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Human Dignity and Bioethics

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340 | Susan M. Shell<br />

Attention to our necessary ways of orienting ourselves in the<br />

world can help us to avoid certain absurdities to which certain “liberal”<br />

models of the self are otherwise all too prone. The sharp distinction<br />

between “persons” <strong>and</strong> “things” that liberalism encourages can,<br />

if wrongly applied, lead either to treatment of one’s own body <strong>and</strong><br />

its parts as if they were as “alienable” as, say, a suit of clothes (as in<br />

Nip/Tuck, a popular satire on the plastic surgery industry) or, alternatively,<br />

to confusion of the body’s surface boundaries with those<br />

of self-hood proper (as in Andrea Dworkin’s portrayal of the female<br />

body as a fortress that is, or ought to be, literally impregnable).<br />

In the first case, one may be driven to regard such arrangements<br />

as the sale of body parts or maternal surrogacy as no more problematic<br />

than any other exchange of goods or services. But even the<br />

fiercest champions of untrammeled market freedom in such areas<br />

are sometimes brought up short by due recognition of the human<br />

consequences—consequences that would ultimately make markets<br />

as such impossible. 14 A recent example: our unease with the idea of<br />

transplanting faces, even to restore healthy function rather than for<br />

the sake of aesthetic “enhancement.” As the very term “person” (derived<br />

from persona, the Latin word for “mask”) suggests, the relation<br />

between individual identity <strong>and</strong> bodily appearance—especially the<br />

appearance of one’s face—is neither accidental, on the one h<strong>and</strong>, nor<br />

perfectly straightforward on the other. Eighteenth-century physiognomists<br />

may have exaggerated the extent to which our inner character<br />

can be read in our faces; but that there is some reciprocal relation<br />

<strong>and</strong> effect seems undeniable. The face is a mask that both reveals us<br />

<strong>and</strong> permits us to hide, just as actors’ masks allow them to assume, in<br />

highly stylized ways, identities other than their own. Still, a world in<br />

which faces, <strong>and</strong> the peculiar expressions that accompany them, were<br />

as exchangeable as hats does not seem to be one in which human life<br />

as we know it could easily exist.<br />

In the second, admittedly rarer case, the body <strong>and</strong> the self become<br />

confused in such a way as equally to challenge the possibility of<br />

human life. In Dworkin’s words:<br />

There is a never real privacy of the body that can co-exist with<br />

intercourse: with being entered.… The thrusting is persistent<br />

invasion. She is opened up, split down the center. She is

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