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THE REVIVAL OF ORIYA NATIONAL IDENTITY<br />

AND UTKAL-GOURAB MADHUSUDAN<br />

BIMALKRISHNA PAL<br />

The mutual interdependence between culture and liberation had<br />

assumed great national and international importance in the nineteenth<br />

and first decades of the twentieth century due to the resistance of<br />

militarily weaker nations against the aggressions of colonial powers.<br />

Just in the modern warfare, the marching army is supported by an<br />

umbrella of air force, foreign aggression wave their cultural counterpart<br />

in the form of foreign missionaries, foreign literature, language,<br />

art, culture, dress, food and manners; calculated to denationalise and<br />

demoralise the would-be conquered people, so that in the process of<br />

subjugation, the agony of subjugation would loose its teeth under the<br />

cover of consolation of greater identity, with the conqueror and his<br />

mode of life. In India, great Indian leaders of the nineteenth and<br />

twentieth century, therefore, utilised the revival of ancient Indian<br />

Culture, Philosophy, Mythology, Traditions, Costumes, Rituals, Manners<br />

and even the traditional dress of the people as a preparation for the<br />

continued political struggle against the foreign domination. Such a<br />

strategy has now received international recognition and has been<br />

reduced to fixed strategic principles.<br />

The great South African native leader Alexia Guma in his thesis<br />

Culture and Liberation (1976) describes the theory of resistance<br />

against foreign colonial powers in these words :<br />

Essential feature of colonisation is the destruction of a<br />

people's identity On a subject people, colonial domination<br />

may be imposed by way of suppressing traditional ways of<br />

living and the riding together with introduction of alien ideas<br />

and values.<br />

Another great South African international leader Axilcan Cabral<br />

in his thesis submitted to the UNESCO in 1976 amplifies the subject as<br />

follows :

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