiers pushed him aside with the butts of their rifles and ran up the stairway, just as a thick cloud of