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The Archaeology of Britain: An introduction from ... - waughfamily.ca

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• 294 • Kate Clark<br />

however, <strong>ca</strong>n also provide a source<br />

<strong>of</strong> information for how people<br />

lived. Eighteenth-and nineteenthcentury<br />

ceramics are <strong>of</strong>ten the<br />

subject <strong>of</strong> research by collectors<br />

and art historians, anxious to<br />

establish firm attribu-tions for<br />

individual pieces. <strong>The</strong><br />

archaeologi<strong>ca</strong>l study <strong>of</strong> ceramics<br />

for the industrial period, however,<br />

has concentrated much more on<br />

methods <strong>of</strong> production (Baker<br />

1991) (Figure 16.9) —there have,<br />

for example, been many ex<strong>ca</strong>vations<br />

<strong>of</strong> kilns in major ceramicproducing<br />

areas such as Stoke-on-<br />

Trent in the Midlands. Only<br />

recently have traditional ex<strong>ca</strong>vation<br />

reports begun to deal seriously with<br />

post eighteenth-century ceramics<br />

(Figure 16.10).<br />

<strong>The</strong> production <strong>of</strong> tin-glazed<br />

wares, stonewares and domestic<br />

earthenwares was established in<br />

<strong>Britain</strong> by the end <strong>of</strong> the seventeenth<br />

century (Draper 1984). Pottery<br />

production was transformed,<br />

however, in the latter half <strong>of</strong> the<br />

eighteenth century when the new<br />

fashions for drinking tea, c<strong>of</strong>fee and<br />

chocolate were being initially<br />

satisfied by the importation <strong>of</strong> blue<br />

and white porcelains <strong>from</strong> China.<br />

Lo<strong>ca</strong>l manufacturers were desperate<br />

Figure 16.9 Kilns at Gladstone Pottery Museum, Stoke-on-Trent. to recreate these, and started making<br />

Source: Kate Clark<br />

white stonewares with incised blue<br />

decoration. Firms in Worcester, and<br />

later at Caughley and Coalport in Shropshire, in Liverpool and in Nantgarw, Gwent, experimented<br />

with, and finally succeeded in making, hard and s<strong>of</strong>t paste porcelains in <strong>Britain</strong>, applying handpainted<br />

and later transfer-printed blue designs in imitation <strong>of</strong> the Chinese wares. <strong>The</strong>se were,<br />

however, specialist wares. <strong>The</strong> first successful mass production <strong>of</strong> ceramics was undertaken by<br />

Josiah Wedgwood, who developed and patented a cream coloured earthenware that was cheap to<br />

produce, and could be coloured. ‘Queensware’, as it was <strong>ca</strong>lled, was successfully marketed<br />

throughout <strong>Britain</strong>, and the predominance <strong>of</strong> creamwares in archaeologi<strong>ca</strong>l assemblages<br />

throughout the parts <strong>of</strong> the world with which <strong>Britain</strong> had trading contacts is particularly notable.

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