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The Social Cancer, by José Rizal - Home

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CHAPTER LV 250<br />

"Miserere! <strong>The</strong> alferez is calling for confession," cried Aunt Isabel. "<strong>The</strong> alferez is wounded?" asked Linares<br />

hastily. "Ah!!!" Only then did he notice that he had not yet swallowed what he had in his mouth.<br />

"Padre, come here! <strong>The</strong>re's nothing more to fear!" the alferez continued to call out.<br />

<strong>The</strong> pallid Fray Salvi at last concluded to venture out from his hiding-place, and went down the stairs.<br />

"<strong>The</strong> outlaws have killed the alferez! Maria, Sinang, go into your room and fasten the door! Kyrie eleyson!"<br />

Ibarra also turned toward the stairway, in spite of Aunt Isabel's cries: "Don't go out, you haven't been shriven,<br />

don't go out!" <strong>The</strong> good old lady had been a particular friend of his mother's.<br />

But Ibarra left the house. Everything seemed to reel around him, the ground was unstable. His ears buzzed, his<br />

legs moved heavily and irregularly. Waves of blood, lights and shadows chased one another before his eyes,<br />

and in spite of the bright moonlight he stumbled over the stones and blocks of wood in the vacant and<br />

deserted street.<br />

Near the barracks he saw soldiers, with bayonets fixed, who were talking among themselves so excitedly that<br />

he passed them unnoticed. In the town hall were to be heard blows, cries, and curses, with the voice of the<br />

alferez dominating everything: "To the stocks! Handcuff them! Shoot any one who moves! Sergeant, mount<br />

the guard! Today no one shall walk about, not even God! Captain, this is no time to go to sleep!"<br />

Ibarra hastened his steps toward home, where his servants were anxiously awaiting him. "Saddle the best<br />

horse and go to bed!" he ordered them.<br />

Going into his study, he hastily packed a traveling-bag, opened an iron safe, took out what money he found<br />

there and put it into some sacks. <strong>The</strong>n he collected his jewels, took clown a portrait of Maria Clara, armed<br />

himself with a dagger and two revolvers, and turned toward a closet where he kept his instruments.<br />

At that moment three heavy knocks sounded on the door. "Who's there?" asked Ibarra in a gloomy tone.<br />

"Open, in the King's name, open at once, or we'll break the door down," answered an imperious voice in<br />

Spanish.<br />

Ibarra looked toward the window, his eyes gleamed, and he cocked his revolver. <strong>The</strong>n changing his mind, he<br />

put the weapons down and went to open the door just as the servant appeared. Three guards instantly seized<br />

him.<br />

"Consider yourself a prisoner in the King's name," said the sergeant.<br />

"For what?"<br />

"<strong>The</strong>y'll tell you over there. We're forbidden to say." <strong>The</strong> youth reflected a moment and then, perhaps not<br />

wishing that the soldiers should discover his preparations for flight, picked up his hat, saying, "I'm at your<br />

service. I suppose that it will only be for a few hours."<br />

"If you promise not to try to escape, we won't tie you the alferez grants this favor--but if you run--"<br />

Ibarra went with them, leaving his servants in consternation.<br />

Meanwhile, what had become of Elias? Leaving the house of Crisostomo, he had run like one crazed, without<br />

heeding where he was going. He crossed the fields in violent agitation, he reached the woods; he fled from the

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