A Cultural Formulation Approach to Career ... - ResearchGate
A Cultural Formulation Approach to Career ... - ResearchGate
A Cultural Formulation Approach to Career ... - ResearchGate
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Leong et al. 479<br />
free time, he enjoys flying planes and playing musical instruments such as the guitar.<br />
He also volunteers at the local theater and has participated in some of the<br />
community-sponsored plays and events. He enjoys these activities tremendously but<br />
claims that these could not be career options as they are not stable and would not be<br />
acceptable by his family and friends.<br />
Anil’s father owns a local fast food Indian restaurant and his mother is primarily a<br />
housewife who at times helps out at the restaurant. Anil is first-generation American;<br />
his parents came <strong>to</strong> the United States <strong>to</strong> fulfill their dreams for a better future for<br />
themselves and their children. Anil has two younger sisters, one who is just entering<br />
college and the other is in high school. Anil’s parents want him <strong>to</strong> get married and<br />
take care of them and his sisters. He has dated men on and off but does not feel like<br />
he can tell anyone about his relationships. This has further burdened his sense of<br />
well-being. In addition, recent hate crimes <strong>to</strong>ward gay and lesbian persons at the university<br />
make him feel shameful and fearful about disclosing his same-sex sexual<br />
orientation. He feels out of place at the university and feels that his Asian Indian<br />
identity along with his sexual orientation make him a target for multiple oppressions.<br />
Working With Anil: Applying the <strong>Cultural</strong> <strong>Formulation</strong>s <strong>Approach</strong><br />
To understand Anil’s situation via the career cultural formulations approach using<br />
the DSM-IV (Leong et al., 2007), five basic aspects of this model are used <strong>to</strong><br />
conceptualize this case and intervene accordingly: (a) Anil’s cultural identity,<br />
(b) cultural explanations of the career concern, (c) cultural fac<strong>to</strong>rs related <strong>to</strong> psychosocial<br />
environment and levels of functioning, (d) cultural elements of the therapeutic<br />
relationship between Anil and the clinician, and (e) overall cultural assessment for<br />
diagnosis and intervention.<br />
Anil’s cultural identity. Several key aspects of Anil’s cultural identity are suggested<br />
in the vignette, across the various levels of self (Oyserman & Markus, 1993).<br />
Oyserman and Markus (1993) describe a model including the various layers of social<br />
embeddedness that are involved in the process of forming the self. Layer 1 of the<br />
model includes fac<strong>to</strong>rs such as family, friends, and significant others. Anil is concerned<br />
about his family’s expectations, his position in the family as he is the only<br />
son and the oldest, and the effect his decision will make on his community. Layer<br />
2, which involves the neighborhood, work, and school are also important fac<strong>to</strong>rs,<br />
as his university setting is impacting his decision <strong>to</strong> go with a nontraditional career<br />
role versus being able <strong>to</strong> express himself in ways where he will not be ostracized. He<br />
may have less motivation <strong>to</strong> pursue a career in the arts as it could threaten his sense<br />
of connectedness and harmony with others in his community. In addition, the need <strong>to</strong><br />
seek a degree that would be both prestigious and beneficial for his family would be<br />
more desirable, as it would emphasize the philosophy of cooperation and community<br />
over competition and individuality. The third layer comprises ethnicity, gender,<br />
religion, and social class; sexual orientation, although ignored by Oyserman and<br />
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