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Viktor Schauberger

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Due to round-the-clock bombing the SS was forced to try even more drastic measures, launching<br />

unmanned interceptor discs from the Schwarzwald. These discs were known as the "Feuerball"<br />

weapon, sometimes erroneously referred to as the mystery "V-7" weapon (of which there never was an<br />

official designation). The WNF Feuerball relied on a rocket motor for launch, a plume sensor for aerial<br />

detection, and an electrostatic filed weapon invented at Messerschmitt’s Oberammergau facility.<br />

Production of these craft was initially performed by WNF. Because the discs burned chemicals around<br />

its ring to create the electrostatic field necessary to disable Allied bomber engines and radar the object<br />

was soon nicknamed the "Foo Fighter" by the Allies who sighted this fiery halo weapon approaching<br />

them by day or night. FOO was a take on the French word Feu (Fire) and from the Smokey Stover<br />

comic of a bumbling fireman that actually started fires!<br />

Naturally, WNF observed the burning effect too and soon nicknamed their weapon the WNF Feuerball<br />

(Fireball). The Feuerballs plagued the 415th NFS from November 1944 to April 1945. By that time<br />

production had been shifted to the Zeppelin Werk that nicknamed the larger improved weapon as<br />

"Kugelblitz" (Ball Lightning). The Allies seemed confused by these weapons which ranged in size from<br />

small to large and attacked in singles or multiples. The Germans further confused the Allies by launching<br />

"Seifenblasen" along with the Feuerballs. Seifenblasen (Soap Bubbles) were large weather balloons<br />

trailing metal strips that confused Allied radar. Their large round shape reflecting in daylight gave them<br />

the appearance of a shining globe similar to the Feuerball. The Germans further complicated the<br />

identification of the "Foo Fighters" with a range of smaller purely spherical aerial probes that were used<br />

as psychological weapons. These "KugelWaffen" (Ball weapons) played aerial games with the Allied<br />

bomber gunners that would have in time distracted them from the real threat of larger approaching<br />

Kugelblitz discs.<br />

But by the spring of 1945 the war was lost regardless and most of the remaining disc programs were<br />

halted. Henri Coanda had been arrested in Paris in 1940 and forced to work on a disc under SS<br />

supervision. His design for a lenticular disc that benefited from his own "Coanda effect" was a<br />

masterpiece of jet disc design. But because it required 12 JUMO 004 jets to power the huge machine<br />

the project never got past the wind tunnel testing phase. Likewise, Andreas Epps independent Omega<br />

Diskus which utilized two Pabst ramjets and 8 Argus lift fans was also confined to 1/10th scale model<br />

testing.<br />

Dr. Alexander Lippisch had also studied disc aerodynes back in 1941 but was too involved in the ME-<br />

163 Komet and DM-1 delta glider programs to produce anything more than brief design concepts based<br />

on the Gottingen K 1253 disc wing profile. The Horten brothers, experts with flying wings, also studied<br />

circular wing designs but did not actually work on any in Nazi Germany. They did so for the US Govt.

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