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AAA CEMEXME v 13 for press.pmd - Cemex Philippines

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20 CEMEX+ME 1st Half of 2004 /MANILA, PHILIPPINES<br />

He then asks the helpers to<br />

mix the cement such that it<br />

will dry easily if not plastered<br />

quickly enough. But,<br />

since there would be too<br />

much cement to use up and<br />

too much wall space <strong>for</strong> just<br />

one mason to plaster,<br />

helpers are required to<br />

follow the mason’s example<br />

and plaster another portion<br />

of the wall, with the<br />

<strong>for</strong>eman (Mang Rolly<br />

“Lahat ng trabaho [sa site] ay nakasalalay sa<br />

balikat ng isang <strong>for</strong>eman… Kung ano man<br />

ang mangyari sa trabaho, ang <strong>for</strong>eman ang<br />

lalapitan ng project engineer, `yan ang<br />

sisisihin.<br />

himself) standing watch to<br />

supervise and correct what<br />

is being done.<br />

After watching Mang<br />

Rolly at work with his men, it<br />

became easy to see how he<br />

quickly climbed the construction<br />

ladder. Instead of<br />

being an imposing figure on<br />

the site, like a general who<br />

would metaphorically whip<br />

his men into shape, Mang<br />

Rolly was a patient teacher<br />

and guide, someone who<br />

understood his men’s<br />

concerns and adjusted to<br />

their learning pace.<br />

“Madali raw akong magdala<br />

ng tao kaysa ibang <strong>for</strong>eman,”<br />

Mang Rolly shares the opinion<br />

that others have ex<strong>press</strong>ed of<br />

him. “Hindi ako masyadong strict<br />

(at) magaling akong magturo ng<br />

tao… Hindi ko kasi sinisigawsigawan<br />

ang tao ‘pag hindi<br />

marunong (People say that I lead<br />

Building Building homes homes <strong>for</strong><br />

<strong>for</strong><br />

Mang Rolly’s job isn’t just<br />

about building homes to<br />

earn a decent income and<br />

feed his family of eight—<br />

he also does it to help<br />

others like himself restore<br />

their dignity by getting<br />

decent, af<strong>for</strong>dable homes<br />

of their own.<br />

Like Mang Rolly, Glenda<br />

Velez and Abner Galora were<br />

practically homeless—they had<br />

built makeshift homes near the<br />

train tracks in Cupang and Tramo,<br />

but a series of fires in 1997 and<br />

1998 razed their “houses” to the<br />

ground. They were literally living<br />

on the edge—being “along da<br />

people better than other<br />

<strong>for</strong>emen… I’m not too strict<br />

and I teach people well… I<br />

don’t shout at people when<br />

they don’t know what to do).”<br />

Other <strong>for</strong>emen, he shares, are<br />

sometimes antagonized by<br />

their men because of their work<br />

attitude and manner of relating<br />

with their people. But he believes<br />

in being patient with his workers,<br />

especially if they are going<br />

through personal problems that<br />

may affect their work behavior.<br />

He went on to explain<br />

some of his other responsibilities<br />

as a construction<br />

<strong>for</strong>eman—such as taking a<br />

regular inventory of all<br />

materials and supplies on the<br />

site, supervising the work of<br />

the construction team, and<br />

handling the workers’<br />

payroll—and we teased him<br />

about being “the boss”. The<br />

modest bisaya smiled and<br />

riles”, as a popular TV show once<br />

put it—so the Muntinlupa Development<br />

Foundation (MDF) decided<br />

that they, along with 425<br />

families who lived by the railroad,<br />

should be relocated to a safer<br />

place. They chose a site in United<br />

Bayanihan Village, in San Pedro,<br />

Laguna, as the relocation site.<br />

With funding from the<br />

Japan <strong>for</strong> Poverty Reduction<br />

Fund, and through the partnership<br />

of the Asian Development<br />

Bank (ADB), the MDF, and<br />

Habitat, construction <strong>for</strong> the 427<br />

families of the Cupang-Tramo<br />

Neighborhood Association and<br />

the Maralitang Nagkakaisa sa<br />

Tramo (MANATRA) began in<br />

December 2002.

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